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Category: RME

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  • RME Babyface Pro FS

    Original price was: ₹96,524.00.Current price is: ₹75,000.00.

    Four years ago the Babyface Pro again demonstrated RME’s absolute commitment to superior craftsmanship, not only in audio circuits and driver development, but also in mechanics. Created with the highest precision from a block of aluminum, this high-end portable interface incorporated newly designed analog and digital circuits. Its innovative energy saving technologies provided supreme fidelity with no compromises in level, noise or distortion.

    In the new Babyface Pro FS even more improvements were implemented:

    • +19 / +4 dBu switch on the bottom adds a direct way to reduce the output level, thus improves SNR for sensitive active monitors, avoids distortion / overload, and helps to keep TotalMix FX faders near 0 dB instead of high attenuations.
    • Full SteadyClock FS circuit as in the ADI-2 Pro FS for lowest jitter and highest jitter immunity.
    • 3.5 mm TRS phones output power rises from 70 mW to 90 mW. THD of both phones outputs improved by up to 10 dB. Uses same output op-amps as ADI-2 Pro now. Output impedance of 3.5 mm TRS lowered from 2 Ohms to 0.1 Ohms.
    • Mic inputs SNR improved from 112.2 dB to 113.7 dB, TRS Line inputs SNR improved from 114 dB to 116.3 dB (120 dBA). THD Line inputs improved by 8 dB.
    • 6 samples less latency on the AD side by new ADC (5 samples AD, 7 samples DA. It won’t get quicker…).
    • All the above improvements were achieved without raising the units power consumption.
    • K-slot for theft protection.
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  • RME Digiface USB

    The latest Plug and Play technology guarantees a simple installation, even for the inexperienced user. Numerous unique features as well as RME’s robust drivers enable a quick, efficient and comfortable operation of the Digiface USB. Its small size, weight and bus-powered operation make the Digiface USB extremely versatile and useful. It could even serve as simple headphone amp for mobile use.

    Input Optical ADAT / SPDIF

    • 4 x TOSLINK, format according to Alesis specification
    • SPDIF compatible (IEC 60958)
    • Standard: 32 channels 24 bit, up to 48 kHz
    • Double Speed (S/MUX): 16 channels 24 bit 96 kHz
    • Quad Speed (S/MUX4): 8 channels 24 bit 192 kHz
    • Bitclock PLL ensures perfect synchronisation even in varispeed operation
    • Lock range: 31.5 kHz – 50 kHz
    • Jitter when synced to input signal: <1 ns

    Output Optical ADAT / SPDIF

    • 4 x TOSLINK, format according to Alesis specification
    • SPDIF compatible (IEC 60958)
    • Standard: 32 channels 24 bit, up to 48 kHz
    • Double Speed (S/MUX): 16 channels 24 bit 96 kHz
    • Quad Speed (S/MUX4): 8 channels 24 bit 192 kHz

    Output Analog Phones 33/34

    • Dynamic range (DR): 110 dB RMS unweighted, 113 dBA
    • Frequency response @ 44.1 kHz, -0.5 dB: 0 Hz – 20.8 kHz
    • Frequency response @ 96 kHz, -0.5 dB: 0 Hz – 45 kHz
    • Frequency response @ 192 kHz, -1 dB: 0 Hz – 89 kHz
    • THD@-1dBFS:-96dB,0.0016%
    • THD+N @ -1 dBFS: -95 dB, 0.0017 %
    • Channel separation: > 100 dB

    Output: 6.3 mm TRS jack, unbalanced

    • Output impedance: 2 Ohm
    • Output level at 0 dBFS, 1 kOhm load: +9.5 dBu
    • Max power @ 0.1% THD: 50 mW

    Digital

    • Clocks: Internal, ADAT In, SPDIF In
    • Low Jitter Design: < 1 ns in PLL mode, all inputs
    • Internal clock: 800 ps Jitter, Random Spread Spectrum
    • Jitter suppression of external clocks: > 30 dB (2.4 kHz)
    • Effective clock jitter influence on AD and DA conversion: near zero
    • PLL ensures zero dropout, even at more than 100 ns jitter
    • Supported sample rates: 28 kHz up to 200 kHz

     

    General

    • Power supply: USB bus power
    • Typical power consumption: 1.2 Watts
    • Current at 5 V bus power operation: 230 mA
    • Max power consumption: below 2 Watts
    • Dimensions (WxHxD): 128 x 22 x 55 mm (5.04″ x 0.87″ x 2.2″)
    • Weight: 220 g (0.49 lbs)
    • Temperature range: +5° up to +50° Celsius (41° F up to 122°F)
    • Relative humidity: < 75%, non condensing
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  • RME FIREFACE 802 FS

    The Fireface 802 FS is a highly integrated pro audio solution for live and studio use, all within a 19” enclosure. An interface designed for users who don’t want to make compromises in sound, stability and ultra-low latency operation, and who long for an unrivaled professional feature set. Once again a milestone interface from RME, including the best of the best and even a bit more. 60 channels of audio, high-end microphone preamps, reference class converters, a complete effects section and operation at up to 192 kHz are the base for many more features.

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  • RME FIREFACE UCX II

    The Fireface UCX II is a highly integrated pro audio solution in an ultra-compact format for studio and live recordings. It continues RME’s long tradition of designing compact advanced interfaces, packing into a half-rack size unit what usually would be spread out over two or three 19 inch panels.

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  • RME FIREFACE UFX II

    RME USB Premium Flagship Interface

    The unique Fireface UFX II is the premier solution to transfer analog and digital audio data directly to a computer from practically any source.

    Numerous unique features, well thought-out configuration dialogs, an industry-leading mixing engine and monitoring solution, professional DSP effects and class-leading analog circuits with latest digital converters put the Fireface UFX II at the very top of the range of computer-based audio interfaces.

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  • RME FIREFACE UFX III

    The Multichannel Flagship Interface

    The Fireface UFX III is the center of any multitrack studio, handling up to 94 channels I/O with ease. Its unprecedented flexibility, compatibility, the inclusion of DURec (Direct USB Recording) and RME’s famous low latency hardware and driver designs guarantee flawless operation in any mode and application.

    Packed with professional features, including SteadyClock FS, MADI I/O (64 channels), a powerful DSP, USB 3.0 (full 94 channel I/O Class Compliant ready), TotalMix FX, Direct USB Recording, and support for the Advanced Remote Control USB (available separately), the Fireface UFX III is the professional’s preferred tool for multitrack recording, mixing and mastering.

    The Fireface UFX III is based on a newly developed analog and digital board. While the analog board offers, for example, DC-coupled analog outputs as well as new AD and DA converters with improved THD+N value, the digital board also enables interesting new features thanks to updated high-tech components.

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