Product Showcase
Roland FANTOM-7
Original price was: ₹446,620.00.₹360,000.00Current price is: ₹360,000.00.
- Acclaimed 76-note semi-weighted keyboard with aftertouch
- Seamless workflow with no confusing modes
- Expandable sound engine delivers authentic electronic and acoustic sounds
- Fresh hybrid sounds combining modern PCM, virtual analog, and a routable analog filter
- V-piano technology for stunning realism and expression
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No modes. Just seamless workflow.When the creative juices are flowing, there should be no barriers. With FANTOM, you won’t compromise your sound or suffer workarounds due to outdated technical limits. And forget worrying about what features work in which mode. FANTOM is always in full-on creative mode and your workflow stays consistent, no matter what |
Make a scene.When you’re ready to create, so is FANTOM—and all it takes is a single touch. Your sounds, patterns, and performance layouts are arranged into custom creative spaces called Scenes. A Scene can be an entire song, section of a song, or a starting point with your favorite sounds laid out just how you like. Scenes can be chained together and changed instantly with no gaps or glitches. |
One Engine. Infinite Possibilities.Our custom Behavior Modeling Core processors enable FANTOM’s smooth and precise control, loads of polyphony, and full patch remain. You can combine soft synths with FANTOM’s internal sounds and there’s a fully routable analog filter for extra warmth and grit. You can even sample your own sounds and trigger up to 2 GBs worth of loops and one-shots from the pad matrix. |
Go ahead. Express yourself.There are many ways to play expressively on keyboards. Some players like levers, some like wheels, some prefer pedals, while others prefer aftertouch. With FANTOM, you can use any of them—or all of them. You can even connect USB controllers to any of FANTOM’s three USB ports for enhanced expression. |
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Computer expertFANTOM doesn’t just work with computers—it fully integrates. It’s a high-quality 16×3 stereo audio interface and can control DAWs and plugins from its touchscreen. It can integrate soft synths into Scenes, and send parts composed on FANTOM directly to your DAW. |
The Piano is Key.Considered by many as the king of instruments, piano sits at the heart of the creative process for composers across a range of musical genres. FANTOM uses our V-Piano technology for pianos that don’t just sound real, they feel real. Craft pianos that play and respond like their acoustic counterparts and match your personal taste. |
High-res, hands-on control.FANTOM has plenty of knobs and sliders for intuitive and immediate control, with high-resolution for buttery-smooth sweeps and fine adjustments. There’s a dedicated synthesizer section with oscillator, filter, and envelope controls, along with numerous buttons and pads for triggering and sequencing. |
From spark to fire.Different musical genres need diverse production styles and specialized tools. You can create patterns on FANTOM in a variety of ways including real and step-time polyphonic sequencing, or the TR-REC pattern sequencer—perfect for rhythmic parts—as used on our iconic drum machines |
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Korg, Arranger Keyboard PA-300
Original price was: ₹87,000.00.₹74,000.00Current price is: ₹74,000.00.Add to cart
Sound quality is first-rate
It all begins with the sound. KORG sound quality is universally recognized as superior, and relied on by musicians around the world. First in its class, the Pa300 delivers an even richer, more detailed, sophisticated natural sound than ever before, with musical instruments from almost every genre brimming with depth, nuance, subtlety, accuracy and richness. Over 950 sounds are preloaded, including a renewed GM soundset, and 64 drum kits. There is also an amazing multilayer stereo acoustic piano, accurately sampled from a Concert Grand, which includes string and damper pedal resonance. *Sounds are fully editable and changes can be saved in the User area.
*To use this functionality, you need to install operating system v.1.5.0 or higher.
A full complement of Effects
Of course great sound is about more than the instruments. For many years, KORG has produced outstanding studio quality effects that are simply breathtaking. The Pa300 has 4 Stereo Master Effects processors, with 125 of these effects including standards such as Reverb, Delay and Chorus and some of the universally acclaimed REMS guitar based effects for authentic guitar tones. Each Track features an EQ with Low, Mid and High controls. A custom track EQ can be memorized in the general preferences for the Song Play mode. This will help adapting the sound to personal taste for any MIDI file you play. Need a lighter bass track? Save the right equalization, and the bass will stay light with all the subsequent Songs.
A final 4 band parametric EQ is added to the sound output of the Pa300. Everything can be processed by this powerful and musically refined EQ, easily adapting the sound to your musical taste or correcting a problematic live context.Styles are professional quality
Matching this high sound quality, the Pa300 delivers a new set of deluxe Styles, programmed by some of the leading arrangers in the world; each one bringing unique musical strengths. The result is hundreds of preloaded Styles that provide unparalleled realism and detail. Covering an expanded range of musical genres, the Pa300 gives you Styles for almost every important occasion.
We add further realism to your performance with four Fills/ Breaks plus 3 Intros and 3 Endings. More flexibility is added by the choice of different transposition tables, and the stunning Guitar Mode 2 adds a totally new perspective to Style Guitar tracks. *If you require a special Style collection, simply record and edit your own Styles on board.*To use this functionality, you need to install operating system v.1.5.0 or higher.
Composition support functions
Automatic accompaniment with rich, detailed realistic backing patterns (Styles) created by professional programmers from around the world will provide useful ideas for your arrangements. Simply play a chord progression and the Quick Record function will complete the basic backing tracks. The Pa300 is a simple but powerful composition tool for any musician!
Compact, yet powerful
The Pa300 is one of the easiest arrangers to carry around. But while its size might appear diminutive, it’s not the same with regard to the power of the onboard, exceptionally high-quality custom designed amplification system. The 2 x 13 Watt amplifiers drive the 2 loudspeakers in a bass-reflex box to generate a rich, powerful listening experience.
Easy to use
With all the technological power packed inside, it was vital that we also made the Pa300 easy to understand and easy to use. But even more, we wanted the entire user experience with the Pa300 to be an intuitive, musical, fast, fool proof process. The panel layout has been revised and our graphical user interface uses an amazing Graphical Color Touch Screen so you simply think, point and click for easy and intuitive use.
There are two interface modes so that a musician of any level can start making great music quickly: Easy and Expert. The Easy mode shows only the most important controls, while keeping a clean and straightforward interface, useful for beginners or playing live. Nothing stands between you and your professional performance. Of course, in Expert mode you have full editing control.
Your live performances will work the way you want, and when you do not remember where a file, a Song or a Style was saved, just use the Search function to let Pa300 find it for you.Play any song and view as traditional music notation
The Pa300 onboard player can read MID, KAR and MP3 files. It can also read lyrics and chords from all these file types. Traditional score viewing is also available for those who prefer to read music.
The Score Viewer displays the lead track (or any other track) as clear and plain traditional musical notations with notes or chords, together with lyrics and chord abbreviations. Chord names can also be seen in English and Italian. For those learning music, we also added a function to show note names next to each note. -
KORG Synthesizer KROSS2-61
Original price was: ₹74,900.00.₹65,000.00Current price is: ₹65,000.00.Add to cartKROSS 2-6161 keys (velocity sensitive; aftertouch not supported)
Normally C2–C7(adjustable in the range [C1…C6]–[C3…C8]- KROSS 2-88
- 88 keys NH (Natural weighted hammer action) keyboard (no aftertouch)
Normally A0–C8 (adjustable in the range [-A-1…C7]–[A1…C9])* The NH keyboard delivers a playing feel similar to that of an acoustic piano, with low notes being heavier and high notes being lighter.
System
EDS-i（Enhanced Definition Synthesis – integrated）Sound Engine
- Maximum Polyphony
- 120 voices (120 oscillators), single mode
60 voices (60 oscillators), single mode* The actual maximum polyphony will vary depending on oscillator settings such as stereo multisamples and velocity crossfading.
- Preset PCM Memory
- Approximately 128 MB (calculated as 48 kHz / 16-bit linear PCM data equivalent)
496 multisamples (including seven stereo), 1014 drumsamples (including 49 stereo)
- Expansion PCM Memory
- Approximately 128MB (*when converted to 48 kHz 16-bit linear PCM
* Used when loading option PCM
- Program
- Oscillator
- OSC1 (Single), OSC1+2 (Double): Stereo multisamples are supported 4 velocity zones per oscillator, with switching, crossfades and layers.
- Filters
- Four types of filter routing (single, serial, parallel, 24 dB)
Two multi-mode filters per voice (low pass, high pass, band pass, band reject)
- Modulation
- For each voice, two envelope generators (Filter & Amp), two LFOs, two key tracking generators (Filter & Amp), and two AMS mixers. In addition, pitch EG, common LFO, and two common key tracking generators
- Combination
- Timbres
- Up to 16 timbres, switchable via key zone or velocity zone, layer and crossfade supported, Tone Adjust function allows program settings to be offset
- Master Keyboard functionality
- These allow you to control external MIDI devices
- Drumkits
- Stereo and mono drumsamples. 4-way velocity switches with crossfades and adjustable crossfade shapes (Linear, Power, Layer).
- The Number of Combinations/Programs/Drum Kits
- User Combinations
- 896 Combinations (384 Preload)
- User Programs
- 1280 Programs (768 Preload)
- User Drum Kits
- 58 Drum Kits (42 Preload)
- Preset Programs
- 265 Programs (256 GM2 Programs + 9 GM2 Drum Programs)
- * Total number of preload programs and preset programs：1,075 (810 preload programs, 265 preset programs
*Click here for KROSS 2-88-MB.
Favorites
- Number of memories
- 128 (16 favorites × 8 banks)
Effects
- Insert effects
- 5 Insert Effects In-line processing; stereo in – stereo out.
- Master effects
- 2 Master Effects Two effects sends; stereo in – stereo out.
- Effects types
- Total of 134 types (select from 74 types for insert effects, 101 types of master effect 1, and 120 types for master effect 2)
- Modulation
- Dynamic Modulation
- Effects Control Bus
- Stereo side-chaining for limiter, gates, vocoders, etc.
Polyphonic arpeggiators
- Program mode
- One arpeggiator
- Combination mode
- Two arpeggiators
- Sequencer modes
- Two arpeggiators
- Preset arpeggio patterns
- UP, DOWN, ALT1, ALT2, RANDOM
- User arpeggio patterns
- Number of arpeggio patterns: 1280 (1024 preload)
Number of tones: 12 tones,
Number of steps: up to 64 steps
Step sequencer
- Program mode
Combination mode
Sequencer mode - One unit
Number of tones: 12 tones + 1 accent tone
Number of steps: up to 64 steps
* Can be created for each program, combination, and song.
Drum Track
- Preset Patterns
- 772 patterns (Held in common with sequencer patterns.)
- Other
- Trigger Mode / Sync / Zone settings can be specified
Sequencer
- Tracks
- 16MIDI Tracks
- Number of Songs
- Up to 128 songs
- Resolution
- 1/480
- Tempo
- 40.00–300.00 (1/100 BPM resolution)
- Maximum Memory
- Up to 210,000 MIDI events
- Counter
- Measure/Beat/Tick
- Template Song
- 16 preset/16 user template songs
- Preset Patterns
- 772 patterns (shared with Drum Track patterns)
- Format
- KORG (KROSS) format, SMF format 0 and 1
Pad sampler
- Specifications
- 16 pads × 8 banks
Automatically saved on the SD card, and automatically loaded
Up to four pads can play simultaneously
- Recording format
- PCM audio format 48 kHz/16-bit
- Recording time
- Up to approximately 14 seconds of stereo sample for each pad
- Import
- WAVE format, file name extension: .wav, 44.1 kHz/16-bit, 48 kHz/16-bit, stereo
* 44.1 kHz is automatically converted to 48 kHz/i>
- Edit
- Waveform display editing functionality, start address and looping settings etc., normalize and other editing operations
Audio Recorder
- Recording Format
- PCM audio format 48kHz/16bit
- Import
- WAVE format (file name extension: wav ) 44.1kHz/16bit, 48kHz/16bit stereo
* 44.1 kHz is automatically converted to 48 kHz/i>
- Export
- WAVE format (file name extension: .wav) 48kHz/16bit, stereo
- Recording Time
- Maximum continuous recording time: 3 hours
Depends on the SD card used; approximately 90 minutes per 1 GB
- Number of Songs
- Up to 200 songs
- Number of overdub recordings
- Depends on the remaining capacity of the SD card
- Counter
- Hour/Min/Sec
- Pad audio play
-
16 pads × 8 banks
Directly play back data from SD card
Multiple pads cannot be played simultaneously
Media
File, Utility, Information, additional PCM data management functionalityControllers
- General Control
- Pitch bend wheel, Modulation wheel, SW1, SW2
- Realtime Control
- SELECT button, SWITCH button, KNOB1 knob, KNOB2 knob
- Step Sequencer/Favorite/Pad Sampler/Pad Audio Play
-
Pads 1–16
STEP SEQ ACTIVE button, Run button
FAVORITES ACTIVE button
SAMPLER ACTIVE button, HOLD button
AUDIO PLAY ACTIVE button
BANK LEDA/B/C/D/E/F/G/H (also used by Step sequencer, Favorite, Pad Sampler, and Pad Audio Play)
- Drum Track
- DRUM TRACK button
- Arpeggiator
- ARP button
- Audio Recorder
- AUDIO REC button
User Interface
- Display
- 240 × 64 pixel LCD backlight
Adjustable contrast (hold the EXIT button and turn the VALUE dial)
- Category
- CATEGORY dial, VALUE dial
- MODE
- COMBI button, PROG button, SEQ (GLOBAL/MEDIA) button
- Value Controllers
- Cursor buttons, EXIT,ENTER, FUNCTION, PAGE-, PAGE+, MENU buttons
- Sequencer
- REC button, START/STOP button
- Quick Layer Split
- LAYER/SPLIT button
- Other
- VOLUME knob
Control Input
DAMPER (Supports piano-style half-damper pedals as well as standard foot switches)
ASSIGNABLE SWITCH
ASSIGNABLE PEDALAudio Outputs (Analog)
- AUDIO OUTPUT L/MONO, R
- Connectors: 6.3 mm (1/4″) phone jacks(TS unbalanced)
Output Impedance: 1.1k ohm stereo, 550 ohm mono (L/Mono only)
Maximum Level: +10.0 dBu
Load Impedance: 10k ohm or greater
Controllable by the VOLUME knob
- HEADPHONE OUTPUT
- Connectors: 3.5mm (1/8″) stereo mini phone jack
Output Impedance: 33 ohnm
Maximum Level: 40 + 40 mW
Controllable by the VOLUME knob
Audio Inputs (Analog)
- LINE IN
- Connectors: 3.5 mm (1/8″) stereo mini phone jack
Input Impedance: 1.1k ohm
Maximum Input Level: -42 to 0 dBu
- MIC IN
- Connectors: 6.3 mm (1/4″) phone jacks(TS unbalanced)
Input Impedance: 33 ohm
Maximum Input Level: -48 to -6dBu
Phantom power or plug-in power is not supported.
Others
- MIDI
- IN, OUT
- USB
- USB connector TYPE B x 1, USB-MIDI interface, USB audio interface
- SD Card Slot
- One card slat
* Capacity recognized: SD memory cards up to 2 Gigabytes (GB). SDHC memory cards up to 32 Gigabytes (GB). SDXC memory cards are not supported.
Main Specifications
- Power
- AC adaptor power supply DC 9V
AA alkaline batteries x 6, or nickel-metal hydride batteries x 6
- Battery Life
- AA alkaline batteries x 6: Approximately 6 hours
AA nickel-metal hydride batteries (1900mAh) x 6: Approximately 7 hours* Varies depending on the batteries used and the conditions of use.
- Power Consumption
- 5 W
- Dimensions (W x D x H)
- KROSS2-61: 935 mm × 269 mm x 88 mm / 36.81″ × 10.59″ × 3.46″
KROSS2-88 1,448 mm × 383 mm × 136 mm / 57.01″ × 15.08″ × 5.35″
- Weight
- KROSS2-61: 3.8 kg / 8.38 lbs (excluding batteries)
KROSS2-88: 12.3 kg / 27.12 lbs (excluding batteries)
- Included Items
- AC adapter, Quick Start Guide
Accessories (sold separately)
- Keyboard stand
- KROSS2-61: Standard-S-ABK61
KROSS2-88: Standard-L-SV88
- Soft case
- KROSS2-61: SC-KROSS 2 61
KROSS2-88: SC-KROSS 2 88 / KROME 88
- Expression/Volume Pedal
- XVP-20
XVP-10
- Foot Controller
- EXP-2
- Damper Pedal
- DS-1H
- Pedal Switch
- PS-1
PS-3
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Korg Nautilus 61 61-key Synthesizer Workstation
Original price was: ₹250,000.00.₹215,000.00Current price is: ₹215,000.00.Add to cartSystem, Keyboard
- System
- NAUTILUS System Version 1.0
- Keyboard
- 88 key: RH3 (Real Weighted Hammer Action 3), A – C
73 key: Natural Touch Semi Weighted, C – C
61 key: Natural Touch Semi Weighted, C – C
Velocity sensitive is supported, after touch is not supported.
Tone Generator
- Synthesis Types
- 9
SGX-2: Premium Piano (Acoustic Piano)
EP-1: MDS Electric Piano (Electric Piano)
HD-1: High Definition Synthesizer (PCM)
AL-1: Analog Synthesizer (Analog Modeling)
CX-3: Tonewheel Organ (Tonewheel Organ Modeling)
STR-1: Plucked String (Physical Modeling)
MOD-7: Waveshaping VPM Synthesizer (VPM Synthesis)
MS-20EX: Component Modeling Technology (Analog Modeling)
PolysixEX: Component Modeling Technology (CMT Analog Modeling)
- Maximum Polyphony*1*2
- SGX-2: 100 voices*3
EP-1: 104 voices
HD-1: 140 voices
AL-1: 80 voices
CX-3: 200 voices
STR-1: 40 voices
MOD-7: 52 voices
MS-20EX: 40 voices
PolysixEX: 180 voices1: In rare cases, when a large number of processor-intensive effects are active simultaneously (for instance, more than 14 O-Verbs), polyphony may be slightly reduced.
*2: A portion of the multicore processor in NAUTILUS is devoted to generating voices, and a separate portion is devoted to generating effects. NAUTILUS dynamically allocates the voice processing power between the engines as necessary. The quoted maximum numbers of voices apply when 100% of the voice processing power is devoted to a single engine.
*3: 100 dual-stereo notes (equivalent to 400 mono voices)
- Preset PCM
- RAM 496 MB / DISK 2.3G (ROM 1,771 Multisamples, 3,955 Drumsamples)
- Build-in Expansion PCM Libraries
- EXs301: German2 D Piano
EXs302: Italian F Piano
EXs303: Japanese Upright U Piano
EXs304: Prepared Piano
EXs305: Historical Keyboards
EXs306: Vintage Keyboards 2
EXs307: Strings & Synths
EXs308: Guitar Collection
EXs309: Bass Collection
EXs310: World Essence
EXs311: Background Loops
EXs312: SFX & Hits
EXs313: Found Percussions
EXs314: Expansion Drums
- PCM RAM Capacity
- Approx. 2GB *4
*4: The memory available for Sampling Mode will change based on the use of Expansion PCM libraries and User Sample Banks. Approx. 260 MB is available when shipped from the factory (When loading the file named “PRELOAD.KSC”).
- Wave Sequences
- 598 User memory, 377 Preload
Support for stereo multisamples, synchronization of individual notes, and tempo-based settings.
SGX-2 Program
- Premium Piano
- Full key stereo sampling, Chromatically sampled at up to 12 velocity levels, no looping.
Damper resonance and mechanical noise are reproduced.
Una Corda sample support
- PCM
- EXs301 – German2 D Piano
12 velocity levels, includes Ambience Piano type/samplesEXs302 – Italian F Piano
12 velocity levels, no Una Corda samplesEXs303 – Japanese Upright U Piano
8 velocity levelsExs304 – Prepared Piano
1-4 velocity levels
- Piano Type
- 128
(With the factory settings, the 64 varieties of EXs6: German D Piano, EXs7: Japanese C Piano, EXs12: SGX-1 Austrian D Piano, EXs17: Berlin D Piano do not produce sound. The options must be downloaded. (Those will be released at a later date.))
- Oscillator Control
- Damper Resonance
Damper Noise
Mechanical Noise
Note Release
String Resonance
Una Corda
EP-1 Program
- MDS Electric Piano
- Tine and reed-type electric pianos powered by Multi-Dimensional Synthesis (MDS), and vintage effects.
- Electric Piano Model Types
- 7
Tine EP I Early, Tine EP I Late, Tine EP II, Tine EP V, Tine EP DMP, Reed EP200, Reed EP200A
- Oscillator Control
- Harmonic Sound Level, Attack Noise, Level, Release Noise Level, Attack Brightness, Hammer Width
- Panel Control
- Tine Type
Preamp Volume, Tone (Treble, Bass), Vibrate (On/Off, Intensity, Speed), Amp/Cabinet (On/Off, Drive)Reed Type
Preamp Volume, Tone (Treble, Bass), Vibrate (Intensity, Speed), Amp/Cabinet (On/Off, Drive)
- Effect Types
- 9
Small Phase, Orange Phase, Black Phase, Vintage Chorus, Black Chorus, EP Chorus, Vintage Flanger, Red Comp, VOX Wah
HD-1 Program
- Advanced Vector Synthesis
- Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.
- Structure
- Single: only OSC1, Double: OSC1 and OSC2.
Double mode lets you layer two completely separate synth voices, each with their own velocity-switched oscillator, dual filter, EGs, LFOs, etc.
Drums: One drum kit, Double Drums: Two drum kits.
- Oscillators
- 8 velocity zones per oscillator, with switching, crossfades and layering
Each zone can play mono or stereo Multisamples or Wave Sequences
- Filters
- Two multi-mode filters per voices (low-pass, high-pass, band-pass and band-reject), Four-mode filter routings (single, serial, parallel and 24dB mode)
- Driver
- Per voice non-linear driver and low boost circuit
- EQ
- Three bands, with sweep-able mid
- Modulation
- Three envelope generators, two LFOs per voice, common LFO, four key tracking generators, AMS (Alternate Modulation Source), two AMS mixers
- Quick Layer / Split function
EXi Program Common
- Advanced Vector Synthesis
- Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope
- Modulation
- Common Step Sequencer, AMS (Alternate Modulation Source), Common LFO, 2 Key Tracking Generators
- EQ
- Three bands, with sweep-able mid
- Quick Layer / Split function
AL-1 Program
- Oscillators
- Ultra-low-aliasing oscillators, OSC1, OSC2, Sub-oscillator and noise generator; ring modulation, FM and Sync
- Audio Input
- External audio can be processed through the ring modulator, filter, driver, amp, and EQ
- Filters
- Two multi-mode filters (low-pass, high-pass, band-pass and band-reject) with four types of filter routings (single, serial, parallel and 24dB mode), Multi Filter mode (only Filter-A; modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects)
- Driver
- Per-voice non-linear driver and low boost circuit
- Modulation
- Five Envelope generators, four per-voice LFOs, two AMS Mixers; Per-voice Step Sequencer
CX-3 Program
- Tonewheel Organ Modeling
- Phase-synchronous tonewheels (clean and vintage modes), percussion, key click, wheel brake
- EX Mode
- Four additional, user-specified drawbars, and expanded percussion
- Internal Effects
- Rotary speaker, vibrato/chorus, amp modeling with overdrive, 3-band EQ
- Drawbar Control
- Controlled via nine front-panel sliders (via Tone Adjust)
- Split
- Upper, Lower (even in EX mode)
- Modulation
- Two AMS mixers
STR-1 Program
- Physically Modeled String
- Includes physically modeled damping, decay, dispersion, nonlinearity, harmonics, dual pickups, and more. Most string parameters can be controlled in realtime
- String Excitation
- Three independent excitation sources can be used simultaneously: Pluck, Noise, and PCM. 16 preset “pluck” types, with modulatable width and randomization. Noise generator with saturation and dedicated low pass filter
PCM Oscillator
KORG’s ultra-low-aliasing technology, as introduced in the HD-1; 4 velocity zones per oscillator; Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory.Excitation Filter
Dedicated 2-pole multimode filter for shaping the string excitation. Filter can be enabled/disabled separately for each excitation source. Low Pass, High Pass, Band Pass, and Band Reject modes
- Audio Input and Feedback
- Run real-time audio through the string, including feedback through effects. Modeled feedback includes modulate-able instrument-to-amp distance and orientation
- Filters
- Dual multi-mode filters per voice; Single, Serial, Parallel (with split stereo output), and 24dB (4-pole) configurations. Low Pass, High Pass, Band Pass, and Band Reject modes
Multi Filter Mode (Filter A only)
Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects
- Modulation
- 5 Envelopes, 4 per-voice LFOs, 2 Key Track generators, String Tracking generators, 4 AMS Mixers
MOD-7 Program
- Waveshaping VPM Synthesizer
- Combines Variable Phase Modulation (VPM), Waveshaping ring modulation, PCM sample playback, and subtractive synthesis; Able to convert-load SYX files
- Oscillators
- 6 VPM/Waveshaper/Ring Modulation Oscillators
Phase and modulatable pitch per oscillator. 101 Waveshaper tables plus modulatable Drive and Offset. Use as oscillators, or as Waveshapers or Ring Modulators for other signalsPCM Oscillator
KORG’s ultra-low-aliasing technology, as introduced in the HD-1. 4 velocity zones per oscillator.Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual MemoryNoise Generator (With saturation and low-pass filter function)
- Audio input
- Run real-time audio through the VPM Oscillators and filters.
- Filters
- Dual multi-mode filters per voice. (Low Pass, High Pass, Band Pass, and Band Reject modes) , Two types of filter looping (Parallel and 24 dB “4-Pole”)
Multi Filter mode (Filter A only)
Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects
- Patch Panel
- Supports both preset algorithm (78 types) selection and free patching.Three 2-in, 1-out mixers for scaling and merging audio, fully modulatable, with phase inversion. Main 6-input stereo mixer, with modulatable pan and volume, plus phase inversion
- Modulation
- 10 Envelopes, 4 per-voice LFOs, 9 Key Tracking generators, Per-voice Step Sequencer, 4 standard AMS Mixers plus 4 simple AMS Mixers
MS-20EX Program
- Oscillators
- Ultra-low-aliasing oscillators; VCO1, VCO2, Ring Mod, Pink and White Noise Generator
- Audio Input
- Run real-time audio through the synthesis engine and ESP (External Signal Processor)
- Filters
- 12dB/octave High Pass and Low Pass self-resonant filters
ESP section
24dB/octave Low Cut and High Cut filters, available per voice.
- Patch Panel
- Patchable audio and modulation, at audio rates
- Patch Points
- Keyboard
Keyboard CV Out, Keyboard Trigger Out, VCO1+VCO2 CV In, VCO2 CV InVCO
VCO1+VCO2 External Frequency Control In, VCO1 Out, VCO2 OutVCF
External Signal In, External HP Filter Cutoff Frequency Control In, External LP Filter Cutoff Frequency Control In, HPF Out, LPF In, LPF OutVCO+VCF
Total External Modulation InVCA
External Initial Gain Control In, VCA InEG
EG1 Envelope Signal Normal Out, EG1 Envelope Signal Reverse Out, EG1+EG2 Trigger In, EG1 Trigger In, EG2 Envelope Signal Reverse OutMG
Triangle Out, Rectangle OutNoise Generator
Pink Noise Out, White Noise OutSample and Hold
Clock Trigger In, Sample Signal In, S/H OutModulation VCA
Control Voltage In, Signal In, Signal OutManual Controller
Control Wheel Out, Momentary SwitchESP
Signal In, AMP Out, BPF In, BPF Out, F-V CV Out, Envelope Out, Trigger OutOthers
EXi Audio In, Mixer 1 In, Mixer 1 Out, Mixer 2 In, Mixer 2 Out
- ESP (External Signal Processor):
- Use incoming audio as a trigger and/or CV source
- Modulation
- Original DAR (Delay, Attack, Release) and HADSR (Hold, Attack, Decay, Sustain, Release) EGs 1 &2, Original MG (with MIDI sync), Sample-and- Hold, MVCA, NAUTILUS: 4 additional multi-stage Envelopes, 4 additional per-voice LFOs, and 4 AMS Mixers.
PolysixEX Program
- Oscillators
- VCO
Saw, Pulse, PWMSub Oscillator:
Off, 1 octave below, 2 octaves below
- Filter
- 24dB(4-Pole) Octave Low Pass self-resonant filter
- Effects
- Integrated Polysix Chorus, Phaser, and Ensemble
- Arpeggiator
- Integrated MIDI-synced arpeggiator, with adjustable Range, Mode, and Latch
- Modulation
- Polysix
Original ADSR EG and MG (with MIDI sync).NAUTILUS
2 additional multi-stage Envelopes, 2 additional per-voice LFOs, and 4 AMS Mixers.
Combination
- Number of Timbres, Master Keyboard Functionality
- 16 Maximum
Keyboard and velocity splits, layers, and crossfades of up to 16 Programs and/or external MIDI Devices
The tone adjust parameter function lets you modify program settings, and the master keyboard function lets you control external MIDI devices
- Advanced Vector Synthesis
- Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope
- Quick Layer / Split function
Drumkit
Assignable stereo/mono samples with 8 velocity zones per oscillator (with crossfade functions)Number of Programs/Combinations/Drum kits
- User Memory Programs
- 2,560 (1,920 [1,280 HD-1+640 EXi] come preloaded)
- User Memory Combinations
- 1,792 (256 come preloaded)
- User Memory Drum Kits
- 264 (104 come preloaded)
- 256 GM Level2 preset programs + 9 GM Level 2 drum preset programs
Set List
- Number of Set Lists/Slots
- 128 set lists, 128 slots per set list
Each set list provides a 9-band graphic EQ, and a Tone Adjust function that allows program settings to be adjusted
Transpose setting
Hold Time setting of Smooth Sound Transition (SST) supported for each slot
Sampling
- System
- Open Sampling System (resampling, In-Track sampling)
- Bit Depth/Sampling Frequency
- RAM
16-bit/48 kHz stereo/mono samplingDISK
16 or 24-bit/48 kHz
- Sampling Time
- RAM
Depends on the amount of available PCM RAMDISK
Maximum 80 minutes stereo (879MB: 16bit)
- Sample Locations
- 16,000 samples/4,000 multisamples (128 indexes per multisample)
- Formats
- KORG format, AKAI S1000/S3000 data (with advanced Program parameter conversion); SoundFont 2.0, AIFF, and WAVE formats
- Editing
- Time Stretch, Time Slice, Crossfade Loop, and other standard editing features.
Effects
- Insert Effects
- 12
Stereo in / stereo out
- Master Effects
- 2
Stereo in / stereo out
- Total Effects
- 2
Stereo in / stereo out
- Timbre EQ
- One 3-band EQ for each timbre/track
- Effect Types
- 197
- Modulation
- Dynamic Modulation and Common LFO
- Effects Control Busses
- Stereo side-chaining for compressors, gates, vocoders, etc
- Effect Presets
- Total 783 preset, Maximum 32 per 1 effect (Preset User)
Arpeggiator
- Arpeggiator Modules
- One module in Program mode, two modules in Combination and Sequencer modes
- Arpeggio Pattern
- 5 presets + ARP A 2,048 slots (1,593 come Preload) + ARP B 128 slots
- Controllers
- On/Off, Latch, Gate, Velocity, Length, Swing, Tempo
Drum Track
- Preset Patterns
- 1,272 (common with the preset patterns of the MIDI sequencer)
- User Patterns
- 1,000
Patterns created in Sequencer mode can be converted to drum track user patterns.
- Trigger Mode/ Sync / Zone / Swing, Drum SD, Tempo settings can be specified.
Sequencer / HDR
- Tracks
- 16-track MIDI sequencer + 16-track hard disk recorder + 1 master track.
- Number of Songs
- 200
- Resolution
- 1/480
- Tempo
- 40.00 – 300.00 (1/100 BPM resolution)
- Maximum Memory
- 400,000 MIDI events or 300,000 audio events
- MIDI Tracks
- 16 tracks plus the master track, 697 preset / 100 user patterns (per song), 18 preset/16 user template songs,
- Audio Tracks
- 16-track playback, 4-track simultaneous recording, WAV file format 16bit/24bit
Maximum Single-file Recording Time (mono): 80 minutes
Automation: Volume, Pan, EQ, and Send1/2
10,000 regions (max.)
Event Anchors, BPM Adjust
- Other Functions
- RPPR (Realtime Pattern Play and Record): 1 Pattern set per song
General
- Disk Mode
- Load, save, utility, data filer function (save/load MIDI System Exclusive data), CD-R/RW (UDF format read/write), ISO9660 Level 1.
- Controllers
- Joystick, Switches 1 & 2
Arpeggiator Control: On/Off, Latch, Gate, Velocity, Length, Swing, Tempo
DRUM TRACK: On/Off, Swing, Drum SD, Tempo
- Display
- TouchView graphical user interface, 7 inch color TFT, WVGA (800 x 480 dots), adjustable brightness
- Principal Specifications
- Frequency Response
20Hz-22kHz, +/-1.0dB, 10k Ω loadTHD+N
20Hz-22kHz, 0.01%, 10k Ω load (typical)S/N
95dB (typical)Dynamic Range
95dB (typical)Crosstalk
95dB, at 1kHz (typical)
- Outputs
- L/MONO, R, Individual 1-4
1/4” TRS Balanced
Output Impedance: 350 Ω Stereo; 175 Ω Mono (L/MONO Only),
Nominal Level: +4.0 dBu,
Maximum Level: +16.0 dBu (when load impedance is 600 Ω or greater)
MAIN VOLUME slider controls only AUDIO OUTPUT (MAIN) L/MONO and RHeadphones
1/4” stereo phone jack
Output impedance: 33 Ω,
Maximum Level: 60+60 mW (when load impedance is 33 Ω),
MAIN VOLUME knob (link with AUDIO OUTPUT (MAIN))USB-B
24-bit, Sample Rate: 48 kHz, 2 channels
(Digital output of the same signals as AUDIO OUTPUT (MAIN) L/MONO and R)
- Inputs
- Audio Inputs 1 and 2
1/4” TRS Balanced
Input Impedance: 10 kΩ
Nominal Level: LINE +4 dBu
Maximum Level: LINE +16 dBu
Nominal Level: MIC –22 dBu
Maximum Level: MIC -10 dBu
Source Impedance: 600 ΩUSB-B
24-bit, Sample Rate: 48 kHz, 2 channels
- Control Inputs
- Damper pedal (half damper supported)
Assignable switch, Assignable pedal
- MIDI
- In, Out, Thru
- USB
- USB A (TYPE A)
For connection to external USB devices (QWERTY keyboards, MIDI controllers, ethernet adaptors, and storage)USB B (TYPE B)
MIDI/audio interface, MIDI: 1 (16 channel) input / 1 (16 channel) output, Audio: 2 channel input / 2 channel output
*2 USB high-speed ports (supports 480Mbps)
- Disk Drives
- 60 GB SSD (2.5”)
- Power Supply
- AC power supply terminal, Power switch
- Dimensions: (W x D x H)
- 88 key: 1,437 x 387 x 139 mm / 56.57” x 15.24” x 5.47”
73 key: 1,227 x 386 x 116 mm / 48.31” x 15.20” x 4.57”
61 key: 1,062 x 386 x 116 mm / 41.81” x 15.20” x 4.57”
- Weight
- 88 key: 23.1 kg / 50.93 lbs.
73 key: 14.6 kg / 32.19 lbs.
61 key: 13.0 kg / 28.66 lbs.
- Power Consumption
- 40 W
- Accessories
- AC cord, Quick Start Guide
- Option
- XVP-20: Expression/Volume Pedal
EXP-2: Foot Controller
DS-1H: Damper Pedal
PS-1: Pedal Switch
PS-3: Pedal Switch
-
Roland Xps-30 (Black)
Original price was: ₹84,922.00.₹82,099.00Current price is: ₹82,099.00.Add to cartKEYBOARDKeyboard61 keys (with velocity)SOUND GENERATORMaximum Polyphony128 voicesParts16 partsPreset Memory- Patches: Over 1400
– Drum kits: Over 35
– Performances: 28
* GM2 compatible sounds are included.User Memory- Patches: 256
– Drum kits: 8
– Performances: 128
– Favorites: 100Wave Expansion Slots1 slot
* The wave expansion slot is rewritable internal waveform memory. You can download data from the Axial sound library site and write it via a USB flash drive into the XPS-30’s internal wave memory (slot).SAMPLE IMPORT FUNCTIONFile FormatAudio file: WAV (44.1 kHz, 16 bits)
Supports multi-sample (System Program Ver. 2.00 or later, with JUNO-DS Tone Manager)Effects- Multi-effects: 3 systems, 80 types
– Chorus: 3 types
– Reverb: 5 types
– Mic input reverb: 8 typesAUDIO FILE PLAYER SECTIONFile FormatAudio file: WAV, AIFF, MP3OTHERSRhythm PatternPreset: 30 groups x 8ArpeggioPreset: 128ControllersPitch bend/Modulation lever
Control knob x 4
Level slider x 4
Multicolor pad x 8DisplayGraphic LCD 256 x 80 dotsExternal Storage DeviceUSB flash drive (supports USB 2.0 Hi-Speed flash memory)ConnectorsPEDAL HOLD jack
PEDAL CONTROL jack
MIC INPUT jack: 1/4-inch phone type
EXT INPUT jack: stereo miniature phone type
OUTPUT jacks (L/MONO, R): 1/4-inch phone type
PHONES jack: stereo 1/4-inch phone type
MIDI connectors (IN, OUT)
USB MEMORY port
USB COMPUTER port (supports USB MIDI/AUDIO)
DC IN jackPower SupplyDC 9 V: AC adaptor or rechargeable Ni-MH battery (AA, HR6) (sold separately) x 8* Battery life for continuous use (differs depending on the conditions of use)
Rechargeable nickel metal hydride batteries: approximately 5 hours (when using batteries having a capacity of 1900 mAh) (approximately 4 hours if USB flash drive is connected)
* Carbon-zinc or alkaline batteries cannot be used.Current Draw600 mAAccessoriesOwner’s manual
Leaflet “USING THE UNIT SAFELY”
AC adaptor
Power cordOptions (sold separately)Keyboard stand (*1): KS-18Z, KS-12
Pedal switch: DP series
Expression pedal: EV-5
USB flash memory (*2)*1 When using the KS-18Z, ensure that the height of the unit is one meter or lower.
*2 Use USB Flash Memory (supports USB 2.0 Hi-Speed Flash Memory) sold by Roland. We cannot guarantee operation if other products are used.
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