Roland E-A7 Expandable Arranger
₹94,994.00
Keyboard:
- Number of Keys: 61 keys (with velocity)
Sound Generator:
- Maximum Polyphony: 128 voices (varies according to the sound generator load)
- Parts:
- 4 keyboard parts (UP1, UP2, UP3, LWR)
- 16 song parts
Tones:
- Preset Tones: Over 1,500 tones
- Preset Drum Kits: Over 100 drum kits (GM2 compatible sounds included)
- User Tones: 256 tones
- User Drum Kits: 128 drum kits
Favorites:
- Favorite Tones: 50 favorite tones can be registered
Melody Intelligent:
- Yes
Styles:
- Preset Styles: Over 600 styles
- User Styles: Unlimited number (stored on internal memory or USB flash drive)
- Style Controls:
- Intro x 4
- Main x 4
- Fill x 4
- Break
- Ending x 4
One Touch Memories:
- 4 programmable registrations per style
Style Makeup Tools:
- Instrument-oriented editing
- Style Composer: Yes
Songs:
- Realtime Player: SMF (Format 0/1), KAR, MP3, WAV, MP3+CDG
- Tempo Change:
- 20–250 BPM for SMF (and Style)
- 75–125% for MP3 and WAV files
- Part Mute:
- Track Mute: SMF (and Style)
- Center Cancel: MP3 and WAV
- Song Chord Extractor: Automatic chord detection for SMF files
- Lyrics Display: SMF, KAR, MP3
- SMF Makeup Tools: Instrument-oriented editing
- SMF Mark & Jump: Yes (4 storable locations)
Song (Audio) Recording:
- Format: 16-bit linear, 44.1 kHz, WAV
Demo Song:
- Yes
Effects:
- Reverb: 8 types (selectable via Makeup Tools)
- Chorus: 8 types (selectable via Makeup Tools)
- MFX: 84 types for keyboard parts (selectable via Keyboard Part MFX), A & B for Style and SMF section (selectable via Makeup Tools)
- Master EQ: 6 presets + 1 user memory
- Master Compressor: 6 presets + 1 user memory
- Input Effect:
- Reverb (6 types)
- Delay (2 types)
User Programs:
- Preset Programs: Over 500 User Programs (Music Assistant + Preloaded data)
- User Programs: Up to 100 User Programs per User Program Set
- User Program Sets: Unlimited number (stored on internal memory or USB flash drive)
Sampling/Sample Import:
- Format: 16-bit linear, 44.1 kHz, WAV
- Wave Expansion Memory: 128 MB for Sampling/Sample Import
- Number of Samples: 512
- Multisample Function: Yes
- Samples and multisamples can be exported to USB Flash Memory as User Tone or User Drum Kit
- Samples and multisamples can be used as wave data for the sound engine
Scale Tunings:
- User Scale Buttons:
- Instant quarter-tone tuning of each note (C–B)
- Adjustable tuning range (-64–+63 cents) for each button
- Tunings can be saved to User Program memories
- Memory Buttons: 3 user scale memories and equal temperament
Other Features:
- Pads: 6 pads for triggering phrases and tones, plus a Stop Pad
- Phrases are tempo-synchronized with Styles or SMF, and support for chord detection
- Style/Song Finder: Yes
Controllers:
- Assignable Lever
- Assignable Switch: x7
- Assignable Control Pedal
- Part Level Slider: x6
- Multifunction Pads
Display:
- Dual Graphic LCD (160 x 160 dots x 2, with backlight)
Connectors:
- PHONES Jack: Stereo 1/4-inch phone type
- OUTPUT Jacks (L/MONO, R): 1/4-inch phone type
- EXT IN Jack: Stereo miniature phone type
- INPUT Jacks (L/MONO or MIC, R): 1/4-inch phone type
- PEDAL Jacks: HOLD, EXPRESSION, CONTROL (TRS phone type)
- MIDI Connectors (IN, OUT)
- USB MEMORY Port
- USB COMPUTER Port: USB MIDI
- DC IN Jack
Speakers:
- Speakers: 2 x 10 cm
- Rated Power Output: 2 x 12 W
Power Supply:
- AC Adaptor: DC 9V
- Current Draw: 1,500 mA
Accessories:
- Owner’s Manual
- Music Rest
- AC Adaptor
- Power Cord (for AC Adaptor)
Options (Sold Separately):
- Keyboard Stand: KS-11Z
- Pedal Switch: DP series, FS-5U
- Expression Pedal: EV-5
- USB Flash Memory: (supports USB 2.0 Hi-Speed Flash Memory)
Size and Weight:
- Width: 1,045 mm (41-3/16 inches)
- Depth: 318 mm (12-9/16 inches)
- Height: 136 mm (5-3/8 inches)
- Weight: 7.9 kg (17 lbs 7 oz) (excluding AC adaptor and music rest)
A WORLD OF SOUNDS AND BACKING STYLES AT YOUR FINGERTIPS
The E-A7 is a versatile arranger keyboard for musicians needing professional sounds and authentic backing styles from all over the world. Using the E-A7 is fast and intuitive thanks to its logical dual-screen layout—styles on the left and sounds on the right, with most options having dedicated, quick-access buttons. You can import WAV files to create your own instruments, or even sample directly from the keyboard. And with the powerful E-A7 Tone Manager software, you can use your computer to edit and organize user tones and drum kits, work with samples, and more. Singers will appreciate the microphone input with dedicated vocal effects, while the whole keyboard is easy to gig with, weighing in at just 8 kg/18 lbs. Wherever you’re going with your music, the E-A7 will help you get there.
- Over 1,500 versatile tones from all over the world
- WAV file import and onboard sampling function
- Huge library of backing styles from Asia, the Middle East, Europe, and South America
- Powerful arranger engine with direct control buttons and versatile, one-touch performance options
- 156 dedicated buttons for fast access to commonly used functions
- Logical dual-screen layout, with backing styles on the left and sounds on the right
- Microphone input with dedicated vocal effects
- Easy to carry and transport, weighing just 8 kg/18 lbs.
- E-A7 Tone Manager (Windows/Mac) for creating user tones and drum kits, importing and editing samples, and organizing E-A7 setups
- Version 2.00 update provides additional styles and operation enhancements based on user feedback
Extensive Backing Styles, Including Authentic Arrangements from All Over the World
While the E-A7 excels at Western music, it’s equally strong for music from other parts of the world, with a generous array of global backing styles crafted by skilled musicians from Asia, the Middle East, Europe, and South America. It doesn’t matter where in the world you play it—the E-A7 will fit right in.
An Entire World of Sound at Your Fingertips
The E-A7 offers over 1,500 essential sounds including grand piano, electric piano, organ, strings, brass, and many more. There are instruments from all over the world too, including authentic sounds from the vibrant musical cultures of the Middle East, Indonesia, India, Vietnam, and Eastern Europe. Every sound has been developed in collaboration with accomplished musicians—each one an expert in their local music scene—for the utmost realism and quality. And since the sounds are categorized by region, you can find the perfect sound for your music quickly and easily.
Expand the Onboard Sounds with WAV Sample Import
The 1,500 built-in tones of the E-A7 are just the beginning. Most gigging musicians have collected a library of tried-and-tested samples over the years, and you can use them in the E-A7 thanks to the WAV import option. In addition, the E-A7 is equipped with an onboard sampling function for creating your own custom sounds, such as drum beats or even backing vocals. Everything you need to polish the sound, including applying effects, is already on board. You can arrive at the gig, try out ideas at the sound check, and quickly perfect your sound before the show starts.
Fast, Logical Layout with Backing Styles on the Left, Tones on the Right
Some arranger keyboards include a lot of functions, but this can make them complicated and difficult to use—not ideal when you’re in front of a crowd of people expecting a great night out. The E-A7 is logically laid out, showing backing styles on the left and sounds on the right, and each side has its own LCD screen showing the essential information. And with 156 buttons for fast access to the functions you use most, you’ll spend more time playing and less time panicking about finding the right button.
All the Essentials for a Smooth Gig at Your Command
When you’re at a gig, you just need things to work, so the E-A7 gives direct access to the most common functions needed when you play. Six phrase pads trigger one-shot audio samples or MIDI phrases just where you need them. You can define and switch to alternate musical scales at the touch of a button. There are also six sliders that can adjust the volume of the various parts, such as drums, bass, and the accompaniment. Finally, there are seven user-assignable buttons above the pitch-bend lever for your own custom requirements; whatever you need to do, you can do it right away without lifting your hand off the lever.
Plug in the Mic, Set the Level, and Sing
If vocals are an important part of your repertoire, the E-A7 has a microphone input along with dedicated volume controls on the front panel. It’s simple to use—just turn the knob to instantly adjust the vocal level, with no menus in sight. You also get an array of pro-grade vocal effects to add polish to your performance, with a versatile selection of editable reverbs and delays on board.
Weighs Just 8 kg/18 lbs.—No Pain, All Gain
Although it’s great to bring everything you need to the gig, carrying a heavy keyboard is, quite literally, a pain. The E-A7 makes life easy for gigging musicians in two ways: first off, it’s got everything necessary for a great performance, so there are no extra boxes and wires to drag you down. Second, its lightweight design makes it easy to transport to and from the show. Packing a lot of power into a compact 61-key format, the only pain you’ll get from the E-A7 is having to do yet another encore—which is a good problem to have.
Versatile Song Player That Supports SMF and WAV/MP3 Audio
The E-A7’s onboard song player reads Standard MIDI Files (SMF) as well as WAV and MP3 audio files. Comprehensive playback options allow you to repeat a section of the song or jump to a different section. And if you’re using WAV files, you can minimize the presence of any vocals using the Center Cancel feature, leaving space for your own voice. You can even record your entire performance as a WAV file and save it to USB memory—a great way to promote your music and get more bookings.
Flexible User Programs Put You in Control
Since the E-A7 has plenty of buttons and sliders, most of the “must-haves” are already at your fingertips. But you can also store a variety of settings within a single program, including the on/off status of essentials like Part, Auto Fill, and Input EFX. This extra layer of control means you can easily customize the keyboard’s setup for each song during the gig. Programs from Roland’s BK arranger series can also be accessed directly from a USB memory stick.
Manage User Tones/Drum Kits, Samples, and More on Your Computer
The E-A7 Tone Manager software lets you enhance your E-A7 experience via a Mac or Windows computer. Librarian, editor, and sample creator functions are available for building user tones and drum kits, adjusting performance setups, and managing all your E-A7 tone data. With multiple parameters shown on your large computer display, it’s even easier to customize and organize E-A7 settings for any musical situation.
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PEDAL CONTROL jack
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MIDI connectors (IN, OUT)
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AC adaptor
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Tone Generator
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MS-20EX: Component Modeling Technology (Analog Modeling)
PolysixEX: Component Modeling Technology (CMT Analog Modeling)
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EP-1: 104 voices
HD-1: 140 voices
AL-1: 80 voices
CX-3: 200 voices
STR-1: 40 voices
MOD-7: 52 voices
MS-20EX: 40 voices
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EXs302: Italian F Piano
EXs303: Japanese Upright U Piano
EXs304: Prepared Piano
EXs305: Historical Keyboards
EXs306: Vintage Keyboards 2
EXs307: Strings & Synths
EXs308: Guitar Collection
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EXs310: World Essence
EXs311: Background Loops
EXs312: SFX & Hits
EXs313: Found Percussions
EXs314: Expansion Drums
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- Wave Sequences
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Support for stereo multisamples, synchronization of individual notes, and tempo-based settings.
SGX-2 Program
- Premium Piano
- Full key stereo sampling, Chromatically sampled at up to 12 velocity levels, no looping.
Damper resonance and mechanical noise are reproduced.
Una Corda sample support
- PCM
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12 velocity levels, includes Ambience Piano type/samplesEXs302 – Italian F Piano
12 velocity levels, no Una Corda samplesEXs303 – Japanese Upright U Piano
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1-4 velocity levels
- Piano Type
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- Oscillator Control
- Damper Resonance
Damper Noise
Mechanical Noise
Note Release
String Resonance
Una Corda
EP-1 Program
- MDS Electric Piano
- Tine and reed-type electric pianos powered by Multi-Dimensional Synthesis (MDS), and vintage effects.
- Electric Piano Model Types
- 7
Tine EP I Early, Tine EP I Late, Tine EP II, Tine EP V, Tine EP DMP, Reed EP200, Reed EP200A
- Oscillator Control
- Harmonic Sound Level, Attack Noise, Level, Release Noise Level, Attack Brightness, Hammer Width
- Panel Control
- Tine Type
Preamp Volume, Tone (Treble, Bass), Vibrate (On/Off, Intensity, Speed), Amp/Cabinet (On/Off, Drive)Reed Type
Preamp Volume, Tone (Treble, Bass), Vibrate (Intensity, Speed), Amp/Cabinet (On/Off, Drive)
- Effect Types
- 9
Small Phase, Orange Phase, Black Phase, Vintage Chorus, Black Chorus, EP Chorus, Vintage Flanger, Red Comp, VOX Wah
HD-1 Program
- Advanced Vector Synthesis
- Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.
- Structure
- Single: only OSC1, Double: OSC1 and OSC2.
Double mode lets you layer two completely separate synth voices, each with their own velocity-switched oscillator, dual filter, EGs, LFOs, etc.
Drums: One drum kit, Double Drums: Two drum kits.
- Oscillators
- 8 velocity zones per oscillator, with switching, crossfades and layering
Each zone can play mono or stereo Multisamples or Wave Sequences
- Filters
- Two multi-mode filters per voices (low-pass, high-pass, band-pass and band-reject), Four-mode filter routings (single, serial, parallel and 24dB mode)
- Driver
- Per voice non-linear driver and low boost circuit
- EQ
- Three bands, with sweep-able mid
- Modulation
- Three envelope generators, two LFOs per voice, common LFO, four key tracking generators, AMS (Alternate Modulation Source), two AMS mixers
- Quick Layer / Split function
EXi Program Common
- Advanced Vector Synthesis
- Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope
- Modulation
- Common Step Sequencer, AMS (Alternate Modulation Source), Common LFO, 2 Key Tracking Generators
- EQ
- Three bands, with sweep-able mid
- Quick Layer / Split function
AL-1 Program
- Oscillators
- Ultra-low-aliasing oscillators, OSC1, OSC2, Sub-oscillator and noise generator; ring modulation, FM and Sync
- Audio Input
- External audio can be processed through the ring modulator, filter, driver, amp, and EQ
- Filters
- Two multi-mode filters (low-pass, high-pass, band-pass and band-reject) with four types of filter routings (single, serial, parallel and 24dB mode), Multi Filter mode (only Filter-A; modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects)
- Driver
- Per-voice non-linear driver and low boost circuit
- Modulation
- Five Envelope generators, four per-voice LFOs, two AMS Mixers; Per-voice Step Sequencer
CX-3 Program
- Tonewheel Organ Modeling
- Phase-synchronous tonewheels (clean and vintage modes), percussion, key click, wheel brake
- EX Mode
- Four additional, user-specified drawbars, and expanded percussion
- Internal Effects
- Rotary speaker, vibrato/chorus, amp modeling with overdrive, 3-band EQ
- Drawbar Control
- Controlled via nine front-panel sliders (via Tone Adjust)
- Split
- Upper, Lower (even in EX mode)
- Modulation
- Two AMS mixers
STR-1 Program
- Physically Modeled String
- Includes physically modeled damping, decay, dispersion, nonlinearity, harmonics, dual pickups, and more. Most string parameters can be controlled in realtime
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PCM Oscillator
KORG’s ultra-low-aliasing technology, as introduced in the HD-1; 4 velocity zones per oscillator; Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory.Excitation Filter
Dedicated 2-pole multimode filter for shaping the string excitation. Filter can be enabled/disabled separately for each excitation source. Low Pass, High Pass, Band Pass, and Band Reject modes
- Audio Input and Feedback
- Run real-time audio through the string, including feedback through effects. Modeled feedback includes modulate-able instrument-to-amp distance and orientation
- Filters
- Dual multi-mode filters per voice; Single, Serial, Parallel (with split stereo output), and 24dB (4-pole) configurations. Low Pass, High Pass, Band Pass, and Band Reject modes
Multi Filter Mode (Filter A only)
Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects
- Modulation
- 5 Envelopes, 4 per-voice LFOs, 2 Key Track generators, String Tracking generators, 4 AMS Mixers
MOD-7 Program
- Waveshaping VPM Synthesizer
- Combines Variable Phase Modulation (VPM), Waveshaping ring modulation, PCM sample playback, and subtractive synthesis; Able to convert-load SYX files
- Oscillators
- 6 VPM/Waveshaper/Ring Modulation Oscillators
Phase and modulatable pitch per oscillator. 101 Waveshaper tables plus modulatable Drive and Offset. Use as oscillators, or as Waveshapers or Ring Modulators for other signalsPCM Oscillator
KORG’s ultra-low-aliasing technology, as introduced in the HD-1. 4 velocity zones per oscillator.Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual MemoryNoise Generator (With saturation and low-pass filter function)
- Audio input
- Run real-time audio through the VPM Oscillators and filters.
- Filters
- Dual multi-mode filters per voice. (Low Pass, High Pass, Band Pass, and Band Reject modes) , Two types of filter looping (Parallel and 24 dB “4-Pole”)
Multi Filter mode (Filter A only)
Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects
- Patch Panel
- Supports both preset algorithm (78 types) selection and free patching.Three 2-in, 1-out mixers for scaling and merging audio, fully modulatable, with phase inversion. Main 6-input stereo mixer, with modulatable pan and volume, plus phase inversion
- Modulation
- 10 Envelopes, 4 per-voice LFOs, 9 Key Tracking generators, Per-voice Step Sequencer, 4 standard AMS Mixers plus 4 simple AMS Mixers
MS-20EX Program
- Oscillators
- Ultra-low-aliasing oscillators; VCO1, VCO2, Ring Mod, Pink and White Noise Generator
- Audio Input
- Run real-time audio through the synthesis engine and ESP (External Signal Processor)
- Filters
- 12dB/octave High Pass and Low Pass self-resonant filters
ESP section
24dB/octave Low Cut and High Cut filters, available per voice.
- Patch Panel
- Patchable audio and modulation, at audio rates
- Patch Points
- Keyboard
Keyboard CV Out, Keyboard Trigger Out, VCO1+VCO2 CV In, VCO2 CV InVCO
VCO1+VCO2 External Frequency Control In, VCO1 Out, VCO2 OutVCF
External Signal In, External HP Filter Cutoff Frequency Control In, External LP Filter Cutoff Frequency Control In, HPF Out, LPF In, LPF OutVCO+VCF
Total External Modulation InVCA
External Initial Gain Control In, VCA InEG
EG1 Envelope Signal Normal Out, EG1 Envelope Signal Reverse Out, EG1+EG2 Trigger In, EG1 Trigger In, EG2 Envelope Signal Reverse OutMG
Triangle Out, Rectangle OutNoise Generator
Pink Noise Out, White Noise OutSample and Hold
Clock Trigger In, Sample Signal In, S/H OutModulation VCA
Control Voltage In, Signal In, Signal OutManual Controller
Control Wheel Out, Momentary SwitchESP
Signal In, AMP Out, BPF In, BPF Out, F-V CV Out, Envelope Out, Trigger OutOthers
EXi Audio In, Mixer 1 In, Mixer 1 Out, Mixer 2 In, Mixer 2 Out
- ESP (External Signal Processor):
- Use incoming audio as a trigger and/or CV source
- Modulation
- Original DAR (Delay, Attack, Release) and HADSR (Hold, Attack, Decay, Sustain, Release) EGs 1 &2, Original MG (with MIDI sync), Sample-and- Hold, MVCA, NAUTILUS: 4 additional multi-stage Envelopes, 4 additional per-voice LFOs, and 4 AMS Mixers.
PolysixEX Program
- Oscillators
- VCO
Saw, Pulse, PWMSub Oscillator:
Off, 1 octave below, 2 octaves below
- Filter
- 24dB(4-Pole) Octave Low Pass self-resonant filter
- Effects
- Integrated Polysix Chorus, Phaser, and Ensemble
- Arpeggiator
- Integrated MIDI-synced arpeggiator, with adjustable Range, Mode, and Latch
- Modulation
- Polysix
Original ADSR EG and MG (with MIDI sync).NAUTILUS
2 additional multi-stage Envelopes, 2 additional per-voice LFOs, and 4 AMS Mixers.
Combination
- Number of Timbres, Master Keyboard Functionality
- 16 Maximum
Keyboard and velocity splits, layers, and crossfades of up to 16 Programs and/or external MIDI Devices
The tone adjust parameter function lets you modify program settings, and the master keyboard function lets you control external MIDI devices
- Advanced Vector Synthesis
- Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope
- Quick Layer / Split function
Drumkit
Assignable stereo/mono samples with 8 velocity zones per oscillator (with crossfade functions)Number of Programs/Combinations/Drum kits
- User Memory Programs
- 2,560 (1,920 [1,280 HD-1+640 EXi] come preloaded)
- User Memory Combinations
- 1,792 (256 come preloaded)
- User Memory Drum Kits
- 264 (104 come preloaded)
- 256 GM Level2 preset programs + 9 GM Level 2 drum preset programs
Set List
- Number of Set Lists/Slots
- 128 set lists, 128 slots per set list
Each set list provides a 9-band graphic EQ, and a Tone Adjust function that allows program settings to be adjusted
Transpose setting
Hold Time setting of Smooth Sound Transition (SST) supported for each slot
Sampling
- System
- Open Sampling System (resampling, In-Track sampling)
- Bit Depth/Sampling Frequency
- RAM
16-bit/48 kHz stereo/mono samplingDISK
16 or 24-bit/48 kHz
- Sampling Time
- RAM
Depends on the amount of available PCM RAMDISK
Maximum 80 minutes stereo (879MB: 16bit)
- Sample Locations
- 16,000 samples/4,000 multisamples (128 indexes per multisample)
- Formats
- KORG format, AKAI S1000/S3000 data (with advanced Program parameter conversion); SoundFont 2.0, AIFF, and WAVE formats
- Editing
- Time Stretch, Time Slice, Crossfade Loop, and other standard editing features.
Effects
- Insert Effects
- 12
Stereo in / stereo out
- Master Effects
- 2
Stereo in / stereo out
- Total Effects
- 2
Stereo in / stereo out
- Timbre EQ
- One 3-band EQ for each timbre/track
- Effect Types
- 197
- Modulation
- Dynamic Modulation and Common LFO
- Effects Control Busses
- Stereo side-chaining for compressors, gates, vocoders, etc
- Effect Presets
- Total 783 preset, Maximum 32 per 1 effect (Preset User)
Arpeggiator
- Arpeggiator Modules
- One module in Program mode, two modules in Combination and Sequencer modes
- Arpeggio Pattern
- 5 presets + ARP A 2,048 slots (1,593 come Preload) + ARP B 128 slots
- Controllers
- On/Off, Latch, Gate, Velocity, Length, Swing, Tempo
Drum Track
- Preset Patterns
- 1,272 (common with the preset patterns of the MIDI sequencer)
- User Patterns
- 1,000
Patterns created in Sequencer mode can be converted to drum track user patterns.
- Trigger Mode/ Sync / Zone / Swing, Drum SD, Tempo settings can be specified.
Sequencer / HDR
- Tracks
- 16-track MIDI sequencer + 16-track hard disk recorder + 1 master track.
- Number of Songs
- 200
- Resolution
- 1/480
- Tempo
- 40.00 – 300.00 (1/100 BPM resolution)
- Maximum Memory
- 400,000 MIDI events or 300,000 audio events
- MIDI Tracks
- 16 tracks plus the master track, 697 preset / 100 user patterns (per song), 18 preset/16 user template songs,
- Audio Tracks
- 16-track playback, 4-track simultaneous recording, WAV file format 16bit/24bit
Maximum Single-file Recording Time (mono): 80 minutes
Automation: Volume, Pan, EQ, and Send1/2
10,000 regions (max.)
Event Anchors, BPM Adjust
- Other Functions
- RPPR (Realtime Pattern Play and Record): 1 Pattern set per song
General
- Disk Mode
- Load, save, utility, data filer function (save/load MIDI System Exclusive data), CD-R/RW (UDF format read/write), ISO9660 Level 1.
- Controllers
- Joystick, Switches 1 & 2
Arpeggiator Control: On/Off, Latch, Gate, Velocity, Length, Swing, Tempo
DRUM TRACK: On/Off, Swing, Drum SD, Tempo
- Display
- TouchView graphical user interface, 7 inch color TFT, WVGA (800 x 480 dots), adjustable brightness
- Principal Specifications
- Frequency Response
20Hz-22kHz, +/-1.0dB, 10k Ω loadTHD+N
20Hz-22kHz, 0.01%, 10k Ω load (typical)S/N
95dB (typical)Dynamic Range
95dB (typical)Crosstalk
95dB, at 1kHz (typical)
- Outputs
- L/MONO, R, Individual 1-4
1/4” TRS Balanced
Output Impedance: 350 Ω Stereo; 175 Ω Mono (L/MONO Only),
Nominal Level: +4.0 dBu,
Maximum Level: +16.0 dBu (when load impedance is 600 Ω or greater)
MAIN VOLUME slider controls only AUDIO OUTPUT (MAIN) L/MONO and RHeadphones
1/4” stereo phone jack
Output impedance: 33 Ω,
Maximum Level: 60+60 mW (when load impedance is 33 Ω),
MAIN VOLUME knob (link with AUDIO OUTPUT (MAIN))USB-B
24-bit, Sample Rate: 48 kHz, 2 channels
(Digital output of the same signals as AUDIO OUTPUT (MAIN) L/MONO and R)
- Inputs
- Audio Inputs 1 and 2
1/4” TRS Balanced
Input Impedance: 10 kΩ
Nominal Level: LINE +4 dBu
Maximum Level: LINE +16 dBu
Nominal Level: MIC –22 dBu
Maximum Level: MIC -10 dBu
Source Impedance: 600 ΩUSB-B
24-bit, Sample Rate: 48 kHz, 2 channels
- Control Inputs
- Damper pedal (half damper supported)
Assignable switch, Assignable pedal
- MIDI
- In, Out, Thru
- USB
- USB A (TYPE A)
For connection to external USB devices (QWERTY keyboards, MIDI controllers, ethernet adaptors, and storage)USB B (TYPE B)
MIDI/audio interface, MIDI: 1 (16 channel) input / 1 (16 channel) output, Audio: 2 channel input / 2 channel output
*2 USB high-speed ports (supports 480Mbps)
- Disk Drives
- 60 GB SSD (2.5”)
- Power Supply
- AC power supply terminal, Power switch
- Dimensions: (W x D x H)
- 88 key: 1,437 x 387 x 139 mm / 56.57” x 15.24” x 5.47”
73 key: 1,227 x 386 x 116 mm / 48.31” x 15.20” x 4.57”
61 key: 1,062 x 386 x 116 mm / 41.81” x 15.20” x 4.57”
- Weight
- 88 key: 23.1 kg / 50.93 lbs.
73 key: 14.6 kg / 32.19 lbs.
61 key: 13.0 kg / 28.66 lbs.
- Power Consumption
- 40 W
- Accessories
- AC cord, Quick Start Guide
- Option
- XVP-20: Expression/Volume Pedal
EXP-2: Foot Controller
DS-1H: Damper Pedal
PS-1: Pedal Switch
PS-3: Pedal Switch
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