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Korg Nautilus 61 61-key Synthesizer Workstation

Original price was: ₹250,000.00.Current price is: ₹215,000.00.

System, Keyboard

System: NAUTILUS System Version 1.0

Keyboard: 88 key: RH3 (Real Weighted Hammer Action 3), A – C
73 key: Natural Touch Semi Weighted, C – C
61 key: Natural Touch Semi Weighted, C – C
Velocity sensitive is supported, after touch is not supported.

Tone Generator

Synthesis Types: 9
SGX-2: Premium Piano (Acoustic Piano)
EP-1: MDS Electric Piano (Electric Piano)
HD-1: High Definition Synthesizer (PCM)
AL-1: Analog Synthesizer (Analog Modeling)
CX-3: Tonewheel Organ (Tonewheel Organ Modeling)
STR-1: Plucked String (Physical Modeling)
MOD-7: Waveshaping VPM Synthesizer (VPM Synthesis)
MS-20EX: Component Modeling Technology (Analog Modeling)
PolysixEX: Component Modeling Technology (CMT Analog Modeling)

Maximum Polyphony*1*2

SGX-2: 100 voices*3
EP-1: 104 voices
HD-1: 140 voices
AL-1: 80 voices
CX-3: 200 voices
STR-1: 40 voices
MOD-7: 52 voices
MS-20EX: 40 voices
PolysixEX: 180 voices

1: In rare cases, when a large number of processor-intensive effects are active simultaneously (for instance, more than 14 O-Verbs), polyphony may be slightly reduced.
*2: A portion of the multicore processor in NAUTILUS is devoted to generating voices, and a separate portion is devoted to generating effects. NAUTILUS dynamically allocates the voice processing power between the engines as necessary. The quoted maximum numbers of voices apply when 100% of the voice processing power is devoted to a single engine.
*3: 100 dual-stereo notes (equivalent to 400 mono voices)

Preset PCM: RAM 496 MB / DISK 2.3G (ROM 1,771 Multisamples, 3,955 Drumsamples)

Build-in Expansion PCM Libraries: EXs301: German2 D Piano
EXs302: Italian F Piano
EXs303: Japanese Upright U Piano
EXs304: Prepared Piano
EXs305: Historical Keyboards
EXs306: Vintage Keyboards 2
EXs307: Strings & Synths
EXs308: Guitar Collection
EXs309: Bass Collection
EXs310: World Essence
EXs311: Background Loops
EXs312: SFX & Hits
EXs313: Found Percussions
EXs314: Expansion Drums

PCM RAM Capacity

Approx. 2GB *4

*4: The memory available for Sampling Mode will change based on the use of Expansion PCM libraries and User Sample Banks. Approx. 260 MB is available when shipped from the factory (When loading the file named “PRELOAD.KSC”).

Wave Sequences: 598 User memory, 377 Preload
Support for stereo multisamples, synchronization of individual notes, and tempo-based settings.

SGX-2 Program

Premium Piano: Full key stereo sampling, Chromatically sampled at up to 12 velocity levels, no looping.
Damper resonance and mechanical noise are reproduced.
Una Corda sample support

PCM

EXs301 – German2 D Piano
12 velocity levels, includes Ambience Piano type/samples

EXs302 – Italian F Piano
12 velocity levels, no Una Corda samples

EXs303 – Japanese Upright U Piano
8 velocity levels

Exs304 – Prepared Piano
1-4 velocity levels

Piano Type: 128
(With the factory settings, the 64 varieties of EXs6: German D Piano, EXs7: Japanese C Piano, EXs12: SGX-1 Austrian D Piano, EXs17: Berlin D Piano do not produce sound. The options must be downloaded. (Those will be released at a later date.))

Oscillator Control: Damper Resonance
Damper Noise
Mechanical Noise
Note Release
String Resonance
Una Corda

EP-1 Program

MDS Electric Piano: Tine and reed-type electric pianos powered by Multi-Dimensional Synthesis (MDS), and vintage effects.

Electric Piano Model Types: 7
Tine EP I Early, Tine EP I Late, Tine EP II, Tine EP V, Tine EP DMP, Reed EP200, Reed EP200A

Oscillator Control: Harmonic Sound Level, Attack Noise, Level, Release Noise Level, Attack Brightness, Hammer Width

Panel Control

Tine Type
Preamp Volume, Tone (Treble, Bass), Vibrate (On/Off, Intensity, Speed), Amp/Cabinet (On/Off, Drive)

Reed Type
Preamp Volume, Tone (Treble, Bass), Vibrate (Intensity, Speed), Amp/Cabinet (On/Off, Drive)

Effect Types: 9
Small Phase, Orange Phase, Black Phase, Vintage Chorus, Black Chorus, EP Chorus, Vintage Flanger, Red Comp, VOX Wah

HD-1 Program

Advanced Vector Synthesis: Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.

Structure: Single: only OSC1, Double: OSC1 and OSC2.
Double mode lets you layer two completely separate synth voices, each with their own velocity-switched oscillator, dual filter, EGs, LFOs, etc.
Drums: One drum kit, Double Drums: Two drum kits.

Oscillators: 8 velocity zones per oscillator, with switching, crossfades and layering
Each zone can play mono or stereo Multisamples or Wave Sequences

Filters: Two multi-mode filters per voices (low-pass, high-pass, band-pass and band-reject), Four-mode filter routings (single, serial, parallel and 24dB mode)

Driver: Per voice non-linear driver and low boost circuit

EQ: Three bands, with sweep-able mid

Modulation: Three envelope generators, two LFOs per voice, common LFO, four key tracking generators, AMS (Alternate Modulation Source), two AMS mixers

Quick Layer / Split function

EXi Program Common

Advanced Vector Synthesis: Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope

Modulation: Common Step Sequencer, AMS (Alternate Modulation Source), Common LFO, 2 Key Tracking Generators

EQ: Three bands, with sweep-able mid

Quick Layer / Split function

AL-1 Program

Oscillators: Ultra-low-aliasing oscillators, OSC1, OSC2, Sub-oscillator and noise generator; ring modulation, FM and Sync

Audio Input: External audio can be processed through the ring modulator, filter, driver, amp, and EQ

Filters: Two multi-mode filters (low-pass, high-pass, band-pass and band-reject) with four types of filter routings (single, serial, parallel and 24dB mode), Multi Filter mode (only Filter-A; modulatable mix of Low Pass, High　Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects)

Driver: Per-voice non-linear driver and low boost circuit

Modulation: Five Envelope generators, four per-voice LFOs, two AMS Mixers; Per-voice Step Sequencer

CX-3 Program

Tonewheel Organ Modeling: Phase-synchronous tonewheels (clean and vintage modes), percussion, key click, wheel brake

EX Mode: Four additional, user-specified drawbars, and expanded percussion

Internal Effects: Rotary speaker, vibrato/chorus, amp modeling with overdrive, 3-band EQ

Drawbar Control: Controlled via nine front-panel sliders (via Tone Adjust)

Split: Upper, Lower (even in EX mode)

Modulation: Two AMS mixers

STR-1 Program

Physically Modeled String: Includes physically modeled damping, decay, dispersion, nonlinearity, harmonics, dual pickups, and more. Most string parameters can be controlled in realtime

String Excitation

Three independent excitation sources can be used simultaneously: Pluck, Noise, and PCM. 16 preset “pluck” types, with modulatable width and randomization. Noise generator with saturation and dedicated low pass filter

PCM Oscillator
KORG’s ultra-low-aliasing technology, as introduced in the HD-1; 4 velocity zones per oscillator; Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory.

Excitation Filter
Dedicated 2-pole multimode filter for shaping the string excitation. Filter can be enabled/disabled separately for each excitation source. Low Pass, High Pass, Band Pass, and Band Reject modes

Audio Input and Feedback: Run real-time audio through the string, including feedback through effects. Modeled feedback includes modulate-able instrument-to-amp distance and orientation

Filters

Dual multi-mode filters per voice; Single, Serial, Parallel (with split stereo output), and 24dB (4-pole) configurations. Low Pass, High Pass, Band Pass, and Band Reject modes

Multi Filter Mode (Filter A only)
Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects

Modulation: 5 Envelopes, 4 per-voice LFOs, 2 Key Track generators, String Tracking generators, 4 AMS Mixers

MOD-7 Program

Waveshaping VPM Synthesizer: Combines Variable Phase Modulation (VPM), Waveshaping ring modulation, PCM sample playback, and subtractive synthesis; Able to convert-load SYX files

Oscillators

6 VPM/Waveshaper/Ring Modulation Oscillators
Phase and modulatable pitch per oscillator. 101 Waveshaper tables plus modulatable Drive and Offset. Use as oscillators, or as Waveshapers or Ring Modulators for other signals

PCM Oscillator
KORG’s ultra-low-aliasing technology, as introduced in the HD-1. 4 velocity zones per oscillator.Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory

Noise Generator (With saturation and low-pass filter function)

Audio input: Run real-time audio through the VPM Oscillators and filters.

Filters

Dual multi-mode filters per voice. (Low Pass, High Pass, Band Pass, and Band Reject modes) , Two types of filter looping (Parallel and 24 dB “4-Pole”)

Multi Filter mode (Filter A only)
Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects

Patch Panel: Supports both preset algorithm (78 types) selection and free patching.Three 2-in, 1-out mixers for scaling and merging audio, fully modulatable, with phase inversion. Main 6-input stereo mixer, with modulatable pan and volume, plus phase inversion

Modulation: 10 Envelopes, 4 per-voice LFOs, 9 Key Tracking generators, Per-voice Step Sequencer, 4 standard AMS Mixers plus 4 simple AMS Mixers

MS-20EX Program

Oscillators: Ultra-low-aliasing oscillators; VCO1, VCO2, Ring Mod, Pink and White Noise Generator

Audio Input: Run real-time audio through the synthesis engine and ESP (External Signal Processor)

Filters

12dB/octave High Pass and Low Pass self-resonant filters

ESP section
24dB/octave Low Cut and High Cut filters, available per voice.

Patch Panel: Patchable audio and modulation, at audio rates

Patch Points

Keyboard
Keyboard CV Out, Keyboard Trigger Out, VCO1+VCO2 CV In, VCO2 CV In

VCO
VCO1+VCO2 External Frequency Control In, VCO1 Out, VCO2 Out

VCF
External Signal In, External HP Filter Cutoff Frequency Control In, External LP Filter Cutoff Frequency Control In, HPF Out, LPF In, LPF Out

VCO+VCF
Total External Modulation In

VCA
External Initial Gain Control In, VCA In

EG
EG1 Envelope Signal Normal Out, EG1 Envelope Signal Reverse Out, EG1+EG2 Trigger In, EG1 Trigger In, EG2 Envelope Signal Reverse Out

MG
Triangle Out, Rectangle Out

Noise Generator
Pink Noise Out, White Noise Out

Sample and Hold
Clock Trigger In, Sample Signal In, S/H Out

Modulation VCA
Control Voltage In, Signal In, Signal Out

Manual Controller
Control Wheel Out, Momentary Switch

ESP
Signal In, AMP Out, BPF In, BPF Out, F-V CV Out, Envelope Out, Trigger Out

Others
EXi Audio In, Mixer 1 In, Mixer 1 Out, Mixer 2 In, Mixer 2 Out

ESP (External Signal Processor):: Use incoming audio as a trigger and/or CV source

Modulation: Original DAR (Delay, Attack, Release) and HADSR (Hold, Attack, Decay, Sustain, Release) EGs 1 &2, Original MG (with MIDI sync), Sample-and- Hold, MVCA, NAUTILUS: 4 additional multi-stage Envelopes, 4 additional per-voice LFOs, and 4 AMS Mixers.

PolysixEX Program

Oscillators

VCO
Saw, Pulse, PWM

Sub Oscillator:
Off, 1 octave below, 2 octaves below

Filter: 24dB(4-Pole) Octave Low Pass self-resonant filter

Effects: Integrated Polysix Chorus, Phaser, and Ensemble

Arpeggiator: Integrated MIDI-synced arpeggiator, with adjustable Range, Mode, and Latch

Modulation

Polysix
Original ADSR EG and MG (with MIDI sync).

NAUTILUS
2 additional multi-stage Envelopes, 2 additional per-voice LFOs, and 4 AMS Mixers.

Combination

Number of Timbres, Master Keyboard Functionality: 16 Maximum
Keyboard and velocity splits, layers, and crossfades of up to 16 Programs and/or external MIDI Devices
The tone adjust parameter function lets you modify program settings, and the master keyboard function lets you control external MIDI devices

Advanced Vector Synthesis: Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope

Quick Layer / Split function

Drumkit

Assignable stereo/mono samples with 8 velocity zones per oscillator (with crossfade functions)

Number of Programs/Combinations/Drum kits

User Memory Programs: 2,560 (1,920 [1,280 HD-1+640 EXi] come preloaded)

User Memory Combinations: 1,792 (256 come preloaded)

User Memory Drum Kits: 264 (104 come preloaded)

256 GM Level2 preset programs + 9 GM Level 2 drum preset programs

Set List

Number of Set Lists/Slots: 128 set lists, 128 slots per set list
Each set list provides a 9-band graphic EQ, and a Tone Adjust function that allows program settings to be adjusted
Transpose setting
Hold Time setting of Smooth Sound Transition (SST) supported for each slot

Sampling

System: Open Sampling System (resampling, In-Track sampling)

Bit Depth/Sampling Frequency

RAM
16-bit/48 kHz stereo/mono sampling

DISK
16 or 24-bit/48 kHz

Sampling Time

RAM
Depends on the amount of available PCM RAM

DISK
Maximum 80 minutes stereo (879MB: 16bit)

Sample Locations: 16,000 samples/4,000 multisamples (128 indexes per multisample)

Formats: KORG format, AKAI S1000/S3000 data (with advanced Program parameter conversion); SoundFont 2.0, AIFF, and WAVE formats

Editing: Time Stretch, Time Slice, Crossfade Loop, and other standard editing features.

Effects

Insert Effects: 12
Stereo in / stereo out

Master Effects: 2
Stereo in / stereo out

Total Effects: 2
Stereo in / stereo out

Timbre EQ: One 3-band EQ for each timbre/track

Effect Types: 197

Modulation: Dynamic Modulation and Common LFO

Effects Control Busses: Stereo side-chaining for compressors, gates, vocoders, etc

Effect Presets: Total 783 preset, Maximum 32 per 1 effect (Preset User)

Arpeggiator

Arpeggiator Modules: One module in Program mode, two modules in Combination and Sequencer modes

Arpeggio Pattern: 5 presets + ARP A 2,048 slots (1,593 come Preload) + ARP B 128 slots

Controllers: On/Off, Latch, Gate, Velocity, Length, Swing, Tempo

Drum Track

Preset Patterns: 1,272 (common with the preset patterns of the MIDI sequencer)

User Patterns: 1,000
Patterns created in Sequencer mode can be converted to drum track user patterns.

Trigger Mode/ Sync / Zone / Swing, Drum SD, Tempo settings can be specified.

Sequencer / HDR

Tracks: 16-track MIDI sequencer + 16-track hard disk recorder + 1 master track.

Number of Songs: 200

Resolution: 1/480

Tempo: 40.00 – 300.00 (1/100 BPM resolution)

Maximum Memory: 400,000 MIDI events or 300,000 audio events

MIDI Tracks: 16 tracks plus the master track, 697 preset / 100 user patterns (per song), 18 preset/16 user template songs,

Audio Tracks: 16-track playback, 4-track simultaneous recording, WAV file format 16bit/24bit
Maximum Single-file Recording Time (mono): 80 minutes
Automation: Volume, Pan, EQ, and Send1/2
10,000 regions (max.)
Event Anchors, BPM Adjust

Other Functions: RPPR (Realtime Pattern Play and Record): 1 Pattern set per song

General

Disk Mode: Load, save, utility, data filer function (save/load MIDI System Exclusive data), CD-R/RW (UDF format read/write), ISO9660 Level 1.

Controllers: Joystick, Switches 1 & 2
Arpeggiator Control: On/Off, Latch, Gate, Velocity, Length, Swing, Tempo
DRUM TRACK: On/Off, Swing, Drum SD, Tempo

Display: TouchView graphical user interface, 7 inch color TFT, WVGA (800 x 480 dots), adjustable brightness

Principal Specifications

Frequency Response
20Hz-22kHz, +/-1.0dB, 10k Ω load

THD+N
20Hz-22kHz, 0.01%, 10k Ω load (typical)

S/N
95dB (typical)

Dynamic Range
95dB (typical)

Crosstalk
95dB, at 1kHz (typical)

Outputs

L/MONO, R, Individual 1-4
1/4” TRS Balanced
Output Impedance: 350 Ω Stereo; 175 Ω Mono (L/MONO Only),
Nominal Level: +4.0 dBu,
Maximum Level: +16.0 dBu (when load impedance is 600 Ω or greater)
MAIN VOLUME slider controls only AUDIO OUTPUT (MAIN) L/MONO and R

Headphones
1/4” stereo phone jack
Output impedance: 33 Ω,
Maximum Level: 60+60 mW (when load impedance is 33 Ω),
MAIN VOLUME knob (link with AUDIO OUTPUT (MAIN))

USB-B
24-bit, Sample Rate: 48 kHz, 2 channels
(Digital output of the same signals as AUDIO OUTPUT (MAIN) L/MONO and R)

Inputs

Audio Inputs 1 and 2
1/4” TRS Balanced
Input Impedance: 10 kΩ
Nominal Level: LINE +4 dBu
Maximum Level: LINE +16 dBu
Nominal Level: MIC –22 dBu
Maximum Level: MIC -10 dBu
Source Impedance: 600 Ω

USB-B
24-bit, Sample Rate: 48 kHz, 2 channels

Control Inputs: Damper pedal (half damper supported)
Assignable switch, Assignable pedal

MIDI: In, Out, Thru

USB

USB A (TYPE A)
For connection to external USB devices (QWERTY keyboards, MIDI controllers, ethernet adaptors, and storage)

USB B (TYPE B)
MIDI/audio interface, MIDI: 1 (16 channel) input / 1 (16 channel) output, Audio: 2 channel input / 2 channel output
*2 USB high-speed ports (supports 480Mbps)

Disk Drives: 60 GB SSD (2.5”)

Power Supply: AC power supply terminal, Power switch

Dimensions: (W x D x H): 88 key: 1,437 x 387 x 139 mm / 56.57” x 15.24” x 5.47”
73 key: 1,227 x 386 x 116 mm / 48.31” x 15.20” x 4.57”
61 key: 1,062 x 386 x 116 mm / 41.81” x 15.20” x 4.57”

Weight: 88 key: 23.1 kg / 50.93 lbs.
73 key: 14.6 kg / 32.19 lbs.
61 key: 13.0 kg / 28.66 lbs.

Power Consumption: 40 W

Accessories: AC cord, Quick Start Guide

Option: XVP-20: Expression/Volume Pedal
EXP-2: Foot Controller
DS-1H: Damper Pedal
PS-1: Pedal Switch
PS-3: Pedal Switch

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Nine different sound engines offer massive expressive power

The NAUTILUS features nine dedicated sound engines to realistically reproduce sounds such as pianos, electric pianos, organs and more.

To start, the enhanced SGX-2 piano sound generator offers delicate expressiveness to capture all the nuances of the acoustic piano, and NAUTILUS features the most piano libraries ever put into one product; with 12-step velocity-switched sound, string resonance and more. The EP-1 electric piano sound generator realistically reproduces seven different famous electric piano sounds. The CX-3 engine – the heart of our sought-after CX-3 reissue -covers the distinct sound of classic tonewheel organs. Add to that MOD-7 VPM/FM synthesis, the PolysixEX and MS-20EX for analog modeling, and the STR-1 for physical modeling, and you have essentially an engine for any type of sound you’re looking to get. Used together in Program or Combination mode, these distinctive engines create completely new timbres.

New sounds offered over three broad categories

The approach to the included sound on NAUTILUS, started with Korg setting aside our preconceptions of what sound should be like on a conventional music workstation, and instead focused on pushing the boundaries of sampling and programming to create a brand-new classifications of programs that we divide into three groups:

“Unique” sounds:
The NAUTILUS brings you distinctive sounds including phrase loops, prepared pianos, found percussion and more. Many seldom heard-of musical instruments found in different regions around the world can be difficult to play, but distinctive phrases played on these instruments are featured on the NAUTILUS. Use these phrases as-is in your songs—let your imagination be your guide. The NAUTILUS features sounds that were sampled for the first time just for this instrument, including prepared piano sounds created by placing different objects between piano strings and recording samples, or “found percussion” sounds made by turning ordinary items into instruments to be struck. Not only do these novel and mysterious sounds provide an unexpected flavor to your songs, they offer broad possibilities for sound effects used in film and TV music as well.

“Current” sounds:
The NAUTILUS also offers the freshest sounds that blend in well with today’s music scene, including synths, drum kits, special effects and more. For synths, be sure to check out the EDM, electro and chiptune sounds for starters. Also, the NAUTILUS features more than 50 kinds of drum kits—sounds that most strongly reflect the changes in music over time. The special effect sounds offer useful material like drums added to dance music to create beats—sounds that you can put to use right away.

Standard sounds:
We’ve brought together all of the most important sounds a workstation needs including piano, electric piano, guitar, bass guitar and more, covering all genres. For the newly sampled piano sound, we’ve also recorded the lovely sonic ambience of the studio, and you can mix the piano and ambience sound as you like with the new ambience sound. A new electric piano model with a characteristic thick sound has been added, which works great for funky playing styles. We’ve also added many phrases that let you play back actual performances of guitar and bass parts that keyboardists will find useful.

The DYNAMICS knob makes delicate expression possible

With the DYNAMICS knob, you can instantly control the changes in volume and tone in response to how hard you play the keyboard (velocity); and you can customize this knob in real time to match the keyboard playing feel required for each style and song. Even when playing the same sound, you can turn this knob to get the feeling of playing a completely different sound. By finding just the right setting for your playing style, you’ll uncover even more of the possibilities that the NAUTILUS offers.

When you activate the DYNAMICS knob and turn it to the left, the keyboard responds more softly to your playing, giving you a wide range of dynamics. This allows for delicate, expressive playing when accompanying a piano solo or vocals, which directly reflects the dynamics of your performance. On the other hand, turning the knob to the right gives a stronger, more flat dynamic response. This brings out the sound when you’re playing in a band or ensemble, which works best when performing with a more even feel.

Make intuitive changes to sounds with the Realtime knobs

The six RT (real-time) knobs at the top left of the panel give you direct control over changes to the PROG and COMBI sounds. A variety of functions are assigned to each knob that lets you enjoy making changes to sounds, such as the filter cutoff and effect depth, the gate time, tempo and swing of the arpeggiator or drum track, the type of snare drum and more. In COMBI mode, you can group timbres and control their levels with the knobs. Further, you can press these knobs into the panel to lock them in place, preventing them from being accidentally changed while you’re playing. For instance, you could use this to enable only the knobs you often use onstage and push the ones in that you do not need.

A user interface designed for easy operation

For the NAUTILUS, we have completely rethought the user interface, considering that panel controls tend to become denser as more functions are added. The interface of the NAUTILUS lets users find just the things they’re looking for once they understand the principles.

The MODE button lets you see what you’ve selected in each mode on a single screen, from PROG and COMBI to the set list, sampling, sequence and global modes. Each mode has tabs for each function, and the PAGE buttons offer more detailed editing with consistent operations. With the user-friendly navigation of the NAUTILUS, you can press the MODE button at any time to return to the start if you get lost. A dark mode is available for the display, using black as the primary color to reduce eye fatigue.

Six quick access buttons are also available as shortcut buttons. The NAUTILUS further offers four templates as a continuation of the previous user-friendly features, which can be used to select modes like PROG and COMBI, as transport buttons for sequencer playback and recording and so on. You can also select your own settings as you like. What’s more, you can freely assign functions you frequently use and save them in one of four sets.

Convenient arpeggiator and drum track functions

Four scenes of arpeggio patterns and drum track sets are made available that perfectly match each PROG and COMBI preset sound. These are useful for switching between scenes while they’re played, for use when improvising during performance, or for expanding your vision when composing music starting from a sound.

Color TouchView Display

The nerve center of the NAUTILUS is KORG’s enormous eight-inch (800 x 480 pixel) WVGA color TouchView display.

In addition to simply selecting a sound or choosing a parameter with the touch of a finger, the enhanced Touch-Drag ability allows more detailed control of parameter values. Interactive instruments and panel graphics provide the ability to do everything from adjusting the lid of a grand piano to connecting patch cable on a semi-modular synthesizer model.

The TouchView display also hosts a convenient new Search Function, allowing you to search for (and preview) sounds based on their titles.

Set list mode that demonstrates its power in live performances

NAUTILUS can organize all of the resources you need to get through a song—or a set—using the Set List mode. Using the Set List mode, the TouchView display can host 16 color-coded touch-screen buttons; each one can instantly call up the appropriate Preset, Combination, or Sequence—regardless of mode!

You can also select different button colors, such as when you want to change the colors within a song while playing live. This is a powerful feature for situations that require quick and accurate control. The Set List mode even adds a nine-band graphic EQ, allowing the overall tone to be tweaked to match the venue.

Open Sampling System

Using KORG’s Open Sampling System, NAUTILUS can quickly sample an external audio source, regardless of whether NAUTILUS is in the Program, Combination, or Sequencer modes. The Open Sampling Mode can even resample the performance of the NAUTILUS itself. The user sample bank, which extends the convenience of the EXs sample library to user samples, allows custom samples to be loaded and played, taking advantage of the gigantic SSD capacity.

AIFF, WAV, SoundFont 2.0, and AKAI S1000/3000 format samples can be loaded into memory via USB memory. Additionally, you can use a USB Ethernet adapter to exchange large amounts of sample data with your computer at high speed. Instruments or samples that you’ve previously created on your PC can be used to construct a music production setup based on just the NAUTILUS itself.

16-Track MIDI Sequencer / 16-Track Audio Recorder

NAUTILUS features a sequencer/recording section that offers both 16 MIDI tracks plus 16 audio tracks; a great resource for putting together a dazzling performance or a brilliant production. MIDI sequencing makes it easy to capture ideas, inspiration, and pro-quality phrases using the Drum Track, or RPPR (Realtime Pattern Play/Recording) functions.

The 16-track audio recorder simultaneously captures up to four tracks of 16-bit/24-bit uncompressed data at a sampling rate of 48 kHz. Play along with recorded tracks, add effects, and then resample the NAUTILUS itself and place the resampled WAV files directly in a track. When polishing your tracks, feel free to use mixer automation and editing functions such as copy, paste, and normalize to get the results you want.

16 Onboard Effect Processors

NATILUS provides 16 internal effects to add impact to your sonic creations. Each of the 12 Insert effects can be applied to individual or multiple timbres in a combination, or to individual or multiple tracks of the sequencer. In addition, two Master effects can be applied to sends 1/2, and two Total effects can be applied to all tracks at the final stage of the sound.

A separate three-band EQ is provided for every timbre, for every sequencer track, and for every audio track for adjusting subtle tonal balances or for creatively modifying the overall sound.

USB / MIDI Host Ports Accommodate MIDI Control Surfaces

nanoPAD2

Any class-compliant USB-MIDI controller can be connected directly to the NAUTILUS. Assign functions to a Korg USB MIDI controller with pads (nanoPAD, nanoPAD2, padKONTROL) to play drum parts.

Categories: KORG, SYNTHESIZER / ARRANGER

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₹319,990.00

Montage7
Dimensions	Width	1,244 mm (49″)
	Height	131 mm (5-3/16″)
	Depth	396 mm (15-9/16″)
Weight	Weight	17 kg (37 lbs., 8 oz.)
Control Interface
Keyboard	Number of Keys	76
	Type	FSX Keyboard
	Initial Touch	Yes
	Aftertouch	Yes
Tone generator
Tone Generator		Motion Control Synthesis Engine AMW2: 8 Elements FM-X: 8 Operators, 88 Algorithms
Maximum Polyphony		AWM2: 128 (max.; stereo/mono waveforms) FM-X: 128 (max.)
Multi Timbral Capacity		16 Parts (internal), Audio Input Parts (A/D, USB) *stereo Part
Wave		Preset: 5.67 GB (when converted to 16 bit linear format), User: 1.75 GB
Performance		2,707
Filter		18 types
Effects		Reverb x 12 types, Variation x 88 types, Insertion (A, B) x 88 types, Master Effect x 26 types A/D part insertion x 83 types (Preset settings for parameters of each effect type are provided as templates) Master EQ (5 bands), 1st part EQ (3 bands), 2nd part EQ (2 bands)
Other
Controllers		Master Volume, AD Input Gain knob, Pitch Bend wheel, Modulation wheel, Ribbon Controller, Control Sliders x 8, Knobs x 8, Super Knob, Data dial
Display		7″ TFT Color Wide VGA LCD touch screen
Connectors		[USB TO DEVICE], [USB TO HOST], MIDI [IN]/[OUT]/[THRU], FOOT CONTROLLER [1]/[2], FOOT SWITCH [ASSIGNABLE]/[SUSTAIN], OUTPUT (BALANCED) [L/MONO]/[R] (6.3 mm, Balanced TRS jacks), ASSIGNABLE OUTPUT (BALANCED) [L]/[R] (6.3 mm, Balanced TRS jacks), [PHONES] (6.3 mm, standard stereo phone jack), A/D INPUT [L/MONO]/[R] (6.3 mm, standard phone jacks)
Power Consumption		27 W
Accessories		AC Power cord, Owner’s Manual, Cubase AI Download Information
Live Sets		Preset: 128 and more, User: 2,048
Performance Recorder
Tracks		16 Sequence tracks, Tempo track, Scene track
Recording type		Real time replace, Real time overdub, Real time punch in/out
Note Capacity		1 Song/Pattern: Approx. 130,000 notes, Store area: Approx. 520,000 notes (Pattern); approx. 520,000 notes (Song)
Note Resolution		480 ppq (parts per quarter note)
Tempo (BPM)		5 – 300
Arpeggio		Parts: 8 Parts simultaneous (max.), Preset: 10,239 types User: 256 types
Sequence formats		MONTAGE original format, SMF formats 0, 1
Sequencer
Patterns		128 patterns
Pattern tracks		16 Sequence tracks
Pattern Recording type		Real time replace, Real time overdub
Songs		128 songs
Song tracks		16 Sequence tracks, Tempo track, Scene track
Song recording type		Real time replace, Real time overdub, Real time punch in/out
Functions
USB audio interface		[Sampling Frequency = 44.1kHz] Input: 6 channels (3 stereo channels),Output: 32 channels (16 stereo channels) [Sampling Frequency = 44.1kHz – 192kHz] Input: 6 channels (3 stereo channels),Output: 8 channels (4 stereo channels)

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Korg, Arranger Keyboard PA-300
Original price was: ₹77,000.00.Current price is: ₹65,000.00.

Sound quality is first-rate

It all begins with the sound. KORG sound quality is universally recognized as superior, and relied on by musicians around the world. First in its class, the Pa300 delivers an even richer, more detailed, sophisticated natural sound than ever before, with musical instruments from almost every genre brimming with depth, nuance, subtlety, accuracy and richness. Over 950 sounds are preloaded, including a renewed GM soundset, and 64 drum kits. There is also an amazing multilayer stereo acoustic piano, accurately sampled from a Concert Grand, which includes string and damper pedal resonance. *Sounds are fully editable and changes can be saved in the User area.

*To use this functionality, you need to install operating system v.1.5.0 or higher.

Click here to download OS v.1.5.0.

A full complement of Effects

Of course great sound is about more than the instruments. For many years, KORG has produced outstanding studio quality effects that are simply breathtaking. The Pa300 has 4 Stereo Master Effects processors, with 125 of these effects including standards such as Reverb, Delay and Chorus and some of the universally acclaimed REMS guitar based effects for authentic guitar tones. Each Track features an EQ with Low, Mid and High controls. A custom track EQ can be memorized in the general preferences for the Song Play mode. This will help adapting the sound to personal taste for any MIDI file you play. Need a lighter bass track? Save the right equalization, and the bass will stay light with all the subsequent Songs.
A final 4 band parametric EQ is added to the sound output of the Pa300. Everything can be processed by this powerful and musically refined EQ, easily adapting the sound to your musical taste or correcting a problematic live context.

Styles are professional quality

Matching this high sound quality, the Pa300 delivers a new set of deluxe Styles, programmed by some of the leading arrangers in the world; each one bringing unique musical strengths. The result is hundreds of preloaded Styles that provide unparalleled realism and detail. Covering an expanded range of musical genres, the Pa300 gives you Styles for almost every important occasion.
We add further realism to your performance with four Fills/ Breaks plus 3 Intros and 3 Endings. More flexibility is added by the choice of different transposition tables, and the stunning Guitar Mode 2 adds a totally new perspective to Style Guitar tracks. *If you require a special Style collection, simply record and edit your own Styles on board.

*To use this functionality, you need to install operating system v.1.5.0 or higher.

Click here to download OS v.1.5.0.

Composition support functions

Automatic accompaniment with rich, detailed realistic backing patterns (Styles) created by professional programmers from around the world will provide useful ideas for your arrangements. Simply play a chord progression and the Quick Record function will complete the basic backing tracks. The Pa300 is a simple but powerful composition tool for any musician!

Compact, yet powerful

The Pa300 is one of the easiest arrangers to carry around. But while its size might appear diminutive, it’s not the same with regard to the power of the onboard, exceptionally high-quality custom designed amplification system. The 2 x 13 Watt amplifiers drive the 2 loudspeakers in a bass-reflex box to generate a rich, powerful listening experience.

Easy to use

With all the technological power packed inside, it was vital that we also made the Pa300 easy to understand and easy to use. But even more, we wanted the entire user experience with the Pa300 to be an intuitive, musical, fast, fool proof process. The panel layout has been revised and our graphical user interface uses an amazing Graphical Color Touch Screen so you simply think, point and click for easy and intuitive use.
There are two interface modes so that a musician of any level can start making great music quickly: Easy and Expert. The Easy mode shows only the most important controls, while keeping a clean and straightforward interface, useful for beginners or playing live. Nothing stands between you and your professional performance. Of course, in Expert mode you have full editing control.
Your live performances will work the way you want, and when you do not remember where a file, a Song or a Style was saved, just use the Search function to let Pa300 find it for you.

Play any song and view as traditional music notation

The Pa300 onboard player can read MID, KAR and MP3 files. It can also read lyrics and chords from all these file types. Traditional score viewing is also available for those who prefer to read music.
The Score Viewer displays the lead track (or any other track) as clear and plain traditional musical notations with notes or chords, together with lyrics and chord abbreviations. Chord names can also be seen in English and Italian. For those learning music, we also added a function to show note names next to each note.

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Roland XPS-10 (Black)
Original price was: ₹63,344.00.Current price is: ₹55,000.00.
Pro performance keyboard with a diverse selection of high-quality sounds for live and studio playing

Includes a wide range of ethnic sounds, plus a User Scale function for creating regional tunings

Sample Import function allows users to import and play custom sounds from the keyboard

Six Audio Pads for triggering audio files, loops, and sound effects via USB memory or built-in XPS-10 rhythms

Powerful built-in effects—three MFX (each with 78 types) plus global reverb and chorus

Intuitive user interface, designed for live performance

Quick-access buttons for favorite sounds and split, layer, octave shift, and transpose functions

Sound Modify section for real-time sound shaping and level control

Arpeggio function with a large selection of adjustable parameters

USB Computer port provides MIDI communication with popular music software

Compact, durable design with lightweight body (4 kg) for easy transport
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Korg, Arranger Keyboard PA-1000
Original price was: ₹260,000.00.Current price is: ₹200,000.00.

61 semi-weighted keys (C2 – C7) with velocity and aftertouch

System

Upgradable operating system, Multitasking, Load while play

Sound Generator

EDS-X (Enhanced Definition Synthesis – eXpanded)
Filters with resonance, 3-band EQ on each Sound

Polyphony

128 voices, 128 oscillators

Effects

Accompaniment/Song:

2 insert effects; 2 master effects (148 types)

Keyboard Sounds

1 insert effect; 2 master effects (148 types)

Final mastering effects

Limiter, Master EQ

Voice Processor

EQ, Compressor, Gate, 3-voice Harmonizer (or Double), 2 x FX. Harmonizer, Double: Technology by TC•Helicon®

Presets

More than 30 Factory, 64 User

Guitar Processor

3 x FX. Presets: 45 Factory, 64 User

Sounds / Drum Kits

Factory

More than 1,750 Factory Sounds, including two multilayer Stereo Pianos with damper and body resonance, GM/XG sound sets and 107 Drum Kits

User

512 Sounds, 256 Drum Kits

Digital Drawbars

9 footages, percussion, key on/off, leakage, rotary speaker effect

DNC (Defined Nuance Control) Technology, Natural Ambience Drums Full Sounds/Drum Kits editing

Sampling

User PCM Sample memory

300 MB compressed (equivalent to 600 MB linear data)

Loads KORG, WAV, AIFF and SoundFont™ formats
Saves KORG, WAV and AIFF formats
Full Edit, Time Slice, Sampling

Styles

Factory

More than 430 Factory Styles, freely reconfigurable sets

User

1,152 locations, including User and Direct banks

Eight Accompaniment tracks, 4 Keyboard Sets, 4 Pads per Style; Style Settings (Sounds and Arranger parameters) on each Style
Guitar Mode 2, Parallel and Fixed NTT (Note Transposition Table)
Style/Pad Record with Step Record, Track and Event Edit
Style Creator Bot (MIDI Song to Style Converter)

Style controls

3 Intros, 4 Variations, 4 Fills, Break, 3 Endings, Synchro Start, Synchro Stop, Tap Tempo/Reset, Bass Inversion, Auto Fill, Manual Bass, Memory, Accompaniment Mute, Drum Mapping, Snare & Kick Designation, Style to Keyboard Set Mode

Chord Sequencer

Chord Sequence recorder and player in Style Play mode
Chord Sequences can be saved to Style and SongBook Entries

Edit functions

Delete, Copy from Style/SongBook, Import/Export from/to SMF

Keyboard Set Library

Memorize Keyboard Sound settings

Factory

More than 300 Keyboard Sets, freely reconfigurable

User

864 locations, including User and Direct banks

‘My Setting’ special Keyboard Set

KAOSS FX

Automatic MIDI FX generator
More than 65 Factory Presets

Song Play

Patented XDS Crossfade Dual Sequencer Player with X-Fader control

Supported formats

MID, KAR, MP3+Lyrics, MP3+G

Two Players with separate Select, Start/Stop, Home, Rewind and Fast Forward controls
Lyrics, Score, and Chord data can be displayed on screen, or on an external　video monitor
Markers with Add, Delete, Edit and Loop functions
Jukebox function

MP3 Player / Recorder

Double MP3 Player and MP3 Recorder
Transpose (+6/-5 semitones), Tempo change (±30%)
Vocal Remover
Records MP3 files, including Styles, MIDI Songs, MP3 Songs, Keyboard Sounds, Pads, Microphone, Guitar, Effects, KAOSS Effects

Sequencer

Quick Record (Backing Sequence), Multitrack and Step Record functions
Full-featured sequencer, 16 tracks, Up to 200,000 events, SMF (MID) native format

SongBook

Fully programmable music database, based on Styles, MIDI Songs (MID and KAR files), MP3 Songs, with automatic selection of Style Play and Song Play modes
User definable Set Lists, with Entries selectable from the control panel
Filtering and sorting options

Compatibility

Pa-Series models

Styles, Performances/Keyboard Sets, Programs/Sounds, Songs, SongBook Entries, Pads

‘i-Series’ models

Styles

Pads

Four Assignable Pads + Stop buttons
Pad Record function

Controls

Master Volume, Fade In/Out, Keyboard-Acc/Song Balance, Ensemble, Octave Transpose, Master Transpose, Quarter Tone and Arabic Scale memorized inside Keyboard Sets, Joystick, Audio In Volume, Mic FX Level, Harmony/Double On/Off, Mic/Guitar Preset, Audio In Mute ,2 Assignable Knobs, 3 Assignable Switches, Tempo +/-, Tempo Lock, Metronome On/Off, Dial, Search, Shift, Chord Scan (Lower, Upper), Split, Track Select, Record
Virtual Quarter Tone SubScale Keypad, 4 x Scale Presets

Control Inputs

Damper pedal (supports half-pedaling with the optional DS-1H pedal)
Assignable pedal/switch

Audio Inputs

Line (Left/Right)

1/4” jacks, +20dBm, 12k Ohm

Mic/Guitar (Left)

1/4” jack, with Gain control (0 — +40dB)
12k Ohm (Mic) / 500k Ohm (Guitar)

Audio Outputs

Left/Right

1/4” jack, +21dBm, 0.003% THD+N@+18dBm

Headphone output

1/4” jack, 16-200 Ohms (50 Ohms suggested)

Speaker System

Amplification

2 x 33 W

Speakers

2 x 100 mm woofers in bass reflex box, 2 x 25 mm dome tweeters

MIDI

IN, OUT

Standard MIDI connectors

USB to MIDI using the USB ports
Eight user definable MIDI Setups

USB

Type A

HOST, for memory and controllers x 2 (front/rear)

Type B

DEVICE, for personal computers and tablets x 1 (rear)

2.0 Hgh-Speed connections (480 Mbit/s).

Storage

Internal memory

960 MB

USB external drives (drive not included)
microSD card (not included); rear panel slot with plastic cover

Display

7” Wide capacitive color TouchView™ TFT display – Manual tilt system

Video Out

HDMI connector

Clock

Internal System Clock

Power Consumption

100–240 Volts, 50/60 Hz, 25 Watt normal / 0.3 Watt in standby

Dimensions (W x D x H)

1030 x 378.3 x 133 mm / 40.55″ x 14.89″ x 5.36″ (without music stand; height with music rest: 355.8 mm / 14”)

Weight

10.75 kg / 23.7 lbs

Included Items

AC Power Cable, Music Stand, Quick Guide manual

Accessories

EXP-2 Foot Controller, XVP-10 Expression/Volume Pedal
DS-1H Damper Pedal (supports half-pedaling)
PS-1, PS-3 Pedal Switch
VOX V860 volume pedal

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Korg Nautilus 61 61-key Synthesizer Workstation

System, Keyboard

Tone Generator

SGX-2 Program

EP-1 Program

HD-1 Program

EXi Program Common

AL-1 Program

CX-3 Program

STR-1 Program

MOD-7 Program

MS-20EX Program

PolysixEX Program

Combination

Drumkit

Number of Programs/Combinations/Drum kits

Set List

Sampling

Effects

Arpeggiator

Drum Track

Sequencer / HDR

General

Nine different sound engines offer massive expressive power

New sounds offered over three broad categories

The DYNAMICS knob makes delicate expression possible

Make intuitive changes to sounds with the Realtime knobs

A user interface designed for easy operation

Convenient arpeggiator and drum track functions

Color TouchView Display

Set list mode that demonstrates its power in live performances

Open Sampling System

16-Track MIDI Sequencer / 16-Track Audio Recorder

16 Onboard Effect Processors

USB / MIDI Host Ports Accommodate MIDI Control Surfaces

Reviews

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Korg, Arranger Keyboard PA-300

Sound quality is first-rate

A full complement of Effects

Styles are professional quality

Composition support functions

Compact, yet powerful

Easy to use

Play any song and view as traditional music notation

Roland XPS-10 (Black)

Korg, Arranger Keyboard PA-1000

System

Sound Generator

Polyphony

Effects

Sounds / Drum Kits

Sampling

Styles

Chord Sequencer

Keyboard Set Library

KAOSS FX

Song Play

MP3 Player / Recorder

Sequencer

SongBook

Compatibility

Pads

Controls

Control Inputs

Audio Inputs

Audio Outputs

Speaker System

MIDI

USB

Storage

Display

Video Out

Clock

Power Consumption

Dimensions (W x D x H)

Weight