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IK Multimedia iRig Nano Amp Battery-Powered Pocket Guitar Amplifier

Original price was: ₹6,100.00.Current price is: ₹5,500.00.

CLASS B AMPLIFIER: Sporting a 3W class B amplifier and a 3″ neodymium speaker, our little buddy will deliver sound that’s loud and crisp enough to fill even large rooms.
PACK POWER TO YOUR PERFORMANCE: With 1/4″ instrument input for guitar and bass, as well as a 1/4″ output for connecting to speakers or an external amplifier, you’ll be able to play quietly or blast out music.
INTEGRATED IRIG CIRCUIT: Featuring an integrated iRig circuit, this pocket amplifier is a complete guitar amplifier that lets you use your iPhone or iPad and amp modeling apps like AmpliTube.
STANDALONE GUITAR AUDIO INTERFACE: Meet the ultimate tone machine. This standalone guitar accessories preamp is packed with authentic British tone along with gain and volume.
COMPATIBLE WITH: This digital mixer and guitar rig features Normal/Bright response switch and works with iPhone, iPad and iPod with iOS 4.3 or later.

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Category: STOCK CLEARANCE SALE

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IK Multimedia iRig Mic
Original price was: ₹7,999.00.Current price is: ₹6,250.00.
Ideal for all vocal applications from singing to speech

Great for all types of sound recording or processing in music or any other audio application

Quality condenser-electret unidirectional capsule

Dual mini-jack connector allows real-time monitoring on headphones, speakers, mixers, PAs

Comes with apps for singers and songwriters
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M-Audio M3-6 3-Way Active Studio Monitor Speaker (PAIR)
Original price was: ₹64,000.00.Current price is: ₹48,000.00.

You need a three-way monitor.

We know what you’re thinking: Why do you make a three-way monitor? Why do I need one?

A well-designed three-way monitor using high quality drive units exhibits really outstanding performance:

1. It plays louder. A midrange driver is typically four to five inches in diameter, meaning that the midrange driver can “move a lot more air” through the mid frequencies than a diminutive 1” tweeter. For the same wattage input, a five-inch midrange driver literally takes a “bigger bite” out of the air, which translates into more sound for the same input power.

2. It handles great amounts of power and is extremely reliable. Having a dedicated midrange driver means that the tweeter—which is the most fragile of speaker elements—does not have to struggle trying to reach down to the midrange frequencies, as tweeters must do in two-way systems. The crossover frequency specs tell the story: In a properly designed three-way speaker, the tweeter doesn’t have to “enter the game” until around 4,000 Hz—well up into the treble region, which is not a frequency area that requires the current-heavy drive signals that can burn out a delicate tweeter. In contrast, the tweeter in a two-way speaker crosses over about a full octave lower—around 2,000 Hz—which puts it in considerably greater thermal and mechanical danger. The lower a tweeter crosses over, the more likely it is that you’ll suffer tweeter failure from burnout or irreparable voice coil displacement from over-excursion.

3. The sound coverage (sometimes called “dispersion” or “radiation pattern”) is extremely wide and consistent. This is critically important in a studio monitor—you have to have wide, even, consistent sound coverage so you can hear your mixes with clarity and detail, even if you’re standing a little off to the side (“off axis”) of the speaker. The M3-6 uses its drivers only in the frequency range where it has very wide-angle dispersion.

Best of all, the space-saving M3-6 Studio Reference Monitor delivers its truly spectacular three-way sound from the same compact cabinet size as a standard two-way monitor.

In-Line MF/HF Design

In the sophisticated design of the M3-6, the midrange and tweeter are mounted in-line with each other (the tweeter is actually mounted at the apex of the midrange) at precisely the same point in space. Doing so means the sound of the two drivers integrates perfectly, without the “time/arrival distortion” of conventionally-spaced drive units. Instead, with the M-Audio M3-6, the all-important midrange and treble information reaches your ears at precisely the same time, delivering the ultimate in detail and clarity.

No speaker with conventionally-mounted drivers can equal the M3-6’s incredibly natural, three-dimensional sound field. Your mixes sound real, and you can make very confident, precise adjustments to your recordings. That’s what a great monitor is supposed to do for you.

Superb Drive Units

Kevlar® is an ideal driver diaphragm material: Incredibly strong, stiff and light (it’s used in military body armor!). We use it in both the M3-6’s 6” woofer and the 5” midrange, giving those units an incredibly fast transient attack, excellent sensitivity and great resistance to cone flexing and resonant breakup at high power levels. Loud, strong and fast—perfect monitor characteristics.

The 1” woven silk dome tweeter uses Ferro-fluid voice coil cooling for added reliability at studio power levels and this tweeter imparts virtually no harshness or “listening fatigue,” as is often the case with metal dome tweeters. This is extremely important to the recording engineer who spends hours in the studio, listening to his mixes, relying on his unfatigued hearing to make subtle adjustments.

Additionally, the tweeter is mounted in an integrated waveguide, which precisely focuses and directs the treble energy into the listening field, ensuring a solid and stable sonic image and minimizing the random acoustic “scatter” that would distract from properly evaluating the recording’s playback.

Finally, we’ve paid close attention to the cabinet as well. The attractive real wood-veneered baffle is chamfered at the top edges to aid in dispersion and reduce audibly-destructive edge diffraction. We’ve also optimized the cabinet’s internal bracing to ensure that the drivers have a solid, vibration-free platform from which to launch their sound, and we’ve used computer calculations to determine the port’s characteristics for the best possible bass response.

Three (Amplifiers) Is Key

Three individual internal amplifiers provide power to each of the three speaker elements. These amplifiers are specifically tailored to the drivers they are matched with, for smooth operation and system synergy that is virtually impossible to equal using outboard amplifiers and passive speakers. A total of 160 watts of Class AB amplification empowers the M3-6 with ample headroom for even the loudest mixes. The carefully-selected crossover points divide the frequency spectrum into very precise bands so that each individual driver only handles the exact frequency range where it is most accurate.

The powerful three-band (LF, MF, HF) EQ gives you the flexibility to shape the sound to match your listening environment. The switchable low-cut filter is perfect for tailoring the M3-6’s bass response for use with a subwoofer, like M-Audio’s BX Subwoofer. Pinhole-mounted blue LEDs provide an easy-to-use visual aid for perfect speaker placement.

The result of all these innovations and thoughtful design touches is an outstanding studio monitor speaker able to perform at a far higher level than the typical monitor—even in the most critical listening environment. Your mix is only as good as your monitor. Don’t settle for less than the best.

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YAMAHA YC88 88-KEY ORGAN FOCUSED STAGE KEYBOARD

		YC88
Control Interface
Keyboard	Number of Keys	88
Keyboard	Type	NW-GH3 (Natural Wood Graded Hammer) keyboard: synthetic ebony and ivory keytops
Voices
Tone Generation	Tone Generating Technology	VCM Organ, AWM2, FM
Polyphony	Number of Polyphony (Max.)	[VCM Organ + AWM2]:128 *Total of VCM Organ and AWM2, [FM]:128
Number of Live Set Sound		160 (Preset Live Set Sounds:136)
Number of Voices		190 (Organ:9 / Keys:181)
Effects
Types	Insertion Effect	Organ 1 systems (Pre Drive) / Key A 2 systems (1: 35 types, 2: 35 types) / Key B 2 systems (1: 35 types, 2: 35 types)
	Effect	35 types
	Speaker/Amp	7 types (Rotary Speaker: 3 types, Amp: 4 types)
	Reverb	1 type
	Master EQ	3 band (with sweepable Mid)
Connectivity
Connectors	Line Out	OUTPUT [L/MONO]/[R] (6.3 mm, standard phone jacks, UNBALANCED), OUTPUT [L]/[R] (XLR jacks, BALANCED)
	Headphones	[PHONES] (6.3 mm, standard stereo phone jack)
	Foot Controller	FOOT CONTROLLER [1]/[2], FOOT SWITCH [SUSTAIN]/[ASSIGNABLE]
	MIDI	MIDI [IN]/[OUT]
	USB	USB [TO HOST]/[TO DEVICE]
	AUX	INPUT [L/MONO]/[R] (6.3 mm, standard phone jacks)
Other
Connectors		[AC IN]
Display		Full Dot LCD (128 x 64 dots)
Additional package contents		Owner’s Manual x 1, Power cord x 1, Foot pedal (FC3A) x 1
Size/Weight
Dimensions	Width	1298 mm (51-1/8″)
	Height	142 mm (5-9/16″)
	Depth	364 mm (14-5/16″)
Weight	Weight	18.6 kg (41 lb, 0 oz)
Packing Box	Width	1,548 mm (60-15/16″)
	Height	291 mm (11-7/16″)
	Depth	524 mm (20-5/8″)

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Akai Professional MPK49 Keyboard USB MIDI Controller
Original price was: ₹35,000.00.Current price is: ₹25,000.00.

Complete creativity

Maximize musical ideas on-stage or in the studio with the Akai Professional the MPK49 performance controller. The MPK49 ushers in a new era for USB/MIDI controllers by combining a high-quality 49-key semi-weighted keyboard with aftertouch and 12 genuine MPC drum pads. 48 total pads are accessible via 4 pad banks. The pads feature the heart and soul of hip hop—the MPC Note Repeat and MPC Swing. The MPK49 even has a built-in arpeggiator for creating quick, creative riffs in seconds.

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