Korg, Arranger Keyboard PA-1000

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  Roland XPS-10 (Black)

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  • Pro performance keyboard with a diverse selection of high-quality sounds for live and studio playing
  • Includes a wide range of ethnic sounds, plus a User Scale function for creating regional tunings
  • Sample Import function allows users to import and play custom sounds from the keyboard
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  • Powerful built-in effects—three MFX (each with 78 types) plus global reverb and chorus
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  • Sound Modify section for real-time sound shaping and level control
  • Arpeggio function with a large selection of adjustable parameters
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  Roland BK-5 Backing Keyboard

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  Korg Nautilus 61 61-key Synthesizer Workstation

  ₹250,000.00 Original price was: ₹250,000.00.₹215,000.00Current price is: ₹215,000.00.

  System, Keyboard

  System

  NAUTILUS System Version 1.0

  Keyboard

  88 key: RH3 (Real Weighted Hammer Action 3), A – C
  73 key: Natural Touch Semi Weighted, C – C
  61 key: Natural Touch Semi Weighted, C – C
  Velocity sensitive is supported, after touch is not supported.

  Tone Generator

  Synthesis Types

  9
  SGX-2: Premium Piano (Acoustic Piano)
  EP-1: MDS Electric Piano (Electric Piano)
  HD-1: High Definition Synthesizer (PCM)
  AL-1: Analog Synthesizer (Analog Modeling)
  CX-3: Tonewheel Organ (Tonewheel Organ Modeling)
  STR-1: Plucked String (Physical Modeling)
  MOD-7: Waveshaping VPM Synthesizer (VPM Synthesis)
  MS-20EX: Component Modeling Technology (Analog Modeling)
  PolysixEX: Component Modeling Technology (CMT Analog Modeling)

  Maximum Polyphony*1*2

  SGX-2: 100 voices*3
  EP-1: 104 voices
  HD-1: 140 voices
  AL-1: 80 voices
  CX-3: 200 voices
  STR-1: 40 voices
  MOD-7: 52 voices
  MS-20EX: 40 voices
  PolysixEX: 180 voices

  1: In rare cases, when a large number of processor-intensive effects are active simultaneously (for instance, more than 14 O-Verbs), polyphony may be slightly reduced.
  *2: A portion of the multicore processor in NAUTILUS is devoted to generating voices, and a separate portion is devoted to generating effects. NAUTILUS dynamically allocates the voice processing power between the engines as necessary. The quoted maximum numbers of voices apply when 100% of the voice processing power is devoted to a single engine.
  *3: 100 dual-stereo notes (equivalent to 400 mono voices)

  Preset PCM

  RAM 496 MB / DISK 2.3G (ROM 1,771 Multisamples, 3,955 Drumsamples)

  Build-in Expansion PCM Libraries

  EXs301: German2 D Piano
  EXs302: Italian F Piano
  EXs303: Japanese Upright U Piano
  EXs304: Prepared Piano
  EXs305: Historical Keyboards
  EXs306: Vintage Keyboards 2
  EXs307: Strings & Synths
  EXs308: Guitar Collection
  EXs309: Bass Collection
  EXs310: World Essence
  EXs311: Background Loops
  EXs312: SFX & Hits
  EXs313: Found Percussions
  EXs314: Expansion Drums

  PCM RAM Capacity

  Approx. 2GB *4

  *4: The memory available for Sampling Mode will change based on the use of Expansion PCM libraries and User Sample Banks. Approx. 260 MB is available when shipped from the factory (When loading the file named “PRELOAD.KSC”).

  Wave Sequences

  598 User memory, 377 Preload
  Support for stereo multisamples, synchronization of individual notes, and tempo-based settings.

  SGX-2 Program

  Premium Piano

  Full key stereo sampling, Chromatically sampled at up to 12 velocity levels, no looping.
  Damper resonance and mechanical noise are reproduced.
  Una Corda sample support

  PCM

  EXs301 – German2 D Piano
  12 velocity levels, includes Ambience Piano type/samples

  EXs302 – Italian F Piano
  12 velocity levels, no Una Corda samples

  EXs303 – Japanese Upright U Piano
  8 velocity levels

  Exs304 – Prepared Piano
  1-4 velocity levels

  Piano Type

  128
  (With the factory settings, the 64 varieties of EXs6: German D Piano, EXs7: Japanese C Piano, EXs12: SGX-1 Austrian D Piano, EXs17: Berlin D Piano do not produce sound. The options must be downloaded. (Those will be released at a later date.))

  Oscillator Control

  Damper Resonance
  Damper Noise
  Mechanical Noise
  Note Release
  String Resonance
  Una Corda

  EP-1 Program

  MDS Electric Piano

  Tine and reed-type electric pianos powered by Multi-Dimensional Synthesis (MDS), and vintage effects.

  Electric Piano Model Types

  7
  Tine EP I Early, Tine EP I Late, Tine EP II, Tine EP V, Tine EP DMP, Reed EP200, Reed EP200A

  Oscillator Control

  Harmonic Sound Level, Attack Noise, Level, Release Noise Level, Attack Brightness, Hammer Width

  Panel Control

  Tine Type
  Preamp Volume, Tone (Treble, Bass), Vibrate (On/Off, Intensity, Speed), Amp/Cabinet (On/Off, Drive)

  Reed Type
  Preamp Volume, Tone (Treble, Bass), Vibrate (Intensity, Speed), Amp/Cabinet (On/Off, Drive)

  Effect Types

  9
  Small Phase, Orange Phase, Black Phase, Vintage Chorus, Black Chorus, EP Chorus, Vintage Flanger, Red Comp, VOX Wah

  HD-1 Program

  Advanced Vector Synthesis

  Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.

  Structure

  Single: only OSC1, Double: OSC1 and OSC2.
  Double mode lets you layer two completely separate synth voices, each with their own velocity-switched oscillator, dual filter, EGs, LFOs, etc.
  Drums: One drum kit, Double Drums: Two drum kits.

  Oscillators

  8 velocity zones per oscillator, with switching, crossfades and layering
  Each zone can play mono or stereo Multisamples or Wave Sequences

  Filters

  Two multi-mode filters per voices (low-pass, high-pass, band-pass and band-reject), Four-mode filter routings (single, serial, parallel and 24dB mode)

  Driver

  Per voice non-linear driver and low boost circuit

  EQ

  Three bands, with sweep-able mid

  Modulation

  Three envelope generators, two LFOs per voice, common LFO, four key tracking generators, AMS (Alternate Modulation Source), two AMS mixers

  Quick Layer / Split function

  EXi Program Common

  Advanced Vector Synthesis

  Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope

  Modulation

  Common Step Sequencer, AMS (Alternate Modulation Source), Common LFO, 2 Key Tracking Generators

  EQ

  Three bands, with sweep-able mid

  Quick Layer / Split function

  AL-1 Program

  Oscillators

  Ultra-low-aliasing oscillators, OSC1, OSC2, Sub-oscillator and noise generator; ring modulation, FM and Sync

  Audio Input

  External audio can be processed through the ring modulator, filter, driver, amp, and EQ

  Filters

  Two multi-mode filters (low-pass, high-pass, band-pass and band-reject) with four types of filter routings (single, serial, parallel and 24dB mode), Multi Filter mode (only Filter-A; modulatable mix of Low Pass, High　Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects)

  Driver

  Per-voice non-linear driver and low boost circuit

  Modulation

  Five Envelope generators, four per-voice LFOs, two AMS Mixers; Per-voice Step Sequencer

  CX-3 Program

  Tonewheel Organ Modeling

  Phase-synchronous tonewheels (clean and vintage modes), percussion, key click, wheel brake

  EX Mode

  Four additional, user-specified drawbars, and expanded percussion

  Internal Effects

  Rotary speaker, vibrato/chorus, amp modeling with overdrive, 3-band EQ

  Drawbar Control

  Controlled via nine front-panel sliders (via Tone Adjust)

  Split

  Upper, Lower (even in EX mode)

  Modulation

  Two AMS mixers

  STR-1 Program

  Physically Modeled String

  Includes physically modeled damping, decay, dispersion, nonlinearity, harmonics, dual pickups, and more. Most string parameters can be controlled in realtime

  String Excitation

  Three independent excitation sources can be used simultaneously: Pluck, Noise, and PCM. 16 preset “pluck” types, with modulatable width and randomization. Noise generator with saturation and dedicated low pass filter

  PCM Oscillator
  KORG’s ultra-low-aliasing technology, as introduced in the HD-1; 4 velocity zones per oscillator; Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory.

  Excitation Filter
  Dedicated 2-pole multimode filter for shaping the string excitation. Filter can be enabled/disabled separately for each excitation source. Low Pass, High Pass, Band Pass, and Band Reject modes

  Audio Input and Feedback

  Run real-time audio through the string, including feedback through effects. Modeled feedback includes modulate-able instrument-to-amp distance and orientation

  Filters

  Dual multi-mode filters per voice; Single, Serial, Parallel (with split stereo output), and 24dB (4-pole) configurations. Low Pass, High Pass, Band Pass, and Band Reject modes

  Multi Filter Mode (Filter A only)
  Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects

  Modulation

  5 Envelopes, 4 per-voice LFOs, 2 Key Track generators, String Tracking generators, 4 AMS Mixers

  MOD-7 Program

  Waveshaping VPM Synthesizer

  Combines Variable Phase Modulation (VPM), Waveshaping ring modulation, PCM sample playback, and subtractive synthesis; Able to convert-load SYX files

  Oscillators

  6 VPM/Waveshaper/Ring Modulation Oscillators
  Phase and modulatable pitch per oscillator. 101 Waveshaper tables plus modulatable Drive and Offset. Use as oscillators, or as Waveshapers or Ring Modulators for other signals

  PCM Oscillator
  KORG’s ultra-low-aliasing technology, as introduced in the HD-1. 4 velocity zones per oscillator.Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory

  Noise Generator (With saturation and low-pass filter function)

  Audio input

  Run real-time audio through the VPM Oscillators and filters.

  Filters

  Dual multi-mode filters per voice. (Low Pass, High Pass, Band Pass, and Band Reject modes) , Two types of filter looping (Parallel and 24 dB “4-Pole”)

  Multi Filter mode (Filter A only)
  Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects

  Patch Panel

  Supports both preset algorithm (78 types) selection and free patching.Three 2-in, 1-out mixers for scaling and merging audio, fully modulatable, with phase inversion. Main 6-input stereo mixer, with modulatable pan and volume, plus phase inversion

  Modulation

  10 Envelopes, 4 per-voice LFOs, 9 Key Tracking generators, Per-voice Step Sequencer, 4 standard AMS Mixers plus 4 simple AMS Mixers

  MS-20EX Program

  Oscillators

  Ultra-low-aliasing oscillators; VCO1, VCO2, Ring Mod, Pink and White Noise Generator

  Audio Input

  Run real-time audio through the synthesis engine and ESP (External Signal Processor)

  Filters

  12dB/octave High Pass and Low Pass self-resonant filters

  ESP section
  24dB/octave Low Cut and High Cut filters, available per voice.

  Patch Panel

  Patchable audio and modulation, at audio rates

  Patch Points

  Keyboard
  Keyboard CV Out, Keyboard Trigger Out, VCO1+VCO2 CV In, VCO2 CV In

  VCO
  VCO1+VCO2 External Frequency Control In, VCO1 Out, VCO2 Out

  VCF
  External Signal In, External HP Filter Cutoff Frequency Control In, External LP Filter Cutoff Frequency Control In, HPF Out, LPF In, LPF Out

  VCO+VCF
  Total External Modulation In

  VCA
  External Initial Gain Control In, VCA In

  EG
  EG1 Envelope Signal Normal Out, EG1 Envelope Signal Reverse Out, EG1+EG2 Trigger In, EG1 Trigger In, EG2 Envelope Signal Reverse Out

  MG
  Triangle Out, Rectangle Out

  Noise Generator
  Pink Noise Out, White Noise Out

  Sample and Hold
  Clock Trigger In, Sample Signal In, S/H Out

  Modulation VCA
  Control Voltage In, Signal In, Signal Out

  Manual Controller
  Control Wheel Out, Momentary Switch

  ESP
  Signal In, AMP Out, BPF In, BPF Out, F-V CV Out, Envelope Out, Trigger Out

  Others
  EXi Audio In, Mixer 1 In, Mixer 1 Out, Mixer 2 In, Mixer 2 Out

  ESP (External Signal Processor):

  Use incoming audio as a trigger and/or CV source

  Modulation

  Original DAR (Delay, Attack, Release) and HADSR (Hold, Attack, Decay, Sustain, Release) EGs 1 &2, Original MG (with MIDI sync), Sample-and- Hold, MVCA, NAUTILUS: 4 additional multi-stage Envelopes, 4 additional per-voice LFOs, and 4 AMS Mixers.

  PolysixEX Program

  Oscillators

  VCO
  Saw, Pulse, PWM

  Sub Oscillator:
  Off, 1 octave below, 2 octaves below

  Filter

  24dB(4-Pole) Octave Low Pass self-resonant filter

  Effects

  Integrated Polysix Chorus, Phaser, and Ensemble

  Arpeggiator

  Integrated MIDI-synced arpeggiator, with adjustable Range, Mode, and Latch

  Modulation

  Polysix
  Original ADSR EG and MG (with MIDI sync).

  NAUTILUS
  2 additional multi-stage Envelopes, 2 additional per-voice LFOs, and 4 AMS Mixers.

  Combination

  Number of Timbres, Master Keyboard Functionality

  16 Maximum
  Keyboard and velocity splits, layers, and crossfades of up to 16 Programs and/or external MIDI Devices
  The tone adjust parameter function lets you modify program settings, and the master keyboard function lets you control external MIDI devices

  Advanced Vector Synthesis

  Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope

  Quick Layer / Split function

  Drumkit

  Assignable stereo/mono samples with 8 velocity zones per oscillator (with crossfade functions)

  Number of Programs/Combinations/Drum kits

  User Memory Programs

  2,560 (1,920 [1,280 HD-1+640 EXi] come preloaded)

  User Memory Combinations

  1,792 (256 come preloaded)

  User Memory Drum Kits

  264 (104 come preloaded)

  256 GM Level2 preset programs + 9 GM Level 2 drum preset programs

  Set List

  Number of Set Lists/Slots

  128 set lists, 128 slots per set list
  Each set list provides a 9-band graphic EQ, and a Tone Adjust function that allows program settings to be adjusted
  Transpose setting
  Hold Time setting of Smooth Sound Transition (SST) supported for each slot

  Sampling

  System

  Open Sampling System (resampling, In-Track sampling)

  Bit Depth/Sampling Frequency

  RAM
  16-bit/48 kHz stereo/mono sampling

  DISK
  16 or 24-bit/48 kHz

  Sampling Time

  RAM
  Depends on the amount of available PCM RAM

  DISK
  Maximum 80 minutes stereo (879MB: 16bit)

  Sample Locations

  16,000 samples/4,000 multisamples (128 indexes per multisample)

  Formats

  KORG format, AKAI S1000/S3000 data (with advanced Program parameter conversion); SoundFont 2.0, AIFF, and WAVE formats

  Editing

  Time Stretch, Time Slice, Crossfade Loop, and other standard editing features.

  Effects

  Insert Effects

  12
  Stereo in / stereo out

  Master Effects

  2
  Stereo in / stereo out

  Total Effects

  2
  Stereo in / stereo out

  Timbre EQ

  One 3-band EQ for each timbre/track

  Effect Types

  197

  Modulation

  Dynamic Modulation and Common LFO

  Effects Control Busses

  Stereo side-chaining for compressors, gates, vocoders, etc

  Effect Presets

  Total 783 preset, Maximum 32 per 1 effect (Preset User)

  Arpeggiator

  Arpeggiator Modules

  One module in Program mode, two modules in Combination and Sequencer modes

  Arpeggio Pattern

  5 presets + ARP A 2,048 slots (1,593 come Preload) + ARP B 128 slots

  Controllers

  On/Off, Latch, Gate, Velocity, Length, Swing, Tempo

  Drum Track

  Preset Patterns

  1,272 (common with the preset patterns of the MIDI sequencer)

  User Patterns

  1,000
  Patterns created in Sequencer mode can be converted to drum track user patterns.

  Trigger Mode/ Sync / Zone / Swing, Drum SD, Tempo settings can be specified.

  Sequencer / HDR

  Tracks

  16-track MIDI sequencer + 16-track hard disk recorder + 1 master track.

  Number of Songs

  200

  Resolution

  1/480

  Tempo

  40.00 – 300.00 (1/100 BPM resolution)

  Maximum Memory

  400,000 MIDI events or 300,000 audio events

  MIDI Tracks

  16 tracks plus the master track, 697 preset / 100 user patterns (per song), 18 preset/16 user template songs,

  Audio Tracks

  16-track playback, 4-track simultaneous recording, WAV file format 16bit/24bit
  Maximum Single-file Recording Time (mono): 80 minutes
  Automation: Volume, Pan, EQ, and Send1/2
  10,000 regions (max.)
  Event Anchors, BPM Adjust

  Other Functions

  RPPR (Realtime Pattern Play and Record): 1 Pattern set per song

  General

  Disk Mode

  Load, save, utility, data filer function (save/load MIDI System Exclusive data), CD-R/RW (UDF format read/write), ISO9660 Level 1.

  Controllers

  Joystick, Switches 1 & 2
  Arpeggiator Control: On/Off, Latch, Gate, Velocity, Length, Swing, Tempo
  DRUM TRACK: On/Off, Swing, Drum SD, Tempo

  Display

  TouchView graphical user interface, 7 inch color TFT, WVGA (800 x 480 dots), adjustable brightness

  Principal Specifications

  Frequency Response
  20Hz-22kHz, +/-1.0dB, 10k Ω load

  THD+N
  20Hz-22kHz, 0.01%, 10k Ω load (typical)

  S/N
  95dB (typical)

  Dynamic Range
  95dB (typical)

  Crosstalk
  95dB, at 1kHz (typical)

  Outputs

  L/MONO, R, Individual 1-4
  1/4” TRS Balanced
  Output Impedance: 350 Ω Stereo; 175 Ω Mono (L/MONO Only),
  Nominal Level: +4.0 dBu,
  Maximum Level: +16.0 dBu (when load impedance is 600 Ω or greater)
  MAIN VOLUME slider controls only AUDIO OUTPUT (MAIN) L/MONO and R

  Headphones
  1/4” stereo phone jack
  Output impedance: 33 Ω,
  Maximum Level: 60+60 mW (when load impedance is 33 Ω),
  MAIN VOLUME knob (link with AUDIO OUTPUT (MAIN))

  USB-B
  24-bit, Sample Rate: 48 kHz, 2 channels
  (Digital output of the same signals as AUDIO OUTPUT (MAIN) L/MONO and R)

  Inputs

  Audio Inputs 1 and 2
  1/4” TRS Balanced
  Input Impedance: 10 kΩ
  Nominal Level: LINE +4 dBu
  Maximum Level: LINE +16 dBu
  Nominal Level: MIC –22 dBu
  Maximum Level: MIC -10 dBu
  Source Impedance: 600 Ω

  USB-B
  24-bit, Sample Rate: 48 kHz, 2 channels

  Control Inputs

  Damper pedal (half damper supported)
  Assignable switch, Assignable pedal

  MIDI

  In, Out, Thru

  USB

  USB A (TYPE A)
  For connection to external USB devices (QWERTY keyboards, MIDI controllers, ethernet adaptors, and storage)

  USB B (TYPE B)
  MIDI/audio interface, MIDI: 1 (16 channel) input / 1 (16 channel) output, Audio: 2 channel input / 2 channel output
  *2 USB high-speed ports (supports 480Mbps)

  Disk Drives

  60 GB SSD (2.5”)

  Power Supply

  AC power supply terminal, Power switch

  Dimensions: (W x D x H)

  88 key: 1,437 x 387 x 139 mm / 56.57” x 15.24” x 5.47”
  73 key: 1,227 x 386 x 116 mm / 48.31” x 15.20” x 4.57”
  61 key: 1,062 x 386 x 116 mm / 41.81” x 15.20” x 4.57”

  Weight

  88 key: 23.1 kg / 50.93 lbs.
  73 key: 14.6 kg / 32.19 lbs.
  61 key: 13.0 kg / 28.66 lbs.

  Power Consumption

  40 W

  Accessories

  AC cord, Quick Start Guide

  Option

  XVP-20: Expression/Volume Pedal
  EXP-2: Foot Controller
  DS-1H: Damper Pedal
  PS-1: Pedal Switch
  PS-3: Pedal Switch

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  Yamaha Montage6 Synthesizer Workstation with 61 Keys

  ₹275,990.00

  Montage6
  Dimensions	Width	1,037 mm (40-13/16″)
  	Height	131 mm (5-3/16″)
  	Depth	396 mm (15-9/16″)
  Weight	Weight	15 kg (33 lbs., 1 oz.)
  Control Interface
  Keyboard	Number of Keys	61
  	Type	FSX Keyboard
  	Initial Touch	Yes
  	Aftertouch	Yes
  Tone generator
  Tone Generator		Motion Control Synthesis Engine AMW2: 8 Elements FM-X: 8 Operators, 88 Algorithms
  Maximum Polyphony		AWM2: 128 (max.; stereo/mono waveforms) FM-X: 128 (max.)
  Multi Timbral Capacity		16 Parts (internal), Audio Input Parts (A/D*, USB*) *stereo Part
  Wave		Preset: 5.67 GB (when converted to 16 bit linear format), User: 1.75 GB
  Performance		2,707
  Filter		18 types
  Effects		Reverb x 12 types, Variation x 88 types, Insertion (A, B) x 88 types*, Master Effect x 26 types *A/D part insertion x 83 types (Preset settings for parameters of each effect type are provided as templates) Master EQ (5 bands), 1st part EQ (3 bands), 2nd part EQ (2 bands)
  Other
  Controllers		Master Volume, AD Input Gain knob, Pitch Bend wheel, Modulation wheel, Ribbon Controller, Control Sliders x 8, Knobs x 8, Super Knob, Data dial
  Display		7″ TFT Color Wide VGA LCD touch screen
  Connectors		[USB TO DEVICE], [USB TO HOST], MIDI [IN]/[OUT]/[THRU], FOOT CONTROLLER [1]/[2], FOOT SWITCH [ASSIGNABLE]/[SUSTAIN], OUTPUT (BALANCED) [L/MONO]/[R] (6.3 mm, Balanced TRS jacks), ASSIGNABLE OUTPUT (BALANCED) [L]/[R] (6.3 mm, Balanced TRS jacks), [PHONES] (6.3 mm, standard stereo phone jack), A/D INPUT [L/MONO]/[R] (6.3 mm, standard phone jacks)
  Power Consumption		27 W
  Accessories		AC Power cord, Owner’s Manual, Cubase AI Download Information
  Live Sets		Preset: 128 and more, User: 2,048
  Performance Recorder
  Tracks		16 Sequence tracks, Tempo track, Scene track
  Recording type		Real time replace, Real time overdub, Real time punch in/out
  Note Capacity		1 Song/Pattern: Approx. 130,000 notes, Store area: Approx. 520,000 notes (Pattern); approx. 520,000 notes (Song)
  Note Resolution		480 ppq (parts per quarter note)
  Tempo (BPM)		5 – 300
  Arpeggio		Parts: 8 Parts simultaneous (max.), Preset: 10,239 types User: 256 types
  Sequence formats		MONTAGE original format, SMF formats 0, 1
  Sequencer
  Patterns		128 patterns
  Pattern tracks		16 Sequence tracks
  Pattern Recording type		Real time replace, Real time overdub
  Songs		128 songs
  Song tracks		16 Sequence tracks, Tempo track, Scene track
  Song recording type		Real time replace, Real time overdub, Real time punch in/out
  Functions
  USB audio interface		[Sampling Frequency = 44.1kHz] Input: 6 channels (3 stereo channels),Output: 32 channels (16 stereo channels) [Sampling Frequency = 44.1kHz – 192kHz] Input: 6 channels (3 stereo channels),Output: 8 channels (4 stereo channels)

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