Korg Nautilus 61 61-key Synthesizer Workstation
Original price was: ₹250,000.00.₹215,000.00Current price is: ₹215,000.00.
System, Keyboard
- System
- NAUTILUS System Version 1.0
- Keyboard
- 88 key: RH3 (Real Weighted Hammer Action 3), A – C
73 key: Natural Touch Semi Weighted, C – C
61 key: Natural Touch Semi Weighted, C – C
Velocity sensitive is supported, after touch is not supported.
Tone Generator
- Synthesis Types
- 9
SGX-2: Premium Piano (Acoustic Piano)
EP-1: MDS Electric Piano (Electric Piano)
HD-1: High Definition Synthesizer (PCM)
AL-1: Analog Synthesizer (Analog Modeling)
CX-3: Tonewheel Organ (Tonewheel Organ Modeling)
STR-1: Plucked String (Physical Modeling)
MOD-7: Waveshaping VPM Synthesizer (VPM Synthesis)
MS-20EX: Component Modeling Technology (Analog Modeling)
PolysixEX: Component Modeling Technology (CMT Analog Modeling)
- Maximum Polyphony*1*2
- SGX-2: 100 voices*3
EP-1: 104 voices
HD-1: 140 voices
AL-1: 80 voices
CX-3: 200 voices
STR-1: 40 voices
MOD-7: 52 voices
MS-20EX: 40 voices
PolysixEX: 180 voices1: In rare cases, when a large number of processor-intensive effects are active simultaneously (for instance, more than 14 O-Verbs), polyphony may be slightly reduced.
*2: A portion of the multicore processor in NAUTILUS is devoted to generating voices, and a separate portion is devoted to generating effects. NAUTILUS dynamically allocates the voice processing power between the engines as necessary. The quoted maximum numbers of voices apply when 100% of the voice processing power is devoted to a single engine.
*3: 100 dual-stereo notes (equivalent to 400 mono voices)
- Preset PCM
- RAM 496 MB / DISK 2.3G (ROM 1,771 Multisamples, 3,955 Drumsamples)
- Build-in Expansion PCM Libraries
- EXs301: German2 D Piano
EXs302: Italian F Piano
EXs303: Japanese Upright U Piano
EXs304: Prepared Piano
EXs305: Historical Keyboards
EXs306: Vintage Keyboards 2
EXs307: Strings & Synths
EXs308: Guitar Collection
EXs309: Bass Collection
EXs310: World Essence
EXs311: Background Loops
EXs312: SFX & Hits
EXs313: Found Percussions
EXs314: Expansion Drums
- PCM RAM Capacity
- Approx. 2GB *4
*4: The memory available for Sampling Mode will change based on the use of Expansion PCM libraries and User Sample Banks. Approx. 260 MB is available when shipped from the factory (When loading the file named “PRELOAD.KSC”).
- Wave Sequences
- 598 User memory, 377 Preload
Support for stereo multisamples, synchronization of individual notes, and tempo-based settings.
SGX-2 Program
- Premium Piano
- Full key stereo sampling, Chromatically sampled at up to 12 velocity levels, no looping.
Damper resonance and mechanical noise are reproduced.
Una Corda sample support
- PCM
- EXs301 – German2 D Piano
12 velocity levels, includes Ambience Piano type/samplesEXs302 – Italian F Piano
12 velocity levels, no Una Corda samplesEXs303 – Japanese Upright U Piano
8 velocity levelsExs304 – Prepared Piano
1-4 velocity levels
- Piano Type
- 128
(With the factory settings, the 64 varieties of EXs6: German D Piano, EXs7: Japanese C Piano, EXs12: SGX-1 Austrian D Piano, EXs17: Berlin D Piano do not produce sound. The options must be downloaded. (Those will be released at a later date.))
- Oscillator Control
- Damper Resonance
Damper Noise
Mechanical Noise
Note Release
String Resonance
Una Corda
EP-1 Program
- MDS Electric Piano
- Tine and reed-type electric pianos powered by Multi-Dimensional Synthesis (MDS), and vintage effects.
- Electric Piano Model Types
- 7
Tine EP I Early, Tine EP I Late, Tine EP II, Tine EP V, Tine EP DMP, Reed EP200, Reed EP200A
- Oscillator Control
- Harmonic Sound Level, Attack Noise, Level, Release Noise Level, Attack Brightness, Hammer Width
- Panel Control
- Tine Type
Preamp Volume, Tone (Treble, Bass), Vibrate (On/Off, Intensity, Speed), Amp/Cabinet (On/Off, Drive)Reed Type
Preamp Volume, Tone (Treble, Bass), Vibrate (Intensity, Speed), Amp/Cabinet (On/Off, Drive)
- Effect Types
- 9
Small Phase, Orange Phase, Black Phase, Vintage Chorus, Black Chorus, EP Chorus, Vintage Flanger, Red Comp, VOX Wah
HD-1 Program
- Advanced Vector Synthesis
- Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.
- Structure
- Single: only OSC1, Double: OSC1 and OSC2.
Double mode lets you layer two completely separate synth voices, each with their own velocity-switched oscillator, dual filter, EGs, LFOs, etc.
Drums: One drum kit, Double Drums: Two drum kits.
- Oscillators
- 8 velocity zones per oscillator, with switching, crossfades and layering
Each zone can play mono or stereo Multisamples or Wave Sequences
- Filters
- Two multi-mode filters per voices (low-pass, high-pass, band-pass and band-reject), Four-mode filter routings (single, serial, parallel and 24dB mode)
- Driver
- Per voice non-linear driver and low boost circuit
- EQ
- Three bands, with sweep-able mid
- Modulation
- Three envelope generators, two LFOs per voice, common LFO, four key tracking generators, AMS (Alternate Modulation Source), two AMS mixers
- Quick Layer / Split function
EXi Program Common
- Advanced Vector Synthesis
- Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope
- Modulation
- Common Step Sequencer, AMS (Alternate Modulation Source), Common LFO, 2 Key Tracking Generators
- EQ
- Three bands, with sweep-able mid
- Quick Layer / Split function
AL-1 Program
- Oscillators
- Ultra-low-aliasing oscillators, OSC1, OSC2, Sub-oscillator and noise generator; ring modulation, FM and Sync
- Audio Input
- External audio can be processed through the ring modulator, filter, driver, amp, and EQ
- Filters
- Two multi-mode filters (low-pass, high-pass, band-pass and band-reject) with four types of filter routings (single, serial, parallel and 24dB mode), Multi Filter mode (only Filter-A; modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects)
- Driver
- Per-voice non-linear driver and low boost circuit
- Modulation
- Five Envelope generators, four per-voice LFOs, two AMS Mixers; Per-voice Step Sequencer
CX-3 Program
- Tonewheel Organ Modeling
- Phase-synchronous tonewheels (clean and vintage modes), percussion, key click, wheel brake
- EX Mode
- Four additional, user-specified drawbars, and expanded percussion
- Internal Effects
- Rotary speaker, vibrato/chorus, amp modeling with overdrive, 3-band EQ
- Drawbar Control
- Controlled via nine front-panel sliders (via Tone Adjust)
- Split
- Upper, Lower (even in EX mode)
- Modulation
- Two AMS mixers
STR-1 Program
- Physically Modeled String
- Includes physically modeled damping, decay, dispersion, nonlinearity, harmonics, dual pickups, and more. Most string parameters can be controlled in realtime
- String Excitation
- Three independent excitation sources can be used simultaneously: Pluck, Noise, and PCM. 16 preset “pluck” types, with modulatable width and randomization. Noise generator with saturation and dedicated low pass filter
PCM Oscillator
KORG’s ultra-low-aliasing technology, as introduced in the HD-1; 4 velocity zones per oscillator; Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory.Excitation Filter
Dedicated 2-pole multimode filter for shaping the string excitation. Filter can be enabled/disabled separately for each excitation source. Low Pass, High Pass, Band Pass, and Band Reject modes
- Audio Input and Feedback
- Run real-time audio through the string, including feedback through effects. Modeled feedback includes modulate-able instrument-to-amp distance and orientation
- Filters
- Dual multi-mode filters per voice; Single, Serial, Parallel (with split stereo output), and 24dB (4-pole) configurations. Low Pass, High Pass, Band Pass, and Band Reject modes
Multi Filter Mode (Filter A only)
Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects
- Modulation
- 5 Envelopes, 4 per-voice LFOs, 2 Key Track generators, String Tracking generators, 4 AMS Mixers
MOD-7 Program
- Waveshaping VPM Synthesizer
- Combines Variable Phase Modulation (VPM), Waveshaping ring modulation, PCM sample playback, and subtractive synthesis; Able to convert-load SYX files
- Oscillators
- 6 VPM/Waveshaper/Ring Modulation Oscillators
Phase and modulatable pitch per oscillator. 101 Waveshaper tables plus modulatable Drive and Offset. Use as oscillators, or as Waveshapers or Ring Modulators for other signalsPCM Oscillator
KORG’s ultra-low-aliasing technology, as introduced in the HD-1. 4 velocity zones per oscillator.Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual MemoryNoise Generator (With saturation and low-pass filter function)
- Audio input
- Run real-time audio through the VPM Oscillators and filters.
- Filters
- Dual multi-mode filters per voice. (Low Pass, High Pass, Band Pass, and Band Reject modes) , Two types of filter looping (Parallel and 24 dB “4-Pole”)
Multi Filter mode (Filter A only)
Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects
- Patch Panel
- Supports both preset algorithm (78 types) selection and free patching.Three 2-in, 1-out mixers for scaling and merging audio, fully modulatable, with phase inversion. Main 6-input stereo mixer, with modulatable pan and volume, plus phase inversion
- Modulation
- 10 Envelopes, 4 per-voice LFOs, 9 Key Tracking generators, Per-voice Step Sequencer, 4 standard AMS Mixers plus 4 simple AMS Mixers
MS-20EX Program
- Oscillators
- Ultra-low-aliasing oscillators; VCO1, VCO2, Ring Mod, Pink and White Noise Generator
- Audio Input
- Run real-time audio through the synthesis engine and ESP (External Signal Processor)
- Filters
- 12dB/octave High Pass and Low Pass self-resonant filters
ESP section
24dB/octave Low Cut and High Cut filters, available per voice.
- Patch Panel
- Patchable audio and modulation, at audio rates
- Patch Points
- Keyboard
Keyboard CV Out, Keyboard Trigger Out, VCO1+VCO2 CV In, VCO2 CV InVCO
VCO1+VCO2 External Frequency Control In, VCO1 Out, VCO2 OutVCF
External Signal In, External HP Filter Cutoff Frequency Control In, External LP Filter Cutoff Frequency Control In, HPF Out, LPF In, LPF OutVCO+VCF
Total External Modulation InVCA
External Initial Gain Control In, VCA InEG
EG1 Envelope Signal Normal Out, EG1 Envelope Signal Reverse Out, EG1+EG2 Trigger In, EG1 Trigger In, EG2 Envelope Signal Reverse OutMG
Triangle Out, Rectangle OutNoise Generator
Pink Noise Out, White Noise OutSample and Hold
Clock Trigger In, Sample Signal In, S/H OutModulation VCA
Control Voltage In, Signal In, Signal OutManual Controller
Control Wheel Out, Momentary SwitchESP
Signal In, AMP Out, BPF In, BPF Out, F-V CV Out, Envelope Out, Trigger OutOthers
EXi Audio In, Mixer 1 In, Mixer 1 Out, Mixer 2 In, Mixer 2 Out
- ESP (External Signal Processor):
- Use incoming audio as a trigger and/or CV source
- Modulation
- Original DAR (Delay, Attack, Release) and HADSR (Hold, Attack, Decay, Sustain, Release) EGs 1 &2, Original MG (with MIDI sync), Sample-and- Hold, MVCA, NAUTILUS: 4 additional multi-stage Envelopes, 4 additional per-voice LFOs, and 4 AMS Mixers.
PolysixEX Program
- Oscillators
- VCO
Saw, Pulse, PWMSub Oscillator:
Off, 1 octave below, 2 octaves below
- Filter
- 24dB(4-Pole) Octave Low Pass self-resonant filter
- Effects
- Integrated Polysix Chorus, Phaser, and Ensemble
- Arpeggiator
- Integrated MIDI-synced arpeggiator, with adjustable Range, Mode, and Latch
- Modulation
- Polysix
Original ADSR EG and MG (with MIDI sync).NAUTILUS
2 additional multi-stage Envelopes, 2 additional per-voice LFOs, and 4 AMS Mixers.
Combination
- Number of Timbres, Master Keyboard Functionality
- 16 Maximum
Keyboard and velocity splits, layers, and crossfades of up to 16 Programs and/or external MIDI Devices
The tone adjust parameter function lets you modify program settings, and the master keyboard function lets you control external MIDI devices
- Advanced Vector Synthesis
- Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope
- Quick Layer / Split function
Drumkit
Number of Programs/Combinations/Drum kits
- User Memory Programs
- 2,560 (1,920 [1,280 HD-1+640 EXi] come preloaded)
- User Memory Combinations
- 1,792 (256 come preloaded)
- User Memory Drum Kits
- 264 (104 come preloaded)
- 256 GM Level2 preset programs + 9 GM Level 2 drum preset programs
Set List
- Number of Set Lists/Slots
- 128 set lists, 128 slots per set list
Each set list provides a 9-band graphic EQ, and a Tone Adjust function that allows program settings to be adjusted
Transpose setting
Hold Time setting of Smooth Sound Transition (SST) supported for each slot
Sampling
- System
- Open Sampling System (resampling, In-Track sampling)
- Bit Depth/Sampling Frequency
- RAM
16-bit/48 kHz stereo/mono samplingDISK
16 or 24-bit/48 kHz
- Sampling Time
- RAM
Depends on the amount of available PCM RAMDISK
Maximum 80 minutes stereo (879MB: 16bit)
- Sample Locations
- 16,000 samples/4,000 multisamples (128 indexes per multisample)
- Formats
- KORG format, AKAI S1000/S3000 data (with advanced Program parameter conversion); SoundFont 2.0, AIFF, and WAVE formats
- Editing
- Time Stretch, Time Slice, Crossfade Loop, and other standard editing features.
Effects
- Insert Effects
- 12
Stereo in / stereo out
- Master Effects
- 2
Stereo in / stereo out
- Total Effects
- 2
Stereo in / stereo out
- Timbre EQ
- One 3-band EQ for each timbre/track
- Effect Types
- 197
- Modulation
- Dynamic Modulation and Common LFO
- Effects Control Busses
- Stereo side-chaining for compressors, gates, vocoders, etc
- Effect Presets
- Total 783 preset, Maximum 32 per 1 effect (Preset User)
Arpeggiator
- Arpeggiator Modules
- One module in Program mode, two modules in Combination and Sequencer modes
- Arpeggio Pattern
- 5 presets + ARP A 2,048 slots (1,593 come Preload) + ARP B 128 slots
- Controllers
- On/Off, Latch, Gate, Velocity, Length, Swing, Tempo
Drum Track
- Preset Patterns
- 1,272 (common with the preset patterns of the MIDI sequencer)
- User Patterns
- 1,000
Patterns created in Sequencer mode can be converted to drum track user patterns.
- Trigger Mode/ Sync / Zone / Swing, Drum SD, Tempo settings can be specified.
Sequencer / HDR
- Tracks
- 16-track MIDI sequencer + 16-track hard disk recorder + 1 master track.
- Number of Songs
- 200
- Resolution
- 1/480
- Tempo
- 40.00 – 300.00 (1/100 BPM resolution)
- Maximum Memory
- 400,000 MIDI events or 300,000 audio events
- MIDI Tracks
- 16 tracks plus the master track, 697 preset / 100 user patterns (per song), 18 preset/16 user template songs,
- Audio Tracks
- 16-track playback, 4-track simultaneous recording, WAV file format 16bit/24bit
Maximum Single-file Recording Time (mono): 80 minutes
Automation: Volume, Pan, EQ, and Send1/2
10,000 regions (max.)
Event Anchors, BPM Adjust
- Other Functions
- RPPR (Realtime Pattern Play and Record): 1 Pattern set per song
General
- Disk Mode
- Load, save, utility, data filer function (save/load MIDI System Exclusive data), CD-R/RW (UDF format read/write), ISO9660 Level 1.
- Controllers
- Joystick, Switches 1 & 2
Arpeggiator Control: On/Off, Latch, Gate, Velocity, Length, Swing, Tempo
DRUM TRACK: On/Off, Swing, Drum SD, Tempo
- Display
- TouchView graphical user interface, 7 inch color TFT, WVGA (800 x 480 dots), adjustable brightness
- Principal Specifications
- Frequency Response
20Hz-22kHz, +/-1.0dB, 10k Ω loadTHD+N
20Hz-22kHz, 0.01%, 10k Ω load (typical)S/N
95dB (typical)Dynamic Range
95dB (typical)Crosstalk
95dB, at 1kHz (typical)
- Outputs
- L/MONO, R, Individual 1-4
1/4” TRS Balanced
Output Impedance: 350 Ω Stereo; 175 Ω Mono (L/MONO Only),
Nominal Level: +4.0 dBu,
Maximum Level: +16.0 dBu (when load impedance is 600 Ω or greater)
MAIN VOLUME slider controls only AUDIO OUTPUT (MAIN) L/MONO and RHeadphones
1/4” stereo phone jack
Output impedance: 33 Ω,
Maximum Level: 60+60 mW (when load impedance is 33 Ω),
MAIN VOLUME knob (link with AUDIO OUTPUT (MAIN))USB-B
24-bit, Sample Rate: 48 kHz, 2 channels
(Digital output of the same signals as AUDIO OUTPUT (MAIN) L/MONO and R)
- Inputs
- Audio Inputs 1 and 2
1/4” TRS Balanced
Input Impedance: 10 kΩ
Nominal Level: LINE +4 dBu
Maximum Level: LINE +16 dBu
Nominal Level: MIC –22 dBu
Maximum Level: MIC -10 dBu
Source Impedance: 600 ΩUSB-B
24-bit, Sample Rate: 48 kHz, 2 channels
- Control Inputs
- Damper pedal (half damper supported)
Assignable switch, Assignable pedal
- MIDI
- In, Out, Thru
- USB
- USB A (TYPE A)
For connection to external USB devices (QWERTY keyboards, MIDI controllers, ethernet adaptors, and storage)USB B (TYPE B)
MIDI/audio interface, MIDI: 1 (16 channel) input / 1 (16 channel) output, Audio: 2 channel input / 2 channel output
*2 USB high-speed ports (supports 480Mbps)
- Disk Drives
- 60 GB SSD (2.5”)
- Power Supply
- AC power supply terminal, Power switch
- Dimensions: (W x D x H)
- 88 key: 1,437 x 387 x 139 mm / 56.57” x 15.24” x 5.47”
73 key: 1,227 x 386 x 116 mm / 48.31” x 15.20” x 4.57”
61 key: 1,062 x 386 x 116 mm / 41.81” x 15.20” x 4.57”
- Weight
- 88 key: 23.1 kg / 50.93 lbs.
73 key: 14.6 kg / 32.19 lbs.
61 key: 13.0 kg / 28.66 lbs.
- Power Consumption
- 40 W
- Accessories
- AC cord, Quick Start Guide
- Option
- XVP-20: Expression/Volume Pedal
EXP-2: Foot Controller
DS-1H: Damper Pedal
PS-1: Pedal Switch
PS-3: Pedal Switch
To start, the enhanced SGX-2 piano sound generator offers delicate expressiveness to capture all the nuances of the acoustic piano, and NAUTILUS features the most piano libraries ever put into one product; with 12-step velocity-switched sound, string resonance and more. The EP-1 electric piano sound generator realistically reproduces seven different famous electric piano sounds. The CX-3 engine – the heart of our sought-after CX-3 reissue -covers the distinct sound of classic tonewheel organs. Add to that MOD-7 VPM/FM synthesis, the PolysixEX and MS-20EX for analog modeling, and the STR-1 for physical modeling, and you have essentially an engine for any type of sound you’re looking to get. Used together in Program or Combination mode, these distinctive engines create completely new timbres.
New sounds offered over three broad categories
The approach to the included sound on NAUTILUS, started with Korg setting aside our preconceptions of what sound should be like on a conventional music workstation, and instead focused on pushing the boundaries of sampling and programming to create a brand-new classifications of programs that we divide into three groups:
“Unique” sounds:
The NAUTILUS brings you distinctive sounds including phrase loops, prepared pianos, found percussion and more. Many seldom heard-of musical instruments found in different regions around the world can be difficult to play, but distinctive phrases played on these instruments are featured on the NAUTILUS. Use these phrases as-is in your songs—let your imagination be your guide. The NAUTILUS features sounds that were sampled for the first time just for this instrument, including prepared piano sounds created by placing different objects between piano strings and recording samples, or “found percussion” sounds made by turning ordinary items into instruments to be struck. Not only do these novel and mysterious sounds provide an unexpected flavor to your songs, they offer broad possibilities for sound effects used in film and TV music as well.
“Current” sounds:
The NAUTILUS also offers the freshest sounds that blend in well with today’s music scene, including synths, drum kits, special effects and more. For synths, be sure to check out the EDM, electro and chiptune sounds for starters. Also, the NAUTILUS features more than 50 kinds of drum kits—sounds that most strongly reflect the changes in music over time. The special effect sounds offer useful material like drums added to dance music to create beats—sounds that you can put to use right away.
Standard sounds:
We’ve brought together all of the most important sounds a workstation needs including piano, electric piano, guitar, bass guitar and more, covering all genres. For the newly sampled piano sound, we’ve also recorded the lovely sonic ambience of the studio, and you can mix the piano and ambience sound as you like with the new ambience sound. A new electric piano model with a characteristic thick sound has been added, which works great for funky playing styles. We’ve also added many phrases that let you play back actual performances of guitar and bass parts that keyboardists will find useful.
The DYNAMICS knob makes delicate expression possible
With the DYNAMICS knob, you can instantly control the changes in volume and tone in response to how hard you play the keyboard (velocity); and you can customize this knob in real time to match the keyboard playing feel required for each style and song. Even when playing the same sound, you can turn this knob to get the feeling of playing a completely different sound. By finding just the right setting for your playing style, you’ll uncover even more of the possibilities that the NAUTILUS offers.
When you activate the DYNAMICS knob and turn it to the left, the keyboard responds more softly to your playing, giving you a wide range of dynamics. This allows for delicate, expressive playing when accompanying a piano solo or vocals, which directly reflects the dynamics of your performance. On the other hand, turning the knob to the right gives a stronger, more flat dynamic response. This brings out the sound when you’re playing in a band or ensemble, which works best when performing with a more even feel.
Make intuitive changes to sounds with the Realtime knobs
The six RT (real-time) knobs at the top left of the panel give you direct control over changes to the PROG and COMBI sounds. A variety of functions are assigned to each knob that lets you enjoy making changes to sounds, such as the filter cutoff and effect depth, the gate time, tempo and swing of the arpeggiator or drum track, the type of snare drum and more. In COMBI mode, you can group timbres and control their levels with the knobs. Further, you can press these knobs into the panel to lock them in place, preventing them from being accidentally changed while you’re playing. For instance, you could use this to enable only the knobs you often use onstage and push the ones in that you do not need.
A user interface designed for easy operation
For the NAUTILUS, we have completely rethought the user interface, considering that panel controls tend to become denser as more functions are added. The interface of the NAUTILUS lets users find just the things they’re looking for once they understand the principles.
The MODE button lets you see what you’ve selected in each mode on a single screen, from PROG and COMBI to the set list, sampling, sequence and global modes. Each mode has tabs for each function, and the PAGE buttons offer more detailed editing with consistent operations. With the user-friendly navigation of the NAUTILUS, you can press the MODE button at any time to return to the start if you get lost. A dark mode is available for the display, using black as the primary color to reduce eye fatigue.
Six quick access buttons are also available as shortcut buttons. The NAUTILUS further offers four templates as a continuation of the previous user-friendly features, which can be used to select modes like PROG and COMBI, as transport buttons for sequencer playback and recording and so on. You can also select your own settings as you like. What’s more, you can freely assign functions you frequently use and save them in one of four sets.
Convenient arpeggiator and drum track functions
Four scenes of arpeggio patterns and drum track sets are made available that perfectly match each PROG and COMBI preset sound. These are useful for switching between scenes while they’re played, for use when improvising during performance, or for expanding your vision when composing music starting from a sound.
Color TouchView Display
The nerve center of the NAUTILUS is KORG’s enormous eight-inch (800 x 480 pixel) WVGA color TouchView display.
In addition to simply selecting a sound or choosing a parameter with the touch of a finger, the enhanced Touch-Drag ability allows more detailed control of parameter values. Interactive instruments and panel graphics provide the ability to do everything from adjusting the lid of a grand piano to connecting patch cable on a semi-modular synthesizer model.
The TouchView display also hosts a convenient new Search Function, allowing you to search for (and preview) sounds based on their titles.
Set list mode that demonstrates its power in live performances
NAUTILUS can organize all of the resources you need to get through a song—or a set—using the Set List mode. Using the Set List mode, the TouchView display can host 16 color-coded touch-screen buttons; each one can instantly call up the appropriate Preset, Combination, or Sequence—regardless of mode!
You can also select different button colors, such as when you want to change the colors within a song while playing live. This is a powerful feature for situations that require quick and accurate control. The Set List mode even adds a nine-band graphic EQ, allowing the overall tone to be tweaked to match the venue.
Open Sampling System
Using KORG’s Open Sampling System, NAUTILUS can quickly sample an external audio source, regardless of whether NAUTILUS is in the Program, Combination, or Sequencer modes. The Open Sampling Mode can even resample the performance of the NAUTILUS itself. The user sample bank, which extends the convenience of the EXs sample library to user samples, allows custom samples to be loaded and played, taking advantage of the gigantic SSD capacity.
AIFF, WAV, SoundFont 2.0, and AKAI S1000/3000 format samples can be loaded into memory via USB memory. Additionally, you can use a USB Ethernet adapter to exchange large amounts of sample data with your computer at high speed. Instruments or samples that you’ve previously created on your PC can be used to construct a music production setup based on just the NAUTILUS itself.
16-Track MIDI Sequencer / 16-Track Audio Recorder
NAUTILUS features a sequencer/recording section that offers both 16 MIDI tracks plus 16 audio tracks; a great resource for putting together a dazzling performance or a brilliant production. MIDI sequencing makes it easy to capture ideas, inspiration, and pro-quality phrases using the Drum Track, or RPPR (Realtime Pattern Play/Recording) functions.
The 16-track audio recorder simultaneously captures up to four tracks of 16-bit/24-bit uncompressed data at a sampling rate of 48 kHz. Play along with recorded tracks, add effects, and then resample the NAUTILUS itself and place the resampled WAV files directly in a track. When polishing your tracks, feel free to use mixer automation and editing functions such as copy, paste, and normalize to get the results you want.
NATILUS provides 16 internal effects to add impact to your sonic creations. Each of the 12 Insert effects can be applied to individual or multiple timbres in a combination, or to individual or multiple tracks of the sequencer. In addition, two Master effects can be applied to sends 1/2, and two Total effects can be applied to all tracks at the final stage of the sound.
A separate three-band EQ is provided for every timbre, for every sequencer track, and for every audio track for adjusting subtle tonal balances or for creatively modifying the overall sound.
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System
EDS-i（Enhanced Definition Synthesis – integrated）Sound Engine
- Maximum Polyphony
- 120 voices (120 oscillators), single mode
60 voices (60 oscillators), single mode* The actual maximum polyphony will vary depending on oscillator settings such as stereo multisamples and velocity crossfading.
- Preset PCM Memory
- Approximately 128 MB (calculated as 48 kHz / 16-bit linear PCM data equivalent)
496 multisamples (including seven stereo), 1014 drumsamples (including 49 stereo)
- Expansion PCM Memory
- Approximately 128MB (*when converted to 48 kHz 16-bit linear PCM
* Used when loading option PCM
- Program
- Oscillator
- OSC1 (Single), OSC1+2 (Double): Stereo multisamples are supported 4 velocity zones per oscillator, with switching, crossfades and layers.
- Filters
- Four types of filter routing (single, serial, parallel, 24 dB)
Two multi-mode filters per voice (low pass, high pass, band pass, band reject)
- Modulation
- For each voice, two envelope generators (Filter & Amp), two LFOs, two key tracking generators (Filter & Amp), and two AMS mixers. In addition, pitch EG, common LFO, and two common key tracking generators
- Combination
- Timbres
- Up to 16 timbres, switchable via key zone or velocity zone, layer and crossfade supported, Tone Adjust function allows program settings to be offset
- Master Keyboard functionality
- These allow you to control external MIDI devices
- Drumkits
- Stereo and mono drumsamples. 4-way velocity switches with crossfades and adjustable crossfade shapes (Linear, Power, Layer).
- The Number of Combinations/Programs/Drum Kits
- User Combinations
- 896 Combinations (384 Preload)
- User Programs
- 1280 Programs (768 Preload)
- User Drum Kits
- 58 Drum Kits (42 Preload)
- Preset Programs
- 265 Programs (256 GM2 Programs + 9 GM2 Drum Programs)
- * Total number of preload programs and preset programs：1,075 (810 preload programs, 265 preset programs
*Click here for KROSS 2-88-MB.
Favorites
- Number of memories
- 128 (16 favorites × 8 banks)
Effects
- Insert effects
- 5 Insert Effects In-line processing; stereo in – stereo out.
- Master effects
- 2 Master Effects Two effects sends; stereo in – stereo out.
- Effects types
- Total of 134 types (select from 74 types for insert effects, 101 types of master effect 1, and 120 types for master effect 2)
- Modulation
- Dynamic Modulation
- Effects Control Bus
- Stereo side-chaining for limiter, gates, vocoders, etc.
Polyphonic arpeggiators
- Program mode
- One arpeggiator
- Combination mode
- Two arpeggiators
- Sequencer modes
- Two arpeggiators
- Preset arpeggio patterns
- UP, DOWN, ALT1, ALT2, RANDOM
- User arpeggio patterns
- Number of arpeggio patterns: 1280 (1024 preload)
Number of tones: 12 tones,
Number of steps: up to 64 steps
Step sequencer
- Program mode
Combination mode
Sequencer mode - One unit
Number of tones: 12 tones + 1 accent tone
Number of steps: up to 64 steps
* Can be created for each program, combination, and song.
Drum Track
- Preset Patterns
- 772 patterns (Held in common with sequencer patterns.)
- Other
- Trigger Mode / Sync / Zone settings can be specified
Sequencer
- Tracks
- 16MIDI Tracks
- Number of Songs
- Up to 128 songs
- Resolution
- 1/480
- Tempo
- 40.00–300.00 (1/100 BPM resolution)
- Maximum Memory
- Up to 210,000 MIDI events
- Counter
- Measure/Beat/Tick
- Template Song
- 16 preset/16 user template songs
- Preset Patterns
- 772 patterns (shared with Drum Track patterns)
- Format
- KORG (KROSS) format, SMF format 0 and 1
Pad sampler
- Specifications
- 16 pads × 8 banks
Automatically saved on the SD card, and automatically loaded
Up to four pads can play simultaneously
- Recording format
- PCM audio format 48 kHz/16-bit
- Recording time
- Up to approximately 14 seconds of stereo sample for each pad
- Import
- WAVE format, file name extension: .wav, 44.1 kHz/16-bit, 48 kHz/16-bit, stereo
* 44.1 kHz is automatically converted to 48 kHz/i>
- Edit
- Waveform display editing functionality, start address and looping settings etc., normalize and other editing operations
Audio Recorder
- Recording Format
- PCM audio format 48kHz/16bit
- Import
- WAVE format (file name extension: wav ) 44.1kHz/16bit, 48kHz/16bit stereo
* 44.1 kHz is automatically converted to 48 kHz/i>
- Export
- WAVE format (file name extension: .wav) 48kHz/16bit, stereo
- Recording Time
- Maximum continuous recording time: 3 hours
Depends on the SD card used; approximately 90 minutes per 1 GB
- Number of Songs
- Up to 200 songs
- Number of overdub recordings
- Depends on the remaining capacity of the SD card
- Counter
- Hour/Min/Sec
- Pad audio play
-
16 pads × 8 banks
Directly play back data from SD card
Multiple pads cannot be played simultaneously
Media
File, Utility, Information, additional PCM data management functionalityControllers
- General Control
- Pitch bend wheel, Modulation wheel, SW1, SW2
- Realtime Control
- SELECT button, SWITCH button, KNOB1 knob, KNOB2 knob
- Step Sequencer/Favorite/Pad Sampler/Pad Audio Play
-
Pads 1–16
STEP SEQ ACTIVE button, Run button
FAVORITES ACTIVE button
SAMPLER ACTIVE button, HOLD button
AUDIO PLAY ACTIVE button
BANK LEDA/B/C/D/E/F/G/H (also used by Step sequencer, Favorite, Pad Sampler, and Pad Audio Play)
- Drum Track
- DRUM TRACK button
- Arpeggiator
- ARP button
- Audio Recorder
- AUDIO REC button
User Interface
- Display
- 240 × 64 pixel LCD backlight
Adjustable contrast (hold the EXIT button and turn the VALUE dial)
- Category
- CATEGORY dial, VALUE dial
- MODE
- COMBI button, PROG button, SEQ (GLOBAL/MEDIA) button
- Value Controllers
- Cursor buttons, EXIT,ENTER, FUNCTION, PAGE-, PAGE+, MENU buttons
- Sequencer
- REC button, START/STOP button
- Quick Layer Split
- LAYER/SPLIT button
- Other
- VOLUME knob
Control Input
DAMPER (Supports piano-style half-damper pedals as well as standard foot switches)
ASSIGNABLE SWITCH
ASSIGNABLE PEDALAudio Outputs (Analog)
- AUDIO OUTPUT L/MONO, R
- Connectors: 6.3 mm (1/4″) phone jacks(TS unbalanced)
Output Impedance: 1.1k ohm stereo, 550 ohm mono (L/Mono only)
Maximum Level: +10.0 dBu
Load Impedance: 10k ohm or greater
Controllable by the VOLUME knob
- HEADPHONE OUTPUT
- Connectors: 3.5mm (1/8″) stereo mini phone jack
Output Impedance: 33 ohnm
Maximum Level: 40 + 40 mW
Controllable by the VOLUME knob
Audio Inputs (Analog)
- LINE IN
- Connectors: 3.5 mm (1/8″) stereo mini phone jack
Input Impedance: 1.1k ohm
Maximum Input Level: -42 to 0 dBu
- MIC IN
- Connectors: 6.3 mm (1/4″) phone jacks(TS unbalanced)
Input Impedance: 33 ohm
Maximum Input Level: -48 to -6dBu
Phantom power or plug-in power is not supported.
Others
- MIDI
- IN, OUT
- USB
- USB connector TYPE B x 1, USB-MIDI interface, USB audio interface
- SD Card Slot
- One card slat
* Capacity recognized: SD memory cards up to 2 Gigabytes (GB). SDHC memory cards up to 32 Gigabytes (GB). SDXC memory cards are not supported.
Main Specifications
- Power
- AC adaptor power supply DC 9V
AA alkaline batteries x 6, or nickel-metal hydride batteries x 6
- Battery Life
- AA alkaline batteries x 6: Approximately 6 hours
AA nickel-metal hydride batteries (1900mAh) x 6: Approximately 7 hours* Varies depending on the batteries used and the conditions of use.
- Power Consumption
- 5 W
- Dimensions (W x D x H)
- KROSS2-61: 935 mm × 269 mm x 88 mm / 36.81″ × 10.59″ × 3.46″
KROSS2-88 1,448 mm × 383 mm × 136 mm / 57.01″ × 15.08″ × 5.35″
- Weight
- KROSS2-61: 3.8 kg / 8.38 lbs (excluding batteries)
KROSS2-88: 12.3 kg / 27.12 lbs (excluding batteries)
- Included Items
- AC adapter, Quick Start Guide
Accessories (sold separately)
- Keyboard stand
- KROSS2-61: Standard-S-ABK61
KROSS2-88: Standard-L-SV88
- Soft case
- KROSS2-61: SC-KROSS 2 61
KROSS2-88: SC-KROSS 2 88 / KROME 88
- Expression/Volume Pedal
- XVP-20
XVP-10
- Foot Controller
- EXP-2
- Damper Pedal
- DS-1H
- Pedal Switch
- PS-1
PS-3
-
Roland Xps-30 (Red)
Original price was: ₹84,923.00.₹76,430.00Current price is: ₹76,430.00.Add to cart- KEYBOARD
- Keyboard
- 61 keys (with velocity)
- SOUND GENERATOR
- Maximum Polyphony
- 128 voices
- Parts
- 16 parts
- Preset Memory
- – Patches: Over 1400
– Drum kits: Over 35
– Performances: 28
* GM2 compatible sounds are included. - User Memory
- – Patches: 256
– Drum kits: 8
– Performances: 128
– Favorites: 100 - Wave Expansion Slots
- 1 slot
* The wave expansion slot is rewritable internal waveform memory. You can download data from the Axial sound library site and write it via a USB flash drive into the XPS-30’s internal wave memory (slot). - SAMPLE IMPORT FUNCTION
- File Format
- Audio file: WAV (44.1 kHz, 16 bits)
Supports multi-sample (System Program Ver. 2.00 or later, with JUNO-DS Tone Manager) - Effects
- – Multi-effects: 3 systems, 80 types
– Chorus: 3 types
– Reverb: 5 types
– Mic input reverb: 8 types - AUDIO FILE PLAYER SECTION
- File Format
- Audio file: WAV, AIFF, MP3
- OTHERS
- Rhythm Pattern
- Preset: 30 groups x 8
- Arpeggio
- Preset: 128
- Controllers
- Pitch bend/Modulation lever
Control knob x 4
Level slider x 4
Multicolor pad x 8 - Display
- Graphic LCD 256 x 80 dots
- External Storage Device
- USB flash drive (supports USB 2.0 Hi-Speed flash memory)
- Connectors
- PEDAL HOLD jack
PEDAL CONTROL jack
MIC INPUT jack: 1/4-inch phone type
EXT INPUT jack: stereo miniature phone type
OUTPUT jacks (L/MONO, R): 1/4-inch phone type
PHONES jack: stereo 1/4-inch phone type
MIDI connectors (IN, OUT)
USB MEMORY port
USB COMPUTER port (supports USB MIDI/AUDIO)
DC IN jack - Power Supply
- DC 9 V: AC adaptor or rechargeable Ni-MH battery (AA, HR6) (sold separately) x 8
* Battery life for continuous use (differs depending on the conditions of use)
Rechargeable nickel metal hydride batteries: approximately 5 hours (when using batteries having a capacity of 1900 mAh) (approximately 4 hours if USB flash drive is connected)
* Carbon-zinc or alkaline batteries cannot be used. - Current Draw
- 600 mA
- Accessories
- Owner’s manual
Leaflet “USING THE UNIT SAFELY”
AC adaptor
Power cord - Options (sold separately)
- Keyboard stand (*1): KS-18Z, KS-12
Pedal switch: DP series
Expression pedal: EV-5
USB flash memory (*2)*1 When using the KS-18Z, ensure that the height of the unit is one meter or lower.
*2 Use USB Flash Memory (supports USB 2.0 Hi-Speed Flash Memory) sold by Roland. We cannot guarantee operation if other products are used. - SIZE AND WEIGHT
- Width
- 1,008 mm
39-11/16 inches - Depth
- 300 mm
11-13/16 inches - Height
- 97 mm
3-7/8 inches - Weight (excluding AC adaptor)
- 5.3 kg
11 lbs. 12 oz.
-
Yamaha Montage7 Synthesizer Workstation With 76 Keys
₹319,990.00Read moreMontage7 Dimensions Width 1,244 mm (49″) Height 131 mm (5-3/16″) Depth 396 mm (15-9/16″) Weight Weight 17 kg (37 lbs., 8 oz.) Keyboard Number of Keys 76 Type FSX Keyboard Initial Touch Yes Aftertouch Yes Tone Generator Motion Control Synthesis Engine AMW2: 8 Elements FM-X: 8 Operators, 88 Algorithms Maximum Polyphony AWM2: 128 (max.; stereo/mono waveforms) FM-X: 128 (max.) Multi Timbral Capacity 16 Parts (internal), Audio Input Parts (A/D*, USB*) *stereo Part Wave Preset: 5.67 GB (when converted to 16 bit linear format), User: 1.75 GB Performance 2,707 Filter 18 types Effects Reverb x 12 types, Variation x 88 types, Insertion (A, B) x 88 types*, Master Effect x 26 types *A/D part insertion x 83 types (Preset settings for parameters of each effect type are provided as templates) Master EQ (5 bands), 1st part EQ (3 bands), 2nd part EQ (2 bands) Controllers Master Volume, AD Input Gain knob, Pitch Bend wheel, Modulation wheel, Ribbon Controller, Control Sliders x 8, Knobs x 8, Super Knob, Data dial Display 7″ TFT Color Wide VGA LCD touch screen Connectors [USB TO DEVICE], [USB TO HOST], MIDI [IN]/[OUT]/[THRU], FOOT CONTROLLER [1]/[2], FOOT SWITCH [ASSIGNABLE]/[SUSTAIN], OUTPUT (BALANCED) [L/MONO]/[R] (6.3 mm, Balanced TRS jacks), ASSIGNABLE OUTPUT (BALANCED) [L]/[R] (6.3 mm, Balanced TRS jacks), [PHONES] (6.3 mm, standard stereo phone jack), A/D INPUT [L/MONO]/[R] (6.3 mm, standard phone jacks) Power Consumption 27 W Accessories AC Power cord, Owner’s Manual, Cubase AI Download Information Live Sets Preset: 128 and more, User: 2,048 Tracks 16 Sequence tracks, Tempo track, Scene track Recording type Real time replace, Real time overdub, Real time punch in/out Note Capacity 1 Song/Pattern: Approx. 130,000 notes, Store area: Approx. 520,000 notes (Pattern); approx. 520,000 notes (Song) Note Resolution 480 ppq (parts per quarter note) Tempo (BPM) 5 – 300 Arpeggio Parts: 8 Parts simultaneous (max.), Preset: 10,239 types User: 256 types Sequence formats MONTAGE original format, SMF formats 0, 1 Patterns 128 patterns Pattern tracks 16 Sequence tracks Pattern Recording type Real time replace, Real time overdub Songs 128 songs Song tracks 16 Sequence tracks, Tempo track, Scene track Song recording type Real time replace, Real time overdub, Real time punch in/out USB audio interface [Sampling Frequency = 44.1kHz] Input: 6 channels (3 stereo channels),Output: 32 channels (16 stereo channels) [Sampling Frequency = 44.1kHz – 192kHz] Input: 6 channels (3 stereo channels),Output: 8 channels (4 stereo channels) -
Roland Xps-10 (Red)
Original price was: ₹58,925.00.₹53,000.00Current price is: ₹53,000.00.Add to cartKEYBOARDKeyboard61 keys (with velocity)SOUND GENERATOR SECTIONMaximum Polyphony128 voices (varies according to the sound generator load)Parts16 partsPreset MemoryPatches: 1,273 + 256 (GM2)
Drum Kits: 19 + 9 (GM2)
Performances: 16User MemoryPatches: 256
Drum Kits: 8
Performances: 128
Favorites: 100EffectsMulti-Effects: 3 systems, 78 types
Chorus: 3 types
Reverb: 5 typesSAMPLE IMPORT FUNCTIONFile FormatAudio File: WAV (44.1 kHz, 16 bits)AUDIO PAD SECTIONFile FormatAudio File: WAV, AIFF, MP3External MemoryUSB Flash Memory (supports USB 2.0 Hi-Speed Flash Memory: Sold Separately)OTHERRhythm PatternPreset: 24 groups x 6ArpeggioPreset: 128ControllersPitch Bend/Modulation lever
Sound Modify slider x 9Display16 characters 2 line LCDConnectorsPHONES jack: Stereo miniature phone type
OUTPUT (L/MONO, R) jacks: 1/4-inch phone type
PEDAL jack
USB COMPUTER port (MIDI)
USB MEMORY port
DC IN jackPower SupplyAC adaptorCurrent draw1.3 AAccessoriesOwner’s manual
AC adaptor
Power cordOptionsKeyboard stand: KS-18Z (Use a stand that causes the height of the unit to be one meter or lower.)
Pedal switch: DP series
Expression pedal: EV-5
USB Flash Memory (*1)
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