Roland JUNO-X
₹245,470.00
Keyboard Section:
- Number of Keys: 61 Keys (with channel aftertouch)
Sound Generator Section:
- Sound Generator: ZEN-Core
- Various MODEL Sound Generators
Parts:
- Max Parts: 5 parts
- Play Parts: 4
- Rhythm Parts: 1
Tones:
- Preset Tone: 4,000 or greater
- User Tone: 256
- Drum Kit: 90 or greater
Scenes:
- Scenes: 256
Effects:
- Multi-Effects: 4 systems, 93 types
- Part EQ: 5 systems
- Overdrive
- Reverb: 8 types
- Chorus: 5 types
- Delay: 5 types
- Mic NS / Compressor
- Master EQ / Compressor
Arpeggiator:
- Type: I-ARPEGGIO (Multi-parts arpeggiator with playing detection)
- Arpeggio Parts: 5 parts
Controllers:
- Pitch Bend/Modulation Lever
- Assignable Slider: x2
- Assignable Switch: x3
Bluetooth:
- Version: 4.2
- Profile Support: A2DP (Audio), GATT (MIDI over Bluetooth Low Energy)
- Codec: SBC (Supports content protection via the SCMS-T method)
Display:
- Graphic LCD: 128 x 64 dots
Speaker and Amplifier:
- Amplifier Power Output: 4 W x 2
- Speakers:
- Full Range Speakers: 3.5 x 8 cm x 2
- Tweeter: 2 cm x 2
Connectors:
- HEADPHONES Jack:
- Stereo miniature phone type (front)
- Stereo 1/4-inch phone type (rear)
- MAIN OUT Jacks (L/MONO, R): 1/4-inch phone type
- MAIN OUT Jacks (L, R): XLR type
- MIC INPUT Jack: 1/4 inch phone type/XLR type
- AUX INPUT Jack: Stereo miniature phone type
- HOLD PEDAL Jack
- CONTROL PEDAL Jack
- MIDI Connectors: IN, OUT
- USB COMPUTER Port: (AUDIO/MIDI)
- USB MEMORY Port
External Memory:
- USB Flash Drive (sold separately)
Power Supply:
- Power Consumption: 20 W
Accessories:
- Startup Guide
- Power Cord
Options (sold separately):
- Keyboard Stand: KS-11Z, KS-13
- Pedal Switch: DP series
- Expression Pedal: EV-5
Size and Weight:
- Width: 1,072 mm (42-1/4 inches)
- Depth: 333 mm (13-1/8 inches)
- Height: 118 mm (4-11/16 inches)
- Weight: 11.6 kg (25 lbs 10 oz)
Vintage heart. Modern muscle.
JUNO-X elevates Roland’s legendary synthesizer series into a new era, fusing authentic vintage spirit with modern creative power. Compose and perform with the next-generation JUNO-X engine, historic JUNO-60 and JUNO-106 Models, sounds from the XV-5080 and RD pianos, Model Expansions, and more. And bring them all together with a familiar hands-on interface that welcomes you like an old friend. Backed by the immense range of our ZEN-Core Synthesis System, JUNO-X goes wherever your music lives—past, present, or future.
Three JUNOs in one.
JUNO-X gives you the authentic sounds of the JUNO-60 and JUNO-106 in all their glory, plus a new JUNO-X engine that imbues the JUNO spirit with more sonic muscle and expression.
JUNO-X
The newly developed JUNO-X Model presents a natural evolution of the historic JUNO voice. Create even fatter sounds with an enhanced version of Roland’s famous Super Saw waveform and go deeper with velocity sensitivity, pitch envelope control, and more. There’s also a new Chorus III mode to complement the two beloved chorus modes from the original JUNOs.
JUNO-60
Introduced in 1982, the JUNO-60 was a landmark instrument that greatly influenced the synth landscape to come. Succeeding the similar JUNO-6, it offered affordable polyphonic synthesis with a stable digitally controlled oscillator (DCO). The JUNO-60’s rich character, friendly interface, and rock-solid tuning—along with a rich chorus effect and the ability to store sounds in onboard memories—made this synth an instant classic.
JUNO-106
In 1984, the JUNO-106 built on the success of its predecessor with more memories and the revolutionary new MIDI interface. It also featured a slightly smoother and cleaner sonic character, and the JUNO-60’s arpeggiator was replaced with a cool polyphonic portamento function. Embraced by an even wider audience, the more affordable JUNO-106 went on to become one of the best-selling synths of all time.
Beyond JUNO.
The versatile JUNO-X also includes more onboard Models from the legendary Roland canon and the ability to go even further with Model Expansions and other sound content from Roland Cloud.
XV-5080, RD-Piano, and Vocoder.
Explore over 900 PCM-based presets from the famous XV-5080 module, from acoustic instruments and vintage synths to drums and world sounds. Play expressive acoustic pianos derived from Roland’s renowned RD stage piano series. Or plug in a mic and use the Vocoder Model with any JUNO-X sound to create expressive ensemble tones, futuristic pads, and funky robot voices.
Model Expansions and More.
With support for Model Expansions from Roland Cloud, you can transform JUNO-X with the sounds and character of additional Roland instruments both old and new. Load up authentic versions of the JUPITER-8, JD-800, and other classics, or get creative with the newly developed Vocal Designer. Roland Cloud is also home to a growing range of Wave Expansions, Sound Packs, Sample Packs, and more to keep the music flowing.
Wireless Expansion with Roland Cloud Connect.
JUNO-X also provides integrated support for Roland Cloud Connect, a powerful option that includes the WC-1 wireless adapter and Roland Cloud membership. Browse, audition, and load Model Expansion titles and other content directly to the keyboard via the convenience of Wi-Fi. With Roland Cloud Connect, a universe of fresh inspiration is always at your fingertips.
Creative Experience
Feel the music.
A key element of the JUNO’s appeal was a straightforward interface that made it easy to craft inspiring sounds and evolving textures in the heat of the moment. With a familiar panel adorned with responsive controls, JUNO-X invites you to fully immerse in the music and create without limits.
Tactile workflow.
The JUNO-X workflow is direct and intuitive, and everything is right where you need it. High-res sliders deliver analog feel with precise digital control, while dedicated buttons let you call up sounds and functions in a flash. When you need to dive deeper, the informative LCD provides clear navigation through an array of advanced parameters.
Layer it on.
Vintage JUNO synths had modest sound capabilities with a single DCO. With JUNO-X, you can layer multiple JUNOs to create all manner of analog-flavored goodness, from massive leads and basses to rich, lush pads. Or stack Model Expansions and the onboard sounds to build dream synths never heard before. Layer up to four tones at once with enough to polyphony to take on any creative venture.
Scenic view.
With 256 custom creative spaces called Scenes, you can instantly recall complete JUNO-X setups with a single touch. Store sound parameters for four instrument parts and the dedicated drum part, plus I-Arpeggio settings, effects, and more.
Modern multi-effects.
Along with the JUNO choruses, JUNO-X includes a huge variety of additional effects to color sounds. Independent MFX and EQ are available for different parts, plus drive, delay, and reverb. Master EQ and compressor effects are also on tap, along with dedicated vocal effects for the mic input.
Arpeggio action.
Whether you want classic arpeggios or something beyond, JUNO-X delivers. Call up the traditional arpeggiator for a retro vibe. Or journey to the future with I-Arpeggio, which uses intelligent algorithms to infuse your music with naturally evolving note changes and movement. It’s also possible to export I-Arpeggio MIDI performances for further development in any DAW.
JUNO-X Editor.
With the full-featured JUNO-X Editor software, you can take your creativity further with the large screen on your Mac or Windows computer. Tweak sounds, effects, and Scenes in microscopic detail, organize performance setups, and much more.
Get connected.
The JUNO-X rear panel is loaded with connectivity for any situation. Balanced and unbalanced audio outputs are available, plus a stereo audio input and MIDI I/O. There’s also a mic input for vocal performing or feeding the onboard Vocoder. USB audio/MIDI support lets you interface with your favorite production software, and you can even back up JUNO-X settings to a flash drive via the USB Memory port.
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EXT INPUT jack: stereo miniature phone type
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PHONES jack: stereo 1/4-inch phone type
MIDI connectors (IN, OUT)
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USB COMPUTER port (supports USB MIDI/AUDIO)
DC IN jack - Power Supply
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AC adaptor
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Support for stereo multisamples, synchronization of individual notes, and tempo-based settings.
SGX-2 Program
- Premium Piano
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Damper resonance and mechanical noise are reproduced.
Una Corda sample support
- PCM
- EXs301 – German2 D Piano
12 velocity levels, includes Ambience Piano type/samplesEXs302 – Italian F Piano
12 velocity levels, no Una Corda samplesEXs303 – Japanese Upright U Piano
8 velocity levelsExs304 – Prepared Piano
1-4 velocity levels
- Piano Type
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(With the factory settings, the 64 varieties of EXs6: German D Piano, EXs7: Japanese C Piano, EXs12: SGX-1 Austrian D Piano, EXs17: Berlin D Piano do not produce sound. The options must be downloaded. (Those will be released at a later date.))
- Oscillator Control
- Damper Resonance
Damper Noise
Mechanical Noise
Note Release
String Resonance
Una Corda
EP-1 Program
- MDS Electric Piano
- Tine and reed-type electric pianos powered by Multi-Dimensional Synthesis (MDS), and vintage effects.
- Electric Piano Model Types
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Tine EP I Early, Tine EP I Late, Tine EP II, Tine EP V, Tine EP DMP, Reed EP200, Reed EP200A
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- Harmonic Sound Level, Attack Noise, Level, Release Noise Level, Attack Brightness, Hammer Width
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- Tine Type
Preamp Volume, Tone (Treble, Bass), Vibrate (On/Off, Intensity, Speed), Amp/Cabinet (On/Off, Drive)Reed Type
Preamp Volume, Tone (Treble, Bass), Vibrate (Intensity, Speed), Amp/Cabinet (On/Off, Drive)
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Small Phase, Orange Phase, Black Phase, Vintage Chorus, Black Chorus, EP Chorus, Vintage Flanger, Red Comp, VOX Wah
HD-1 Program
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Double mode lets you layer two completely separate synth voices, each with their own velocity-switched oscillator, dual filter, EGs, LFOs, etc.
Drums: One drum kit, Double Drums: Two drum kits.
- Oscillators
- 8 velocity zones per oscillator, with switching, crossfades and layering
Each zone can play mono or stereo Multisamples or Wave Sequences
- Filters
- Two multi-mode filters per voices (low-pass, high-pass, band-pass and band-reject), Four-mode filter routings (single, serial, parallel and 24dB mode)
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- Three envelope generators, two LFOs per voice, common LFO, four key tracking generators, AMS (Alternate Modulation Source), two AMS mixers
- Quick Layer / Split function
EXi Program Common
- Advanced Vector Synthesis
- Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope
- Modulation
- Common Step Sequencer, AMS (Alternate Modulation Source), Common LFO, 2 Key Tracking Generators
- EQ
- Three bands, with sweep-able mid
- Quick Layer / Split function
AL-1 Program
- Oscillators
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- Modulation
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CX-3 Program
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- Four additional, user-specified drawbars, and expanded percussion
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- Rotary speaker, vibrato/chorus, amp modeling with overdrive, 3-band EQ
- Drawbar Control
- Controlled via nine front-panel sliders (via Tone Adjust)
- Split
- Upper, Lower (even in EX mode)
- Modulation
- Two AMS mixers
STR-1 Program
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PCM Oscillator
KORG’s ultra-low-aliasing technology, as introduced in the HD-1; 4 velocity zones per oscillator; Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory.Excitation Filter
Dedicated 2-pole multimode filter for shaping the string excitation. Filter can be enabled/disabled separately for each excitation source. Low Pass, High Pass, Band Pass, and Band Reject modes
- Audio Input and Feedback
- Run real-time audio through the string, including feedback through effects. Modeled feedback includes modulate-able instrument-to-amp distance and orientation
- Filters
- Dual multi-mode filters per voice; Single, Serial, Parallel (with split stereo output), and 24dB (4-pole) configurations. Low Pass, High Pass, Band Pass, and Band Reject modes
Multi Filter Mode (Filter A only)
Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects
- Modulation
- 5 Envelopes, 4 per-voice LFOs, 2 Key Track generators, String Tracking generators, 4 AMS Mixers
MOD-7 Program
- Waveshaping VPM Synthesizer
- Combines Variable Phase Modulation (VPM), Waveshaping ring modulation, PCM sample playback, and subtractive synthesis; Able to convert-load SYX files
- Oscillators
- 6 VPM/Waveshaper/Ring Modulation Oscillators
Phase and modulatable pitch per oscillator. 101 Waveshaper tables plus modulatable Drive and Offset. Use as oscillators, or as Waveshapers or Ring Modulators for other signalsPCM Oscillator
KORG’s ultra-low-aliasing technology, as introduced in the HD-1. 4 velocity zones per oscillator.Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual MemoryNoise Generator (With saturation and low-pass filter function)
- Audio input
- Run real-time audio through the VPM Oscillators and filters.
- Filters
- Dual multi-mode filters per voice. (Low Pass, High Pass, Band Pass, and Band Reject modes) , Two types of filter looping (Parallel and 24 dB “4-Pole”)
Multi Filter mode (Filter A only)
Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects
- Patch Panel
- Supports both preset algorithm (78 types) selection and free patching.Three 2-in, 1-out mixers for scaling and merging audio, fully modulatable, with phase inversion. Main 6-input stereo mixer, with modulatable pan and volume, plus phase inversion
- Modulation
- 10 Envelopes, 4 per-voice LFOs, 9 Key Tracking generators, Per-voice Step Sequencer, 4 standard AMS Mixers plus 4 simple AMS Mixers
MS-20EX Program
- Oscillators
- Ultra-low-aliasing oscillators; VCO1, VCO2, Ring Mod, Pink and White Noise Generator
- Audio Input
- Run real-time audio through the synthesis engine and ESP (External Signal Processor)
- Filters
- 12dB/octave High Pass and Low Pass self-resonant filters
ESP section
24dB/octave Low Cut and High Cut filters, available per voice.
- Patch Panel
- Patchable audio and modulation, at audio rates
- Patch Points
- Keyboard
Keyboard CV Out, Keyboard Trigger Out, VCO1+VCO2 CV In, VCO2 CV InVCO
VCO1+VCO2 External Frequency Control In, VCO1 Out, VCO2 OutVCF
External Signal In, External HP Filter Cutoff Frequency Control In, External LP Filter Cutoff Frequency Control In, HPF Out, LPF In, LPF OutVCO+VCF
Total External Modulation InVCA
External Initial Gain Control In, VCA InEG
EG1 Envelope Signal Normal Out, EG1 Envelope Signal Reverse Out, EG1+EG2 Trigger In, EG1 Trigger In, EG2 Envelope Signal Reverse OutMG
Triangle Out, Rectangle OutNoise Generator
Pink Noise Out, White Noise OutSample and Hold
Clock Trigger In, Sample Signal In, S/H OutModulation VCA
Control Voltage In, Signal In, Signal OutManual Controller
Control Wheel Out, Momentary SwitchESP
Signal In, AMP Out, BPF In, BPF Out, F-V CV Out, Envelope Out, Trigger OutOthers
EXi Audio In, Mixer 1 In, Mixer 1 Out, Mixer 2 In, Mixer 2 Out
- ESP (External Signal Processor):
- Use incoming audio as a trigger and/or CV source
- Modulation
- Original DAR (Delay, Attack, Release) and HADSR (Hold, Attack, Decay, Sustain, Release) EGs 1 &2, Original MG (with MIDI sync), Sample-and- Hold, MVCA, NAUTILUS: 4 additional multi-stage Envelopes, 4 additional per-voice LFOs, and 4 AMS Mixers.
PolysixEX Program
- Oscillators
- VCO
Saw, Pulse, PWMSub Oscillator:
Off, 1 octave below, 2 octaves below
- Filter
- 24dB(4-Pole) Octave Low Pass self-resonant filter
- Effects
- Integrated Polysix Chorus, Phaser, and Ensemble
- Arpeggiator
- Integrated MIDI-synced arpeggiator, with adjustable Range, Mode, and Latch
- Modulation
- Polysix
Original ADSR EG and MG (with MIDI sync).NAUTILUS
2 additional multi-stage Envelopes, 2 additional per-voice LFOs, and 4 AMS Mixers.
Combination
- Number of Timbres, Master Keyboard Functionality
- 16 Maximum
Keyboard and velocity splits, layers, and crossfades of up to 16 Programs and/or external MIDI Devices
The tone adjust parameter function lets you modify program settings, and the master keyboard function lets you control external MIDI devices
- Advanced Vector Synthesis
- Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope
- Quick Layer / Split function
Drumkit
Assignable stereo/mono samples with 8 velocity zones per oscillator (with crossfade functions)Number of Programs/Combinations/Drum kits
- User Memory Programs
- 2,560 (1,920 [1,280 HD-1+640 EXi] come preloaded)
- User Memory Combinations
- 1,792 (256 come preloaded)
- User Memory Drum Kits
- 264 (104 come preloaded)
- 256 GM Level2 preset programs + 9 GM Level 2 drum preset programs
Set List
- Number of Set Lists/Slots
- 128 set lists, 128 slots per set list
Each set list provides a 9-band graphic EQ, and a Tone Adjust function that allows program settings to be adjusted
Transpose setting
Hold Time setting of Smooth Sound Transition (SST) supported for each slot
Sampling
- System
- Open Sampling System (resampling, In-Track sampling)
- Bit Depth/Sampling Frequency
- RAM
16-bit/48 kHz stereo/mono samplingDISK
16 or 24-bit/48 kHz
- Sampling Time
- RAM
Depends on the amount of available PCM RAMDISK
Maximum 80 minutes stereo (879MB: 16bit)
- Sample Locations
- 16,000 samples/4,000 multisamples (128 indexes per multisample)
- Formats
- KORG format, AKAI S1000/S3000 data (with advanced Program parameter conversion); SoundFont 2.0, AIFF, and WAVE formats
- Editing
- Time Stretch, Time Slice, Crossfade Loop, and other standard editing features.
Effects
- Insert Effects
- 12
Stereo in / stereo out
- Master Effects
- 2
Stereo in / stereo out
- Total Effects
- 2
Stereo in / stereo out
- Timbre EQ
- One 3-band EQ for each timbre/track
- Effect Types
- 197
- Modulation
- Dynamic Modulation and Common LFO
- Effects Control Busses
- Stereo side-chaining for compressors, gates, vocoders, etc
- Effect Presets
- Total 783 preset, Maximum 32 per 1 effect (Preset User)
Arpeggiator
- Arpeggiator Modules
- One module in Program mode, two modules in Combination and Sequencer modes
- Arpeggio Pattern
- 5 presets + ARP A 2,048 slots (1,593 come Preload) + ARP B 128 slots
- Controllers
- On/Off, Latch, Gate, Velocity, Length, Swing, Tempo
Drum Track
- Preset Patterns
- 1,272 (common with the preset patterns of the MIDI sequencer)
- User Patterns
- 1,000
Patterns created in Sequencer mode can be converted to drum track user patterns.
- Trigger Mode/ Sync / Zone / Swing, Drum SD, Tempo settings can be specified.
Sequencer / HDR
- Tracks
- 16-track MIDI sequencer + 16-track hard disk recorder + 1 master track.
- Number of Songs
- 200
- Resolution
- 1/480
- Tempo
- 40.00 – 300.00 (1/100 BPM resolution)
- Maximum Memory
- 400,000 MIDI events or 300,000 audio events
- MIDI Tracks
- 16 tracks plus the master track, 697 preset / 100 user patterns (per song), 18 preset/16 user template songs,
- Audio Tracks
- 16-track playback, 4-track simultaneous recording, WAV file format 16bit/24bit
Maximum Single-file Recording Time (mono): 80 minutes
Automation: Volume, Pan, EQ, and Send1/2
10,000 regions (max.)
Event Anchors, BPM Adjust
- Other Functions
- RPPR (Realtime Pattern Play and Record): 1 Pattern set per song
General
- Disk Mode
- Load, save, utility, data filer function (save/load MIDI System Exclusive data), CD-R/RW (UDF format read/write), ISO9660 Level 1.
- Controllers
- Joystick, Switches 1 & 2
Arpeggiator Control: On/Off, Latch, Gate, Velocity, Length, Swing, Tempo
DRUM TRACK: On/Off, Swing, Drum SD, Tempo
- Display
- TouchView graphical user interface, 7 inch color TFT, WVGA (800 x 480 dots), adjustable brightness
- Principal Specifications
- Frequency Response
20Hz-22kHz, +/-1.0dB, 10k Ω loadTHD+N
20Hz-22kHz, 0.01%, 10k Ω load (typical)S/N
95dB (typical)Dynamic Range
95dB (typical)Crosstalk
95dB, at 1kHz (typical)
- Outputs
- L/MONO, R, Individual 1-4
1/4” TRS Balanced
Output Impedance: 350 Ω Stereo; 175 Ω Mono (L/MONO Only),
Nominal Level: +4.0 dBu,
Maximum Level: +16.0 dBu (when load impedance is 600 Ω or greater)
MAIN VOLUME slider controls only AUDIO OUTPUT (MAIN) L/MONO and RHeadphones
1/4” stereo phone jack
Output impedance: 33 Ω,
Maximum Level: 60+60 mW (when load impedance is 33 Ω),
MAIN VOLUME knob (link with AUDIO OUTPUT (MAIN))USB-B
24-bit, Sample Rate: 48 kHz, 2 channels
(Digital output of the same signals as AUDIO OUTPUT (MAIN) L/MONO and R)
- Inputs
- Audio Inputs 1 and 2
1/4” TRS Balanced
Input Impedance: 10 kΩ
Nominal Level: LINE +4 dBu
Maximum Level: LINE +16 dBu
Nominal Level: MIC –22 dBu
Maximum Level: MIC -10 dBu
Source Impedance: 600 ΩUSB-B
24-bit, Sample Rate: 48 kHz, 2 channels
- Control Inputs
- Damper pedal (half damper supported)
Assignable switch, Assignable pedal
- MIDI
- In, Out, Thru
- USB
- USB A (TYPE A)
For connection to external USB devices (QWERTY keyboards, MIDI controllers, ethernet adaptors, and storage)USB B (TYPE B)
MIDI/audio interface, MIDI: 1 (16 channel) input / 1 (16 channel) output, Audio: 2 channel input / 2 channel output
*2 USB high-speed ports (supports 480Mbps)
- Disk Drives
- 60 GB SSD (2.5”)
- Power Supply
- AC power supply terminal, Power switch
- Dimensions: (W x D x H)
- 88 key: 1,437 x 387 x 139 mm / 56.57” x 15.24” x 5.47”
73 key: 1,227 x 386 x 116 mm / 48.31” x 15.20” x 4.57”
61 key: 1,062 x 386 x 116 mm / 41.81” x 15.20” x 4.57”
- Weight
- 88 key: 23.1 kg / 50.93 lbs.
73 key: 14.6 kg / 32.19 lbs.
61 key: 13.0 kg / 28.66 lbs.
- Power Consumption
- 40 W
- Accessories
- AC cord, Quick Start Guide
- Option
- XVP-20: Expression/Volume Pedal
EXP-2: Foot Controller
DS-1H: Damper Pedal
PS-1: Pedal Switch
PS-3: Pedal Switch
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