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Roland E-A7 Expandable Arranger

₹94,994.00

Keyboard:

Number of Keys: 61 keys (with velocity)

Sound Generator:

Maximum Polyphony: 128 voices (varies according to the sound generator load)
Parts:
- 4 keyboard parts (UP1, UP2, UP3, LWR)
- 16 song parts

Tones:

Preset Tones: Over 1,500 tones
Preset Drum Kits: Over 100 drum kits (GM2 compatible sounds included)
User Tones: 256 tones
User Drum Kits: 128 drum kits

Favorites:

Favorite Tones: 50 favorite tones can be registered

Melody Intelligent:

Styles:

Preset Styles: Over 600 styles
User Styles: Unlimited number (stored on internal memory or USB flash drive)
Style Controls:
- Intro x 4
- Main x 4
- Fill x 4
- Break
- Ending x 4

One Touch Memories:

4 programmable registrations per style

Style Makeup Tools:

Instrument-oriented editing
Style Composer: Yes

Songs:

Realtime Player: SMF (Format 0/1), KAR, MP3, WAV, MP3+CDG
Tempo Change:
- 20–250 BPM for SMF (and Style)
- 75–125% for MP3 and WAV files
Part Mute:
- Track Mute: SMF (and Style)
- Center Cancel: MP3 and WAV
Song Chord Extractor: Automatic chord detection for SMF files
Lyrics Display: SMF, KAR, MP3
SMF Makeup Tools: Instrument-oriented editing
SMF Mark & Jump: Yes (4 storable locations)

Song (Audio) Recording:

Format: 16-bit linear, 44.1 kHz, WAV

Demo Song:

Effects:

Reverb: 8 types (selectable via Makeup Tools)
Chorus: 8 types (selectable via Makeup Tools)
MFX: 84 types for keyboard parts (selectable via Keyboard Part MFX), A & B for Style and SMF section (selectable via Makeup Tools)
Master EQ: 6 presets + 1 user memory
Master Compressor: 6 presets + 1 user memory
Input Effect:
- Reverb (6 types)
- Delay (2 types)

User Programs:

Preset Programs: Over 500 User Programs (Music Assistant + Preloaded data)
User Programs: Up to 100 User Programs per User Program Set
User Program Sets: Unlimited number (stored on internal memory or USB flash drive)

Sampling/Sample Import:

Format: 16-bit linear, 44.1 kHz, WAV
Wave Expansion Memory: 128 MB for Sampling/Sample Import
Number of Samples: 512
Multisample Function: Yes
- Samples and multisamples can be exported to USB Flash Memory as User Tone or User Drum Kit
- Samples and multisamples can be used as wave data for the sound engine

Scale Tunings:

User Scale Buttons:
- Instant quarter-tone tuning of each note (C–B)
- Adjustable tuning range (-64–+63 cents) for each button
- Tunings can be saved to User Program memories
Memory Buttons: 3 user scale memories and equal temperament

Other Features:

Pads: 6 pads for triggering phrases and tones, plus a Stop Pad
- Phrases are tempo-synchronized with Styles or SMF, and support for chord detection
Style/Song Finder: Yes

Controllers:

Assignable Lever
Assignable Switch: x7
Assignable Control Pedal
Part Level Slider: x6
Multifunction Pads

Display:

Dual Graphic LCD (160 x 160 dots x 2, with backlight)

Connectors:

PHONES Jack: Stereo 1/4-inch phone type
OUTPUT Jacks (L/MONO, R): 1/4-inch phone type
EXT IN Jack: Stereo miniature phone type
INPUT Jacks (L/MONO or MIC, R): 1/4-inch phone type
PEDAL Jacks: HOLD, EXPRESSION, CONTROL (TRS phone type)
MIDI Connectors (IN, OUT)
USB MEMORY Port
USB COMPUTER Port: USB MIDI
DC IN Jack

Speakers:

Speakers: 2 x 10 cm
Rated Power Output: 2 x 12 W

Power Supply:

AC Adaptor: DC 9V
Current Draw: 1,500 mA

Accessories:

Owner’s Manual
Music Rest
AC Adaptor
Power Cord (for AC Adaptor)

Options (Sold Separately):

Keyboard Stand: KS-11Z
Pedal Switch: DP series, FS-5U
Expression Pedal: EV-5
USB Flash Memory: (supports USB 2.0 Hi-Speed Flash Memory)

Size and Weight:

Width: 1,045 mm (41-3/16 inches)
Depth: 318 mm (12-9/16 inches)
Height: 136 mm (5-3/8 inches)
Weight: 7.9 kg (17 lbs 7 oz) (excluding AC adaptor and music rest)

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A WORLD OF SOUNDS AND BACKING STYLES AT YOUR FINGERTIPS

The E-A7 is a versatile arranger keyboard for musicians needing professional sounds and authentic backing styles from all over the world. Using the E-A7 is fast and intuitive thanks to its logical dual-screen layout—styles on the left and sounds on the right, with most options having dedicated, quick-access buttons. You can import WAV files to create your own instruments, or even sample directly from the keyboard. And with the powerful E-A7 Tone Manager software, you can use your computer to edit and organize user tones and drum kits, work with samples, and more. Singers will appreciate the microphone input with dedicated vocal effects, while the whole keyboard is easy to gig with, weighing in at just 8 kg/18 lbs. Wherever you’re going with your music, the E-A7 will help you get there.

Over 1,500 versatile tones from all over the world
WAV file import and onboard sampling function
Huge library of backing styles from Asia, the Middle East, Europe, and South America
Powerful arranger engine with direct control buttons and versatile, one-touch performance options
156 dedicated buttons for fast access to commonly used functions
Logical dual-screen layout, with backing styles on the left and sounds on the right
Microphone input with dedicated vocal effects
Easy to carry and transport, weighing just 8 kg/18 lbs.
E-A7 Tone Manager (Windows/Mac) for creating user tones and drum kits, importing and editing samples, and organizing E-A7 setups
Version 2.00 update provides additional styles and operation enhancements based on user feedback

Extensive Backing Styles, Including Authentic Arrangements from All Over the World

While the E-A7 excels at Western music, it’s equally strong for music from other parts of the world, with a generous array of global backing styles crafted by skilled musicians from Asia, the Middle East, Europe, and South America. It doesn’t matter where in the world you play it—the E-A7 will fit right in.

An Entire World of Sound at Your Fingertips

The E-A7 offers over 1,500 essential sounds including grand piano, electric piano, organ, strings, brass, and many more. There are instruments from all over the world too, including authentic sounds from the vibrant musical cultures of the Middle East, Indonesia, India, Vietnam, and Eastern Europe. Every sound has been developed in collaboration with accomplished musicians—each one an expert in their local music scene—for the utmost realism and quality. And since the sounds are categorized by region, you can find the perfect sound for your music quickly and easily.

Expand the Onboard Sounds with WAV Sample Import

The 1,500 built-in tones of the E-A7 are just the beginning. Most gigging musicians have collected a library of tried-and-tested samples over the years, and you can use them in the E-A7 thanks to the WAV import option. In addition, the E-A7 is equipped with an onboard sampling function for creating your own custom sounds, such as drum beats or even backing vocals. Everything you need to polish the sound, including applying effects, is already on board. You can arrive at the gig, try out ideas at the sound check, and quickly perfect your sound before the show starts.

Fast, Logical Layout with Backing Styles on the Left, Tones on the Right

Some arranger keyboards include a lot of functions, but this can make them complicated and difficult to use—not ideal when you’re in front of a crowd of people expecting a great night out. The E-A7 is logically laid out, showing backing styles on the left and sounds on the right, and each side has its own LCD screen showing the essential information. And with 156 buttons for fast access to the functions you use most, you’ll spend more time playing and less time panicking about finding the right button.

All the Essentials for a Smooth Gig at Your Command

When you’re at a gig, you just need things to work, so the E-A7 gives direct access to the most common functions needed when you play. Six phrase pads trigger one-shot audio samples or MIDI phrases just where you need them. You can define and switch to alternate musical scales at the touch of a button. There are also six sliders that can adjust the volume of the various parts, such as drums, bass, and the accompaniment. Finally, there are seven user-assignable buttons above the pitch-bend lever for your own custom requirements; whatever you need to do, you can do it right away without lifting your hand off the lever.

Plug in the Mic, Set the Level, and Sing

If vocals are an important part of your repertoire, the E-A7 has a microphone input along with dedicated volume controls on the front panel. It’s simple to use—just turn the knob to instantly adjust the vocal level, with no menus in sight. You also get an array of pro-grade vocal effects to add polish to your performance, with a versatile selection of editable reverbs and delays on board.

Weighs Just 8 kg/18 lbs.—No Pain, All Gain

Although it’s great to bring everything you need to the gig, carrying a heavy keyboard is, quite literally, a pain. The E-A7 makes life easy for gigging musicians in two ways: first off, it’s got everything necessary for a great performance, so there are no extra boxes and wires to drag you down. Second, its lightweight design makes it easy to transport to and from the show. Packing a lot of power into a compact 61-key format, the only pain you’ll get from the E-A7 is having to do yet another encore—which is a good problem to have.

Versatile Song Player That Supports SMF and WAV/MP3 Audio

The E-A7’s onboard song player reads Standard MIDI Files (SMF) as well as WAV and MP3 audio files. Comprehensive playback options allow you to repeat a section of the song or jump to a different section. And if you’re using WAV files, you can minimize the presence of any vocals using the Center Cancel feature, leaving space for your own voice. You can even record your entire performance as a WAV file and save it to USB memory—a great way to promote your music and get more bookings.

Flexible User Programs Put You in Control

Since the E-A7 has plenty of buttons and sliders, most of the “must-haves” are already at your fingertips. But you can also store a variety of settings within a single program, including the on/off status of essentials like Part, Auto Fill, and Input EFX. This extra layer of control means you can easily customize the keyboard’s setup for each song during the gig. Programs from Roland’s BK arranger series can also be accessed directly from a USB memory stick.

Manage User Tones/Drum Kits, Samples, and More on Your Computer

The E-A7 Tone Manager software lets you enhance your E-A7 experience via a Mac or Windows computer. Librarian, editor, and sample creator functions are available for building user tones and drum kits, adjusting performance setups, and managing all your E-A7 tone data. With multiple parameters shown on your large computer display, it’s even easier to customize and organize E-A7 settings for any musical situation.

Categories: ROLAND, SYNTHESIZER / ARRANGER

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System, Keyboard

System

NAUTILUS System Version 1.0

Keyboard

88 key: RH3 (Real Weighted Hammer Action 3), A – C
73 key: Natural Touch Semi Weighted, C – C
61 key: Natural Touch Semi Weighted, C – C
Velocity sensitive is supported, after touch is not supported.

Tone Generator

Synthesis Types

9
SGX-2: Premium Piano (Acoustic Piano)
EP-1: MDS Electric Piano (Electric Piano)
HD-1: High Definition Synthesizer (PCM)
AL-1: Analog Synthesizer (Analog Modeling)
CX-3: Tonewheel Organ (Tonewheel Organ Modeling)
STR-1: Plucked String (Physical Modeling)
MOD-7: Waveshaping VPM Synthesizer (VPM Synthesis)
MS-20EX: Component Modeling Technology (Analog Modeling)
PolysixEX: Component Modeling Technology (CMT Analog Modeling)

Maximum Polyphony*1*2

SGX-2: 100 voices*3
EP-1: 104 voices
HD-1: 140 voices
AL-1: 80 voices
CX-3: 200 voices
STR-1: 40 voices
MOD-7: 52 voices
MS-20EX: 40 voices
PolysixEX: 180 voices

1: In rare cases, when a large number of processor-intensive effects are active simultaneously (for instance, more than 14 O-Verbs), polyphony may be slightly reduced.
*2: A portion of the multicore processor in NAUTILUS is devoted to generating voices, and a separate portion is devoted to generating effects. NAUTILUS dynamically allocates the voice processing power between the engines as necessary. The quoted maximum numbers of voices apply when 100% of the voice processing power is devoted to a single engine.
*3: 100 dual-stereo notes (equivalent to 400 mono voices)

Preset PCM

RAM 496 MB / DISK 2.3G (ROM 1,771 Multisamples, 3,955 Drumsamples)

Build-in Expansion PCM Libraries

EXs301: German2 D Piano
EXs302: Italian F Piano
EXs303: Japanese Upright U Piano
EXs304: Prepared Piano
EXs305: Historical Keyboards
EXs306: Vintage Keyboards 2
EXs307: Strings & Synths
EXs308: Guitar Collection
EXs309: Bass Collection
EXs310: World Essence
EXs311: Background Loops
EXs312: SFX & Hits
EXs313: Found Percussions
EXs314: Expansion Drums

PCM RAM Capacity

Approx. 2GB *4

*4: The memory available for Sampling Mode will change based on the use of Expansion PCM libraries and User Sample Banks. Approx. 260 MB is available when shipped from the factory (When loading the file named “PRELOAD.KSC”).

Wave Sequences

598 User memory, 377 Preload
Support for stereo multisamples, synchronization of individual notes, and tempo-based settings.

SGX-2 Program

Premium Piano

Full key stereo sampling, Chromatically sampled at up to 12 velocity levels, no looping.
Damper resonance and mechanical noise are reproduced.
Una Corda sample support

PCM

EXs301 – German2 D Piano
12 velocity levels, includes Ambience Piano type/samples

EXs302 – Italian F Piano
12 velocity levels, no Una Corda samples

EXs303 – Japanese Upright U Piano
8 velocity levels

Exs304 – Prepared Piano
1-4 velocity levels

Piano Type

128
(With the factory settings, the 64 varieties of EXs6: German D Piano, EXs7: Japanese C Piano, EXs12: SGX-1 Austrian D Piano, EXs17: Berlin D Piano do not produce sound. The options must be downloaded. (Those will be released at a later date.))

Oscillator Control

Damper Resonance
Damper Noise
Mechanical Noise
Note Release
String Resonance
Una Corda

EP-1 Program

MDS Electric Piano

Tine and reed-type electric pianos powered by Multi-Dimensional Synthesis (MDS), and vintage effects.

Electric Piano Model Types

7
Tine EP I Early, Tine EP I Late, Tine EP II, Tine EP V, Tine EP DMP, Reed EP200, Reed EP200A

Oscillator Control

Harmonic Sound Level, Attack Noise, Level, Release Noise Level, Attack Brightness, Hammer Width

Panel Control

Tine Type
Preamp Volume, Tone (Treble, Bass), Vibrate (On/Off, Intensity, Speed), Amp/Cabinet (On/Off, Drive)

Reed Type
Preamp Volume, Tone (Treble, Bass), Vibrate (Intensity, Speed), Amp/Cabinet (On/Off, Drive)

Effect Types

9
Small Phase, Orange Phase, Black Phase, Vintage Chorus, Black Chorus, EP Chorus, Vintage Flanger, Red Comp, VOX Wah

HD-1 Program

Advanced Vector Synthesis

Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.

Structure

Single: only OSC1, Double: OSC1 and OSC2.
Double mode lets you layer two completely separate synth voices, each with their own velocity-switched oscillator, dual filter, EGs, LFOs, etc.
Drums: One drum kit, Double Drums: Two drum kits.

Oscillators

8 velocity zones per oscillator, with switching, crossfades and layering
Each zone can play mono or stereo Multisamples or Wave Sequences

Filters

Two multi-mode filters per voices (low-pass, high-pass, band-pass and band-reject), Four-mode filter routings (single, serial, parallel and 24dB mode)

Driver

Per voice non-linear driver and low boost circuit

EQ

Three bands, with sweep-able mid

Modulation

Three envelope generators, two LFOs per voice, common LFO, four key tracking generators, AMS (Alternate Modulation Source), two AMS mixers

Quick Layer / Split function

EXi Program Common

Advanced Vector Synthesis

Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope

Modulation

Common Step Sequencer, AMS (Alternate Modulation Source), Common LFO, 2 Key Tracking Generators

EQ

Three bands, with sweep-able mid

Quick Layer / Split function

AL-1 Program

Oscillators

Ultra-low-aliasing oscillators, OSC1, OSC2, Sub-oscillator and noise generator; ring modulation, FM and Sync

Audio Input

External audio can be processed through the ring modulator, filter, driver, amp, and EQ

Filters

Two multi-mode filters (low-pass, high-pass, band-pass and band-reject) with four types of filter routings (single, serial, parallel and 24dB mode), Multi Filter mode (only Filter-A; modulatable mix of Low Pass, High　Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects)

Driver

Per-voice non-linear driver and low boost circuit

Modulation

Five Envelope generators, four per-voice LFOs, two AMS Mixers; Per-voice Step Sequencer

CX-3 Program

Tonewheel Organ Modeling

Phase-synchronous tonewheels (clean and vintage modes), percussion, key click, wheel brake

EX Mode

Four additional, user-specified drawbars, and expanded percussion

Internal Effects

Rotary speaker, vibrato/chorus, amp modeling with overdrive, 3-band EQ

Drawbar Control

Controlled via nine front-panel sliders (via Tone Adjust)

Split

Upper, Lower (even in EX mode)

Modulation

Two AMS mixers

STR-1 Program

Physically Modeled String

Includes physically modeled damping, decay, dispersion, nonlinearity, harmonics, dual pickups, and more. Most string parameters can be controlled in realtime

String Excitation

Three independent excitation sources can be used simultaneously: Pluck, Noise, and PCM. 16 preset “pluck” types, with modulatable width and randomization. Noise generator with saturation and dedicated low pass filter

PCM Oscillator
KORG’s ultra-low-aliasing technology, as introduced in the HD-1; 4 velocity zones per oscillator; Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory.

Excitation Filter
Dedicated 2-pole multimode filter for shaping the string excitation. Filter can be enabled/disabled separately for each excitation source. Low Pass, High Pass, Band Pass, and Band Reject modes

Audio Input and Feedback

Run real-time audio through the string, including feedback through effects. Modeled feedback includes modulate-able instrument-to-amp distance and orientation

Filters

Dual multi-mode filters per voice; Single, Serial, Parallel (with split stereo output), and 24dB (4-pole) configurations. Low Pass, High Pass, Band Pass, and Band Reject modes

Multi Filter Mode (Filter A only)
Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects

Modulation

5 Envelopes, 4 per-voice LFOs, 2 Key Track generators, String Tracking generators, 4 AMS Mixers

MOD-7 Program

Waveshaping VPM Synthesizer

Combines Variable Phase Modulation (VPM), Waveshaping ring modulation, PCM sample playback, and subtractive synthesis; Able to convert-load SYX files

Oscillators

6 VPM/Waveshaper/Ring Modulation Oscillators
Phase and modulatable pitch per oscillator. 101 Waveshaper tables plus modulatable Drive and Offset. Use as oscillators, or as Waveshapers or Ring Modulators for other signals

PCM Oscillator
KORG’s ultra-low-aliasing technology, as introduced in the HD-1. 4 velocity zones per oscillator.Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory

Noise Generator (With saturation and low-pass filter function)

Audio input

Run real-time audio through the VPM Oscillators and filters.

Filters

Dual multi-mode filters per voice. (Low Pass, High Pass, Band Pass, and Band Reject modes) , Two types of filter looping (Parallel and 24 dB “4-Pole”)

Multi Filter mode (Filter A only)
Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects

Patch Panel

Supports both preset algorithm (78 types) selection and free patching.Three 2-in, 1-out mixers for scaling and merging audio, fully modulatable, with phase inversion. Main 6-input stereo mixer, with modulatable pan and volume, plus phase inversion

Modulation

10 Envelopes, 4 per-voice LFOs, 9 Key Tracking generators, Per-voice Step Sequencer, 4 standard AMS Mixers plus 4 simple AMS Mixers

MS-20EX Program

Oscillators

Ultra-low-aliasing oscillators; VCO1, VCO2, Ring Mod, Pink and White Noise Generator

Audio Input

Run real-time audio through the synthesis engine and ESP (External Signal Processor)

Filters

12dB/octave High Pass and Low Pass self-resonant filters

ESP section
24dB/octave Low Cut and High Cut filters, available per voice.

Patch Panel

Patchable audio and modulation, at audio rates

Patch Points

Keyboard
Keyboard CV Out, Keyboard Trigger Out, VCO1+VCO2 CV In, VCO2 CV In

VCO
VCO1+VCO2 External Frequency Control In, VCO1 Out, VCO2 Out

VCF
External Signal In, External HP Filter Cutoff Frequency Control In, External LP Filter Cutoff Frequency Control In, HPF Out, LPF In, LPF Out

VCO+VCF
Total External Modulation In

VCA
External Initial Gain Control In, VCA In

EG
EG1 Envelope Signal Normal Out, EG1 Envelope Signal Reverse Out, EG1+EG2 Trigger In, EG1 Trigger In, EG2 Envelope Signal Reverse Out

MG
Triangle Out, Rectangle Out

Noise Generator
Pink Noise Out, White Noise Out

Sample and Hold
Clock Trigger In, Sample Signal In, S/H Out

Modulation VCA
Control Voltage In, Signal In, Signal Out

Manual Controller
Control Wheel Out, Momentary Switch

ESP
Signal In, AMP Out, BPF In, BPF Out, F-V CV Out, Envelope Out, Trigger Out

Others
EXi Audio In, Mixer 1 In, Mixer 1 Out, Mixer 2 In, Mixer 2 Out

ESP (External Signal Processor):

Use incoming audio as a trigger and/or CV source

Modulation

Original DAR (Delay, Attack, Release) and HADSR (Hold, Attack, Decay, Sustain, Release) EGs 1 &2, Original MG (with MIDI sync), Sample-and- Hold, MVCA, NAUTILUS: 4 additional multi-stage Envelopes, 4 additional per-voice LFOs, and 4 AMS Mixers.

PolysixEX Program

Oscillators

VCO
Saw, Pulse, PWM

Sub Oscillator:
Off, 1 octave below, 2 octaves below

Filter

24dB(4-Pole) Octave Low Pass self-resonant filter

Effects

Integrated Polysix Chorus, Phaser, and Ensemble

Arpeggiator

Integrated MIDI-synced arpeggiator, with adjustable Range, Mode, and Latch

Modulation

Polysix
Original ADSR EG and MG (with MIDI sync).

NAUTILUS
2 additional multi-stage Envelopes, 2 additional per-voice LFOs, and 4 AMS Mixers.

Combination

Number of Timbres, Master Keyboard Functionality

16 Maximum
Keyboard and velocity splits, layers, and crossfades of up to 16 Programs and/or external MIDI Devices
The tone adjust parameter function lets you modify program settings, and the master keyboard function lets you control external MIDI devices

Advanced Vector Synthesis

Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope

Quick Layer / Split function

Drumkit

Assignable stereo/mono samples with 8 velocity zones per oscillator (with crossfade functions)

Number of Programs/Combinations/Drum kits

User Memory Programs

2,560 (1,920 [1,280 HD-1+640 EXi] come preloaded)

User Memory Combinations

1,792 (256 come preloaded)

User Memory Drum Kits

264 (104 come preloaded)

256 GM Level2 preset programs + 9 GM Level 2 drum preset programs

Set List

Number of Set Lists/Slots

128 set lists, 128 slots per set list
Each set list provides a 9-band graphic EQ, and a Tone Adjust function that allows program settings to be adjusted
Transpose setting
Hold Time setting of Smooth Sound Transition (SST) supported for each slot

Sampling

System

Open Sampling System (resampling, In-Track sampling)

Bit Depth/Sampling Frequency

RAM
16-bit/48 kHz stereo/mono sampling

DISK
16 or 24-bit/48 kHz

Sampling Time

RAM
Depends on the amount of available PCM RAM

DISK
Maximum 80 minutes stereo (879MB: 16bit)

Sample Locations

16,000 samples/4,000 multisamples (128 indexes per multisample)

Formats

KORG format, AKAI S1000/S3000 data (with advanced Program parameter conversion); SoundFont 2.0, AIFF, and WAVE formats

Editing

Time Stretch, Time Slice, Crossfade Loop, and other standard editing features.

Effects

Insert Effects

12
Stereo in / stereo out

Master Effects

2
Stereo in / stereo out

Total Effects

2
Stereo in / stereo out

Timbre EQ

One 3-band EQ for each timbre/track

Effect Types

197

Modulation

Dynamic Modulation and Common LFO

Effects Control Busses

Stereo side-chaining for compressors, gates, vocoders, etc

Effect Presets

Total 783 preset, Maximum 32 per 1 effect (Preset User)

Arpeggiator

Arpeggiator Modules

One module in Program mode, two modules in Combination and Sequencer modes

Arpeggio Pattern

5 presets + ARP A 2,048 slots (1,593 come Preload) + ARP B 128 slots

Controllers

On/Off, Latch, Gate, Velocity, Length, Swing, Tempo

Drum Track

Preset Patterns

1,272 (common with the preset patterns of the MIDI sequencer)

User Patterns

1,000
Patterns created in Sequencer mode can be converted to drum track user patterns.

Trigger Mode/ Sync / Zone / Swing, Drum SD, Tempo settings can be specified.

Sequencer / HDR

Tracks

16-track MIDI sequencer + 16-track hard disk recorder + 1 master track.

Number of Songs

200

Resolution

1/480

Tempo

40.00 – 300.00 (1/100 BPM resolution)

Maximum Memory

400,000 MIDI events or 300,000 audio events

MIDI Tracks

16 tracks plus the master track, 697 preset / 100 user patterns (per song), 18 preset/16 user template songs,

Audio Tracks

16-track playback, 4-track simultaneous recording, WAV file format 16bit/24bit
Maximum Single-file Recording Time (mono): 80 minutes
Automation: Volume, Pan, EQ, and Send1/2
10,000 regions (max.)
Event Anchors, BPM Adjust

Other Functions

RPPR (Realtime Pattern Play and Record): 1 Pattern set per song

General

Disk Mode

Load, save, utility, data filer function (save/load MIDI System Exclusive data), CD-R/RW (UDF format read/write), ISO9660 Level 1.

Controllers

Joystick, Switches 1 & 2
Arpeggiator Control: On/Off, Latch, Gate, Velocity, Length, Swing, Tempo
DRUM TRACK: On/Off, Swing, Drum SD, Tempo

Display

TouchView graphical user interface, 7 inch color TFT, WVGA (800 x 480 dots), adjustable brightness

Principal Specifications

Frequency Response
20Hz-22kHz, +/-1.0dB, 10k Ω load

THD+N
20Hz-22kHz, 0.01%, 10k Ω load (typical)

S/N
95dB (typical)

Dynamic Range
95dB (typical)

Crosstalk
95dB, at 1kHz (typical)

Outputs

L/MONO, R, Individual 1-4
1/4” TRS Balanced
Output Impedance: 350 Ω Stereo; 175 Ω Mono (L/MONO Only),
Nominal Level: +4.0 dBu,
Maximum Level: +16.0 dBu (when load impedance is 600 Ω or greater)
MAIN VOLUME slider controls only AUDIO OUTPUT (MAIN) L/MONO and R

Headphones
1/4” stereo phone jack
Output impedance: 33 Ω,
Maximum Level: 60+60 mW (when load impedance is 33 Ω),
MAIN VOLUME knob (link with AUDIO OUTPUT (MAIN))

USB-B
24-bit, Sample Rate: 48 kHz, 2 channels
(Digital output of the same signals as AUDIO OUTPUT (MAIN) L/MONO and R)

Inputs

Audio Inputs 1 and 2
1/4” TRS Balanced
Input Impedance: 10 kΩ
Nominal Level: LINE +4 dBu
Maximum Level: LINE +16 dBu
Nominal Level: MIC –22 dBu
Maximum Level: MIC -10 dBu
Source Impedance: 600 Ω

USB-B
24-bit, Sample Rate: 48 kHz, 2 channels

Control Inputs

Damper pedal (half damper supported)
Assignable switch, Assignable pedal

MIDI

In, Out, Thru

USB

USB A (TYPE A)
For connection to external USB devices (QWERTY keyboards, MIDI controllers, ethernet adaptors, and storage)

USB B (TYPE B)
MIDI/audio interface, MIDI: 1 (16 channel) input / 1 (16 channel) output, Audio: 2 channel input / 2 channel output
*2 USB high-speed ports (supports 480Mbps)

Disk Drives

60 GB SSD (2.5”)

Power Supply

AC power supply terminal, Power switch

Dimensions: (W x D x H)

88 key: 1,437 x 387 x 139 mm / 56.57” x 15.24” x 5.47”
73 key: 1,227 x 386 x 116 mm / 48.31” x 15.20” x 4.57”
61 key: 1,062 x 386 x 116 mm / 41.81” x 15.20” x 4.57”

Weight

88 key: 23.1 kg / 50.93 lbs.
73 key: 14.6 kg / 32.19 lbs.
61 key: 13.0 kg / 28.66 lbs.

Power Consumption

40 W

Accessories

AC cord, Quick Start Guide

Option

XVP-20: Expression/Volume Pedal
EXP-2: Foot Controller
DS-1H: Damper Pedal
PS-1: Pedal Switch
PS-3: Pedal Switch

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Yamaha MODX7+ Synthesizer With 76 Keys

₹151,990.00

MODX7+
Dimensions	Width	1,144mm (45-1/16″)
	Height	134mm (5-1/4″)
	Depth	331mm (13-1/16″)
Weight	Weight	7.4 kg (16 lbs 5 oz)
Control Interface
Keyboard	Number of Keys	76
	Type	Semi-weighted Keyboard
	Initial Touch	Yes
	Aftertouch	No
Tone generator
Tone Generator		Motion Control Synthesis Engine AMW2: 8 Elements FM-X: 8 Operators, 88 Algorithms
Maximum Polyphony		AWM2: 128 (max.; stereo/mono waveforms) FM-X: 128 (max.)
Multi Timbral Capacity		16 Parts (internal), Audio Input Parts (A/D, USB) *stereo Part
Wave		Preset: 5.67 GB (when converted to 16 bit linear format), User: 1.75 GB
Performance		2,227
Filter		18 types
Effects		Reverb x 12 types, Variation x 88 types, Insertion (A, B) x 88 types2, Master Effect x 26 types 2 A/D part insertion x 83 types (Preset settings for parameters of each effect type are provided as templates) Master EQ (5 bands), 1st part EQ (3 bands), 2nd part EQ (2 bands)
Other
Controllers		Master Volume, AD Input Gain knob, USB Volume, Pitch Bend wheel, Modulation wheel, Control Sliders x 4, Knobs x 4, Super Knob, Data dial
Display		7″ TFT Color Wide VGA LCD touch screen
Connectors		[USB TO DEVICE], [USB TO HOST], MIDI [IN]/[OUT], FOOT CONTROLLER [1]/[2], FOOT SWITCH [ASSIGNABLE]/[SUSTAIN], OUTPUT [L/MONO]/[R] (6.3 mm, standard phone jacks), [PHONES] (6.3 mm, standard stereo phone jack), A/D INPUT [L/MONO]/[R] (6.3 mm, standard phone jacks)
Power Consumption		16 W (when using PA-150B AC adaptor)
Accessories		AC adaptor (PA-150B or an equivalent recommended by Yamaha), Owner’s Manual (this book), Cubase AI Download Information May not be included depending on your area. Check with your Yamaha dealer.
Live Sets		Preset: 256 and more, User: 2,048
Performance Recorder
Note Capacity		Approx. 130,000 notes
Storage Size		Approx. 520,000 notes (for Patterns) and approx. 520,000 notes (for Songs)
Note Resolution		480 ppq (parts per quarter note)
Tempo (BPM)		5 – 300
Songs		128 songs
Tracks		16 Sequence tracks
Recording type		Real time replace, Real time overdub, Real time punch in/out
Patterns		128 patterns
Arpeggio		Parts: 8 Parts simultaneous (max.), Preset: 10,239 types User: 256 types
Sequence formats		MODX original format, SMF formats 0, 1

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KORG Synthesizer KROSS2-61
Original price was: ₹69,775.00.Current price is: ₹63,000.00.

KROSS 2-6161 keys (velocity sensitive; aftertouch not supported)
Normally C2–C7(adjustable in the range [C1…C6]–[C3…C8]

KROSS 2-88

88 keys NH (Natural weighted hammer action) keyboard (no aftertouch)
Normally A0–C8 (adjustable in the range [-A-1…C7]–[A1…C9])

* The NH keyboard delivers a playing feel similar to that of an acoustic piano, with low notes being heavier and high notes being lighter.

System

EDS-i（Enhanced Definition Synthesis – integrated）

Sound Engine

Maximum Polyphony

120 voices (120 oscillators), single mode
60 voices (60 oscillators), single mode

* The actual maximum polyphony will vary depending on oscillator settings such as stereo multisamples and velocity crossfading.

Preset PCM Memory

Approximately 128 MB (calculated as 48 kHz / 16-bit linear PCM data equivalent)
496 multisamples (including seven stereo), 1014 drumsamples (including 49 stereo)

Expansion PCM Memory

Approximately 128MB (*when converted to 48 kHz 16-bit linear PCM

* Used when loading option PCM

Program

Oscillator

OSC1 (Single), OSC1+2 (Double): Stereo multisamples are supported 4 velocity zones per oscillator, with switching, crossfades and layers.

Filters

Four types of filter routing (single, serial, parallel, 24 dB)
Two multi-mode filters per voice (low pass, high pass, band pass, band reject)

Modulation

For each voice, two envelope generators (Filter & Amp), two LFOs, two key tracking generators (Filter & Amp), and two AMS mixers. In addition, pitch EG, common LFO, and two common key tracking generators

Combination

Timbres

Up to 16 timbres, switchable via key zone or velocity zone, layer and crossfade supported, Tone Adjust function allows program settings to be offset

Master Keyboard functionality

These allow you to control external MIDI devices

Drumkits

Stereo and mono drumsamples. 4-way velocity switches with crossfades and adjustable crossfade shapes (Linear, Power, Layer).

The Number of Combinations/Programs/Drum Kits

User Combinations

896 Combinations (384 Preload)

User Programs

1280 Programs (768 Preload)

User Drum Kits

58 Drum Kits (42 Preload)

Preset Programs

265 Programs (256 GM2 Programs + 9 GM2 Drum Programs)

* Total number of preload programs and preset programs：1,075 (810 preload programs, 265 preset programs

*Click here for KROSS 2-88-MB.

Favorites

Number of memories

128 (16 favorites × 8 banks)

Effects

Insert effects

5 Insert Effects In-line processing; stereo in – stereo out.

Master effects

2 Master Effects Two effects sends; stereo in – stereo out.

Effects types

Total of 134 types (select from 74 types for insert effects, 101 types of master effect 1, and 120 types for master effect 2)

Modulation

Dynamic Modulation

Effects Control Bus

Stereo side-chaining for limiter, gates, vocoders, etc.

Polyphonic arpeggiators

Program mode

One arpeggiator

Combination mode

Two arpeggiators

Sequencer modes

Two arpeggiators

Preset arpeggio patterns

UP, DOWN, ALT1, ALT2, RANDOM

User arpeggio patterns

Number of arpeggio patterns: 1280 (1024 preload)
Number of tones: 12 tones,
Number of steps: up to 64 steps

Step sequencer

Program mode
Combination mode
Sequencer mode

One unit
Number of tones: 12 tones + 1 accent tone
Number of steps: up to 64 steps
* Can be created for each program, combination, and song.

Drum Track

Preset Patterns

772 patterns (Held in common with sequencer patterns.)

Other

Trigger Mode / Sync / Zone settings can be specified

Sequencer

Tracks

16MIDI Tracks

Number of Songs

Up to 128 songs

Resolution

1/480

Tempo

40.00–300.00 (1/100 BPM resolution)

Maximum Memory

Up to 210,000 MIDI events

Counter

Measure/Beat/Tick

Template Song

16 preset/16 user template songs

Preset Patterns

772 patterns (shared with Drum Track patterns)

Format

KORG (KROSS) format, SMF format 0 and 1

Pad sampler

Specifications

16 pads × 8 banks
Automatically saved on the SD card, and automatically loaded
Up to four pads can play simultaneously

Recording format

PCM audio format 48 kHz/16-bit

Recording time

Up to approximately 14 seconds of stereo sample for each pad

Import

WAVE format, file name extension: .wav, 44.1 kHz/16-bit, 48 kHz/16-bit, stereo

* 44.1 kHz is automatically converted to 48 kHz/i>

Edit

Waveform display editing functionality, start address and looping settings etc., normalize and other editing operations

Audio Recorder

Recording Format

PCM audio format 48kHz/16bit

Import

WAVE format (file name extension: wav ) 44.1kHz/16bit, 48kHz/16bit stereo

* 44.1 kHz is automatically converted to 48 kHz/i>

Export

WAVE format (file name extension: .wav) 48kHz/16bit, stereo

Recording Time

Maximum continuous recording time: 3 hours
Depends on the SD card used; approximately 90 minutes per 1 GB

Number of Songs

Up to 200 songs

Number of overdub recordings

Depends on the remaining capacity of the SD card

Counter

Hour/Min/Sec

Pad audio play

16 pads × 8 banks
Directly play back data from SD card
Multiple pads cannot be played simultaneously

Media

File, Utility, Information, additional PCM data management functionality

Controllers

General Control

Pitch bend wheel, Modulation wheel, SW1, SW2

Realtime Control

SELECT button, SWITCH button, KNOB1 knob, KNOB2 knob

Step Sequencer/Favorite/Pad Sampler/Pad Audio Play

Pads 1–16
STEP SEQ ACTIVE button, Run button
FAVORITES ACTIVE button
SAMPLER ACTIVE button, HOLD button
AUDIO PLAY ACTIVE button
BANK LEDA/B/C/D/E/F/G/H (also used by Step sequencer, Favorite, Pad Sampler, and Pad Audio Play)

Drum Track

DRUM TRACK button

Arpeggiator

ARP button

Audio Recorder

AUDIO REC button

User Interface

Display

240 × 64 pixel LCD backlight
Adjustable contrast (hold the EXIT button and turn the VALUE dial)

Category

CATEGORY dial, VALUE dial

MODE

COMBI button, PROG button, SEQ (GLOBAL/MEDIA) button

Value Controllers

Cursor buttons, EXIT,ENTER, FUNCTION, PAGE-, PAGE+, MENU buttons

Sequencer

REC button, START/STOP button

Quick Layer Split

LAYER/SPLIT button

Other

VOLUME knob

Control Input

DAMPER (Supports piano-style half-damper pedals as well as standard foot switches)
ASSIGNABLE SWITCH
ASSIGNABLE PEDAL

Audio Outputs (Analog)

AUDIO OUTPUT L/MONO, R

Connectors: 6.3 mm (1/4″) phone jacks(TS unbalanced)
Output Impedance: 1.1k ohm stereo, 550 ohm mono (L/Mono only)
Maximum Level: +10.0 dBu
Load Impedance: 10k ohm or greater
Controllable by the VOLUME knob

HEADPHONE OUTPUT

Connectors: 3.5mm (1/8″) stereo mini phone jack
Output Impedance: 33 ohnm
Maximum Level: 40 + 40 mW
Controllable by the VOLUME knob

Audio Inputs (Analog)

LINE IN

Connectors: 3.5 mm (1/8″) stereo mini phone jack
Input Impedance: 1.1k ohm
Maximum Input Level: -42 to 0 dBu

MIC IN

Connectors: 6.3 mm (1/4″) phone jacks(TS unbalanced)
Input Impedance: 33 ohm
Maximum Input Level: -48 to -6dBu
Phantom power or plug-in power is not supported.

Others

MIDI

IN, OUT

USB

USB connector TYPE B x 1, USB-MIDI interface, USB audio interface

SD Card Slot

One card slat

* Capacity recognized: SD memory cards up to 2 Gigabytes (GB). SDHC memory cards up to 32 Gigabytes (GB). SDXC memory cards are not supported.

Main Specifications

Power

AC adaptor power supply DC 9V
AA alkaline batteries x 6, or nickel-metal hydride batteries x 6

Battery Life

AA alkaline batteries x 6: Approximately 6 hours
AA nickel-metal hydride batteries (1900mAh) x 6: Approximately 7 hours

* Varies depending on the batteries used and the conditions of use.

Power Consumption

5 W

Dimensions (W x D x H)

KROSS2-61: 935 mm × 269 mm x 88 mm / 36.81″ × 10.59″ × 3.46″
KROSS2-88 1,448 mm × 383 mm × 136 mm / 57.01″ × 15.08″ × 5.35″

Weight

KROSS2-61: 3.8 kg / 8.38 lbs (excluding batteries)
KROSS2-88: 12.3 kg / 27.12 lbs (excluding batteries)

Included Items

AC adapter, Quick Start Guide

Accessories (sold separately)

Keyboard stand

KROSS2-61: Standard-S-ABK61
KROSS2-88: Standard-L-SV88

Soft case

KROSS2-61: SC-KROSS 2 61
KROSS2-88: SC-KROSS 2 88 / KROME 88

Expression/Volume Pedal

XVP-20
XVP-10

Foot Controller

EXP-2

Damper Pedal

DS-1H

Pedal Switch

PS-1
PS-3

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Roland BK-5 Backing Keyboard
Original price was: ₹96,727.00.Current price is: ₹64,000.00.
Self-contained, do-everything keyboard with auto-accompaniment engine and built-in sound system

Wide selection of sounds, Music Assistants, and Rhythms that cover a wide landscape of musical genres (including East-Europe, Latin-America, Asia, and more)

Friendly graphical user interface

Onboard effects, including reverb, chorus, EQ, multi-band compressor, and dozens of multi-effects

Music rhythm compatibility with Roland BK-7m/E-series/ G-series/VA-series instruments
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Roland E-A7 Expandable Arranger

Keyboard:

Sound Generator:

Tones:

Favorites:

Melody Intelligent:

Styles:

One Touch Memories:

Style Makeup Tools:

Songs:

Song (Audio) Recording:

Demo Song:

Effects:

User Programs:

Sampling/Sample Import:

Scale Tunings:

Other Features:

Controllers:

Display:

Connectors:

Speakers:

Power Supply:

Accessories:

Options (Sold Separately):

Size and Weight:

A WORLD OF SOUNDS AND BACKING STYLES AT YOUR FINGERTIPS

Extensive Backing Styles, Including Authentic Arrangements from All Over the World

An Entire World of Sound at Your Fingertips

Expand the Onboard Sounds with WAV Sample Import

Fast, Logical Layout with Backing Styles on the Left, Tones on the Right

All the Essentials for a Smooth Gig at Your Command

Plug in the Mic, Set the Level, and Sing

Weighs Just 8 kg/18 lbs.—No Pain, All Gain

Versatile Song Player That Supports SMF and WAV/MP3 Audio

Flexible User Programs Put You in Control

Manage User Tones/Drum Kits, Samples, and More on Your Computer

Reviews

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EP-1 Program

HD-1 Program

EXi Program Common

AL-1 Program

CX-3 Program

STR-1 Program

MOD-7 Program

MS-20EX Program

PolysixEX Program

Combination

Drumkit

Number of Programs/Combinations/Drum kits

Set List

Sampling

Effects

Arpeggiator

Drum Track

Sequencer / HDR

General

Yamaha MODX7+ Synthesizer With 76 Keys

KORG Synthesizer KROSS2-61

System

Sound Engine

Favorites

Effects

Polyphonic arpeggiators

Step sequencer

Drum Track

Sequencer

Pad sampler

Audio Recorder

Media

Controllers

User Interface

Control Input

Audio Outputs (Analog)