Roland JUNO-X
₹245,470.00
Keyboard Section:
- Number of Keys: 61 Keys (with channel aftertouch)
Sound Generator Section:
- Sound Generator: ZEN-Core
- Various MODEL Sound Generators
Parts:
- Max Parts: 5 parts
- Play Parts: 4
- Rhythm Parts: 1
Tones:
- Preset Tone: 4,000 or greater
- User Tone: 256
- Drum Kit: 90 or greater
Scenes:
- Scenes: 256
Effects:
- Multi-Effects: 4 systems, 93 types
- Part EQ: 5 systems
- Overdrive
- Reverb: 8 types
- Chorus: 5 types
- Delay: 5 types
- Mic NS / Compressor
- Master EQ / Compressor
Arpeggiator:
- Type: I-ARPEGGIO (Multi-parts arpeggiator with playing detection)
- Arpeggio Parts: 5 parts
Controllers:
- Pitch Bend/Modulation Lever
- Assignable Slider: x2
- Assignable Switch: x3
Bluetooth:
- Version: 4.2
- Profile Support: A2DP (Audio), GATT (MIDI over Bluetooth Low Energy)
- Codec: SBC (Supports content protection via the SCMS-T method)
Display:
- Graphic LCD: 128 x 64 dots
Speaker and Amplifier:
- Amplifier Power Output: 4 W x 2
- Speakers:
- Full Range Speakers: 3.5 x 8 cm x 2
- Tweeter: 2 cm x 2
Connectors:
- HEADPHONES Jack:
- Stereo miniature phone type (front)
- Stereo 1/4-inch phone type (rear)
- MAIN OUT Jacks (L/MONO, R): 1/4-inch phone type
- MAIN OUT Jacks (L, R): XLR type
- MIC INPUT Jack: 1/4 inch phone type/XLR type
- AUX INPUT Jack: Stereo miniature phone type
- HOLD PEDAL Jack
- CONTROL PEDAL Jack
- MIDI Connectors: IN, OUT
- USB COMPUTER Port: (AUDIO/MIDI)
- USB MEMORY Port
External Memory:
- USB Flash Drive (sold separately)
Power Supply:
- Power Consumption: 20 W
Accessories:
- Startup Guide
- Power Cord
Options (sold separately):
- Keyboard Stand: KS-11Z, KS-13
- Pedal Switch: DP series
- Expression Pedal: EV-5
Size and Weight:
- Width: 1,072 mm (42-1/4 inches)
- Depth: 333 mm (13-1/8 inches)
- Height: 118 mm (4-11/16 inches)
- Weight: 11.6 kg (25 lbs 10 oz)
Vintage heart. Modern muscle.
JUNO-X elevates Roland’s legendary synthesizer series into a new era, fusing authentic vintage spirit with modern creative power. Compose and perform with the next-generation JUNO-X engine, historic JUNO-60 and JUNO-106 Models, sounds from the XV-5080 and RD pianos, Model Expansions, and more. And bring them all together with a familiar hands-on interface that welcomes you like an old friend. Backed by the immense range of our ZEN-Core Synthesis System, JUNO-X goes wherever your music lives—past, present, or future.
Three JUNOs in one.
JUNO-X gives you the authentic sounds of the JUNO-60 and JUNO-106 in all their glory, plus a new JUNO-X engine that imbues the JUNO spirit with more sonic muscle and expression.
JUNO-X
The newly developed JUNO-X Model presents a natural evolution of the historic JUNO voice. Create even fatter sounds with an enhanced version of Roland’s famous Super Saw waveform and go deeper with velocity sensitivity, pitch envelope control, and more. There’s also a new Chorus III mode to complement the two beloved chorus modes from the original JUNOs.
JUNO-60
Introduced in 1982, the JUNO-60 was a landmark instrument that greatly influenced the synth landscape to come. Succeeding the similar JUNO-6, it offered affordable polyphonic synthesis with a stable digitally controlled oscillator (DCO). The JUNO-60’s rich character, friendly interface, and rock-solid tuning—along with a rich chorus effect and the ability to store sounds in onboard memories—made this synth an instant classic.
JUNO-106
In 1984, the JUNO-106 built on the success of its predecessor with more memories and the revolutionary new MIDI interface. It also featured a slightly smoother and cleaner sonic character, and the JUNO-60’s arpeggiator was replaced with a cool polyphonic portamento function. Embraced by an even wider audience, the more affordable JUNO-106 went on to become one of the best-selling synths of all time.
Beyond JUNO.
The versatile JUNO-X also includes more onboard Models from the legendary Roland canon and the ability to go even further with Model Expansions and other sound content from Roland Cloud.
XV-5080, RD-Piano, and Vocoder.
Explore over 900 PCM-based presets from the famous XV-5080 module, from acoustic instruments and vintage synths to drums and world sounds. Play expressive acoustic pianos derived from Roland’s renowned RD stage piano series. Or plug in a mic and use the Vocoder Model with any JUNO-X sound to create expressive ensemble tones, futuristic pads, and funky robot voices.
Model Expansions and More.
With support for Model Expansions from Roland Cloud, you can transform JUNO-X with the sounds and character of additional Roland instruments both old and new. Load up authentic versions of the JUPITER-8, JD-800, and other classics, or get creative with the newly developed Vocal Designer. Roland Cloud is also home to a growing range of Wave Expansions, Sound Packs, Sample Packs, and more to keep the music flowing.
Wireless Expansion with Roland Cloud Connect.
JUNO-X also provides integrated support for Roland Cloud Connect, a powerful option that includes the WC-1 wireless adapter and Roland Cloud membership. Browse, audition, and load Model Expansion titles and other content directly to the keyboard via the convenience of Wi-Fi. With Roland Cloud Connect, a universe of fresh inspiration is always at your fingertips.
Creative Experience
Feel the music.
A key element of the JUNO’s appeal was a straightforward interface that made it easy to craft inspiring sounds and evolving textures in the heat of the moment. With a familiar panel adorned with responsive controls, JUNO-X invites you to fully immerse in the music and create without limits.
Tactile workflow.
The JUNO-X workflow is direct and intuitive, and everything is right where you need it. High-res sliders deliver analog feel with precise digital control, while dedicated buttons let you call up sounds and functions in a flash. When you need to dive deeper, the informative LCD provides clear navigation through an array of advanced parameters.
Layer it on.
Vintage JUNO synths had modest sound capabilities with a single DCO. With JUNO-X, you can layer multiple JUNOs to create all manner of analog-flavored goodness, from massive leads and basses to rich, lush pads. Or stack Model Expansions and the onboard sounds to build dream synths never heard before. Layer up to four tones at once with enough to polyphony to take on any creative venture.
Scenic view.
With 256 custom creative spaces called Scenes, you can instantly recall complete JUNO-X setups with a single touch. Store sound parameters for four instrument parts and the dedicated drum part, plus I-Arpeggio settings, effects, and more.
Modern multi-effects.
Along with the JUNO choruses, JUNO-X includes a huge variety of additional effects to color sounds. Independent MFX and EQ are available for different parts, plus drive, delay, and reverb. Master EQ and compressor effects are also on tap, along with dedicated vocal effects for the mic input.
Arpeggio action.
Whether you want classic arpeggios or something beyond, JUNO-X delivers. Call up the traditional arpeggiator for a retro vibe. Or journey to the future with I-Arpeggio, which uses intelligent algorithms to infuse your music with naturally evolving note changes and movement. It’s also possible to export I-Arpeggio MIDI performances for further development in any DAW.
JUNO-X Editor.
With the full-featured JUNO-X Editor software, you can take your creativity further with the large screen on your Mac or Windows computer. Tweak sounds, effects, and Scenes in microscopic detail, organize performance setups, and much more.
Get connected.
The JUNO-X rear panel is loaded with connectivity for any situation. Balanced and unbalanced audio outputs are available, plus a stereo audio input and MIDI I/O. There’s also a mic input for vocal performing or feeding the onboard Vocoder. USB audio/MIDI support lets you interface with your favorite production software, and you can even back up JUNO-X settings to a flash drive via the USB Memory port.
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System
EDS-i(Enhanced Definition Synthesis – integrated)Sound Engine
- Maximum Polyphony
- 120 voices (120 oscillators), single mode
60 voices (60 oscillators), single mode* The actual maximum polyphony will vary depending on oscillator settings such as stereo multisamples and velocity crossfading.
- Preset PCM Memory
- Approximately 128 MB (calculated as 48 kHz / 16-bit linear PCM data equivalent)
496 multisamples (including seven stereo), 1014 drumsamples (including 49 stereo)
- Expansion PCM Memory
- Approximately 128MB (*when converted to 48 kHz 16-bit linear PCM
* Used when loading option PCM
- Program
- Oscillator
- OSC1 (Single), OSC1+2 (Double): Stereo multisamples are supported 4 velocity zones per oscillator, with switching, crossfades and layers.
- Filters
- Four types of filter routing (single, serial, parallel, 24 dB)
Two multi-mode filters per voice (low pass, high pass, band pass, band reject)
- Modulation
- For each voice, two envelope generators (Filter & Amp), two LFOs, two key tracking generators (Filter & Amp), and two AMS mixers. In addition, pitch EG, common LFO, and two common key tracking generators
- Combination
- Timbres
- Up to 16 timbres, switchable via key zone or velocity zone, layer and crossfade supported, Tone Adjust function allows program settings to be offset
- Master Keyboard functionality
- These allow you to control external MIDI devices
- Drumkits
- Stereo and mono drumsamples. 4-way velocity switches with crossfades and adjustable crossfade shapes (Linear, Power, Layer).
- The Number of Combinations/Programs/Drum Kits
- User Combinations
- 896 Combinations (384 Preload)
- User Programs
- 1280 Programs (768 Preload)
- User Drum Kits
- 58 Drum Kits (42 Preload)
- Preset Programs
- 265 Programs (256 GM2 Programs + 9 GM2 Drum Programs)
- * Total number of preload programs and preset programs:1,075 (810 preload programs, 265 preset programs
*Click here for KROSS 2-88-MB.
Favorites
- Number of memories
- 128 (16 favorites × 8 banks)
Effects
- Insert effects
- 5 Insert Effects In-line processing; stereo in – stereo out.
- Master effects
- 2 Master Effects Two effects sends; stereo in – stereo out.
- Effects types
- Total of 134 types (select from 74 types for insert effects, 101 types of master effect 1, and 120 types for master effect 2)
- Modulation
- Dynamic Modulation
- Effects Control Bus
- Stereo side-chaining for limiter, gates, vocoders, etc.
Polyphonic arpeggiators
- Program mode
- One arpeggiator
- Combination mode
- Two arpeggiators
- Sequencer modes
- Two arpeggiators
- Preset arpeggio patterns
- UP, DOWN, ALT1, ALT2, RANDOM
- User arpeggio patterns
- Number of arpeggio patterns: 1280 (1024 preload)
Number of tones: 12 tones,
Number of steps: up to 64 steps
Step sequencer
- Program mode
Combination mode
Sequencer mode - One unit
Number of tones: 12 tones + 1 accent tone
Number of steps: up to 64 steps
* Can be created for each program, combination, and song.
Drum Track
- Preset Patterns
- 772 patterns (Held in common with sequencer patterns.)
- Other
- Trigger Mode / Sync / Zone settings can be specified
Sequencer
- Tracks
- 16MIDI Tracks
- Number of Songs
- Up to 128 songs
- Resolution
- 1/480
- Tempo
- 40.00–300.00 (1/100 BPM resolution)
- Maximum Memory
- Up to 210,000 MIDI events
- Counter
- Measure/Beat/Tick
- Template Song
- 16 preset/16 user template songs
- Preset Patterns
- 772 patterns (shared with Drum Track patterns)
- Format
- KORG (KROSS) format, SMF format 0 and 1
Pad sampler
- Specifications
- 16 pads × 8 banks
Automatically saved on the SD card, and automatically loaded
Up to four pads can play simultaneously
- Recording format
- PCM audio format 48 kHz/16-bit
- Recording time
- Up to approximately 14 seconds of stereo sample for each pad
- Import
- WAVE format, file name extension: .wav, 44.1 kHz/16-bit, 48 kHz/16-bit, stereo
* 44.1 kHz is automatically converted to 48 kHz/i>
- Edit
- Waveform display editing functionality, start address and looping settings etc., normalize and other editing operations
Audio Recorder
- Recording Format
- PCM audio format 48kHz/16bit
- Import
- WAVE format (file name extension: wav ) 44.1kHz/16bit, 48kHz/16bit stereo
* 44.1 kHz is automatically converted to 48 kHz/i>
- Export
- WAVE format (file name extension: .wav) 48kHz/16bit, stereo
- Recording Time
- Maximum continuous recording time: 3 hours
Depends on the SD card used; approximately 90 minutes per 1 GB
- Number of Songs
- Up to 200 songs
- Number of overdub recordings
- Depends on the remaining capacity of the SD card
- Counter
- Hour/Min/Sec
- Pad audio play
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16 pads × 8 banks
Directly play back data from SD card
Multiple pads cannot be played simultaneously
Media
File, Utility, Information, additional PCM data management functionalityControllers
- General Control
- Pitch bend wheel, Modulation wheel, SW1, SW2
- Realtime Control
- SELECT button, SWITCH button, KNOB1 knob, KNOB2 knob
- Step Sequencer/Favorite/Pad Sampler/Pad Audio Play
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Pads 1–16
STEP SEQ ACTIVE button, Run button
FAVORITES ACTIVE button
SAMPLER ACTIVE button, HOLD button
AUDIO PLAY ACTIVE button
BANK LEDA/B/C/D/E/F/G/H (also used by Step sequencer, Favorite, Pad Sampler, and Pad Audio Play)
- Drum Track
- DRUM TRACK button
- Arpeggiator
- ARP button
- Audio Recorder
- AUDIO REC button
User Interface
- Display
- 240 × 64 pixel LCD backlight
Adjustable contrast (hold the EXIT button and turn the VALUE dial)
- Category
- CATEGORY dial, VALUE dial
- MODE
- COMBI button, PROG button, SEQ (GLOBAL/MEDIA) button
- Value Controllers
- Cursor buttons, EXIT,ENTER, FUNCTION, PAGE-, PAGE+, MENU buttons
- Sequencer
- REC button, START/STOP button
- Quick Layer Split
- LAYER/SPLIT button
- Other
- VOLUME knob
Control Input
DAMPER (Supports piano-style half-damper pedals as well as standard foot switches)
ASSIGNABLE SWITCH
ASSIGNABLE PEDALAudio Outputs (Analog)
- AUDIO OUTPUT L/MONO, R
- Connectors: 6.3 mm (1/4″) phone jacks(TS unbalanced)
Output Impedance: 1.1k ohm stereo, 550 ohm mono (L/Mono only)
Maximum Level: +10.0 dBu
Load Impedance: 10k ohm or greater
Controllable by the VOLUME knob
- HEADPHONE OUTPUT
- Connectors: 3.5mm (1/8″) stereo mini phone jack
Output Impedance: 33 ohnm
Maximum Level: 40 + 40 mW
Controllable by the VOLUME knob
Audio Inputs (Analog)
- LINE IN
- Connectors: 3.5 mm (1/8″) stereo mini phone jack
Input Impedance: 1.1k ohm
Maximum Input Level: -42 to 0 dBu
- MIC IN
- Connectors: 6.3 mm (1/4″) phone jacks(TS unbalanced)
Input Impedance: 33 ohm
Maximum Input Level: -48 to -6dBu
Phantom power or plug-in power is not supported.
Others
- MIDI
- IN, OUT
- USB
- USB connector TYPE B x 1, USB-MIDI interface, USB audio interface
- SD Card Slot
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Main Specifications
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AA alkaline batteries x 6, or nickel-metal hydride batteries x 6
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- Dimensions (W x D x H)
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