Product Showcase
WORLD-CLASS CONFIGURABILITY AND TRANSIENT RESPONSE
DRUM OVERHEADS // ACOUSTIC GUITAR // PIANO // STRINGED INSTRUMENTS // CHOIR
LIFELIKE TRANSPARENCY & UNMATCHED VERSATILITY
The LA-120 is a transformerless condenser microphone with world-class transparency and sonic flexibility. This uniquely configurable design is equipped with analog sound-shaping onboard and includes interchangeable Cardioid and Omni capsules for added flexibility. Unlike traditional microphone designs that utilize a transformer to introduce color and saturation, the LA-120 is built around a US-made JFET to capture the vibrance and character of a sound with unprecedented realism and authenticity.
MORE THAN MEETS THE EYE
The LA-120’s onboard sound-shaping eliminates the need for mic swaps and wasted time. Jump from crisp to smooth to ribbon-like sonics at the flip of a switch. Take the edge off harsh overheads, or warm up a bright piano. Add picking articulation to an acoustic guitar or perfectly capture a string quartet, all at the flip of a switch.
CUSTOM CAPSULES
Our hand-tuned 17mm capsules provide transparent, lifelike sound with a musical blend of transient response and natural compression. This makes the LA-120 an ideal choice for use on drum overheads, percussion, acoustic guitar, and piano.
OMNI & CARDIOID POLAR PATTERNS
Cardioid capsules will focus each microphone’s attention directly to where it is pointed, reducing the overall sound of a room in a recording.
Omnidirectional capsules allow the sound of a room or other off-axis instrumentation to be captured naturally and with uncolored authenticity.
TRANSFORMERLESS TRANSPARENCY
The LA-120 signal path is hand-populated with high-resolution, low-distortion polypropylene capacitors and resistors, built around a US-made JFET for articulate, uncolored, and high-impact performance.
HIGH SPL ASSISTANCE (OPTIONAL)
We designed the LA-120s to excel in numerous applications, but you may want to use them on something extra loud. The optional in-line pads allow the LA-120s dynamic range and depth to be fully utilized on high SPL sound sources like toms, snare drums, and more.
IN THE BOX
2X CARDIOD CAPSULES / 2X OMNI CAPSULES / 2X STAND MOUNTS / 2X WINDSCREENS
TYPE
TRANSFORMERLESS CONDENSER
CAPSULE
17MM PRESSURE GRADIENT
POLAR PATTERNS
CARDIOID & OMNIDIRECTIONAL
FREQ. RESPONSE
20HZ – 20KHZ
HIGH PASS
FLAT / 50Hz / 120 Hz
LOW PASS
FLAT / 15kHz / 10 kHz
DYNAMIC RANGE
120DB MINIMUM
MAX. SPL
0.5% THD@1000HZ: 130DB
IMPEDANCE
<200 OHMS
SELF-NOISE LEVEL
< 15DB-A
SENSITIVITY
10MV/PA -40DB (0DB=1V/PA 1KHZ)
CONNECTOR
3-PIN XLR
POWER
REQUIRES 48V PHANTOM POWER
BOX DIMENSIONS
4″ x 10″ x 10″
IN-BOX WEIGHT
2.7lbs
MIC W/ MOUNT WEIGHT (EACH)
6oz
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Polar pattern (all mics): Cardioid
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Pad: 0/-15dB (DM-1B), 0/-10dB (DM-1S, DM-1T & STC-10)
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Filter (STC-10 only): Linear/75Hz
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Freq. response: 20Hz – 20kHz (DM-1B), 30Hz – 20kHz (DM-1S & 1T, STC-10)
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Sensitivity: 6mV/Pa -45dB ±2dB (DM-1B),
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8mV/Pa -42dB ±2dB (DM-1S & 1T),
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11mV/Pa -39dB ±2dB (STC-10)
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Impedance (all mics): ≤200 Ohms
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Equivalent noise level (A-weighted): 14dB (DM-1B, 1S & 1T), 18dB (STC-10)
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Max. SPL*: 155dB (DM-1B), 135dB (DM-1S & 1T), 130dB (STC-10)
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Power sources (all mics): 48V ±4V phantom power required
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Connector (all mics): 3-pin XLR
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Dimensions: 144 x 72 x 72mm (DM-1B),
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91 x 22 x 22mm (DM-1S & 1T),
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150 x 21 x 21mm (STC-10)
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Weight: 829g (DM-1B), 86g (DM-1S & 1T), 125g (STC-10)
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